On a cold January morning in 1832, a young New England mill girl, five months pregnant, is found hanged in a deserted woodyard.
Initially ruled a suicide, letters found among the victim's effects lead to the suspicion that the father of her child—and likely murderer—is the young Reverend Josiah Woodley, a married man. Josiah is arrested and charged.
Since the death of their infant daughter, when Rachel Woodley was disappointed to discover her husband wasn’t the masterful “head of the woman” her religion tells her she must have to subdue her own unwomanly drive and initiative, the Woodleys have been living parallel lives, drifting ever further apart. Now, finding the evidence against her husband strong enough to convict him, and shocked to discover no one in his church seems eager to see him exonerated, Rachel exerts herself to vindicate him, if she can. At first timid and ineffectual, she gradually gains confidence in herself—and in Josiah, who proves to be not as weak and vacillating as she once imagined. But can she uncover the truth in time to save him from the gallows?
Inspired by a true event, Marriage and Hanging is the captivating new historical novel by Genevieve Morrissey, author of the popular Antlands science fiction series.
That premise grabs attention, but what sets Morrissey's novel apart is its deep dive into 1830s life, from the miserable and dangerous conditions endured by mill workers to Rachel’s disappointment that her marriage, even before the accusation, is cold and distant. (Rachel knows that if she were to ask local notables for advice, she would be encouraged only to “prayer, patience, and womanly submission.”) With that richness of milieu, the pacing is deliberate but steady, as Rachel’s investigation offers Morrissey opportunity to examine matters of belief, morality, and the suppression of women’s individuality, especially among the mill girls, whose independence is treated by society as something improper.
Deeply grounded in early American Christianity, the narrative highlights the low regard that institutions held for women—Rachel is forbidden to testify on behalf or against Josiah. As she and her maid, Kitty, work the case, Rachel balances a laid-back amiability with a shrewd doggedness. The mystery itself proves gripping, with Morrissey deftly teasing revelations and then showing her cards at the perfect moment. Readers will be privy to gossip, occasional prison rendezvous, undercover investigations, and an ending that satisfies but finds Rachel facing an uncertain future.
Takeaway: This deft historical New England mystery digs deeply into women’s lives.
Comparable Titles: Robert Brighton's The Buffalo Butcher, R. J. Koreto's The Turnbull Murders.
Production grades
Cover: A-
Design and typography: A-
Illustrations: N/A
Editing: A
Marketing copy: A-