January 6, 2024
The Shoe Box Waltz is the story of lives intertwined, each one shaped by the others it touches. Each of these lives is in turn shaped by single defining moments, a moment that we never expect to possess such impact. This is a novel of the power of such encounters, seemingly so fleeting and unimportant at the time, as they become amplified. While its author, Kathleen Patrick, labels this a psychological novel, I am inclined to class it as a literary fiction: character-centric and deeply reflective, rather than psychological in the academic or manipulative sense.
The novel revolves around a young woman, Cora, and takes us through three interlocking periods of her life: her youth, her childhood, and her adult life after a traumatic event. As she moves through these periods of her life, she encounters people whose decisions shape the course of her own experience: Nancy, Caitlyn, Maureen, and later, Ian and Ray. There is also an unnamed external narrator, perhaps a sentient persona in Cora’s subconscious. This reader found the novel to focus heavily on the experience of being a woman and the trials of womanhood; a topic I enjoy and appreciate as a woman. A note: Readers should be aware they may find elements of the novel triggering; but, as women generally know, a woman’s life in this patriarchal world is inherently fraught with trauma.
Divided in two parts, bifurcated as Cora’s life becomes, the reader is given a view into the inner perspectives of each of these individuals in Cora’s life, as well as a her own. Each chapter is narrated by a different individual, some also switch position from 1st to 2nd to 3rd, offering the reader a wholly different voice and understanding of Cora’s story. In some cases, the switch of perspective is jarring, but overall, the mechanism works to deliver an unusual reading experience.
Patrick’s prose is literary; thoughtful and evocative, stealthily drawing emotion from the reader. That said, some descriptions and phrases read poorly, dated, and somewhat cliché: “shapely legs” for instance, provides no real fleshy image for this reader. Despite this, I was compelled to read on, finishing the novel in the space of three days. Cora’s story — and Nancy’s intervention in it — was magnetic.
Readers who enjoy historical literary fiction, with a feminist tint, will be sure to find The Shoe Box Waltz a moving and emotional experience, well-worth the effort of reading it.
