Clark’s prose is elegant, serene, boasting a reporter’s eye and a storyteller’s élan, never drawing attention to itself but always serving the needs of the story: “It made her glow,” he writes, from the perspective of the husband in Paris: “The midnight dinners in tiny bistros, the warm croissants in the morning, oysters at midday, the long, long walks, making love in the afternoon …” Most of the characters and situations are entirely believable and relatable, and many remain in the reader’s mind, such as that husband, who faces the end alone in the most mundane of ways, or a father who comforts his son after he has a panic attack.
Clark makes small, everyday moments poetic. The parents of a teen couple in “Pizza Thanksgiving,” watching anxiously as their son skates with his love/crush, are sketched with an empathetic eye and loving attention to the textures of everyday life, especially their anxiety at her rejection of him. The understated way in which the influence of wealth and class shapes politics and, through it, the lives of ordinary people is a key theme, explored with power in “The Reunion.” This deserves special mention. An interesting collection, drawn from life, alive with insight and grace.
Takeaway: Engaging stories revealing contemporary urban life with insight and humanity.
Comparable Titles: Thomas Morris’s Open Up, Yiyun Li’s Wednesday’s Child.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A