Gauri’s vibrant characters steal the spotlight in this thoughtful debut, with the most memorable—Rav Uncle—coming across as both horrendous and, at times, hilarious. He is loud, aggressive, and full of himself, riding roughshod over people’s emotions and sensibilities, even as he desperately tries to hide his vulnerabilities beneath a veneer of authoritarian bluster. Avi and Meena are equally well fleshed out, with entirely relatable confusions and conflicts, but the character readers will find themselves rooting for the most turns out to be Peeku: vulnerable, confused, intimidated by his overbearing father, but standing up for himself and making his own decisions in the end.
Peeku’s position serves as a metaphor for the deeper themes at play here, as each character comes to terms with their reverence for tradition in the midst of a contemporary world that calls for flexibility: Meena, who longs for passionate intimacy with Avi even as she espouses the perks of arranged marriage; Avi, who considers his views more modern but still suffers disappointment when Meena falls outside the “maternal archetype”; and Peeku, who naively believes that love truly conquers all. This is an often funny and thought-provoking tale on the nature of love and long-term relationships in a world that glorifies individualism.
Takeaway: Refreshing take on arranged marriage and small-town American politics.
Comparable Titles: Akhil Sharma’s Family Life, Manju Kapur’s The Immigrant.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
