A plethora of anachronisms pull readers out of the time period and interrupt the story’s flow. There are a number of glaring factual errors: Lassa describes a Viking tune as resembling the Christian hymn “Good King Wenceslas,” a 19th-century song with a 13th-century melody; Lassa’s mentor, Chinese alchemist Choy Yang, predates the documented arrival of Chinese immigrants to England and Norway by hundreds of years. Likewise, language choices for the characters, such as Lassa repeatedly saying things are “cool,” make it difficult to fully immerse oneself in the time period, though the creative liberties may appeal to an uncritical younger audience.
Lassa’s struggle to fit in with the older, tougher Vikings is peppered with boyish humour and palpable nervous tension. Both Lassa and Ann have engaging, distinctive voices, and as they both try to break free from the gender restrictions of their time, they make a very sympathetic couple. Young readers who care more about fun adventure than historical accuracy will enjoy Yurke’s rip-roaring storytelling.
Takeaway: Sweeping atmosphere and a zippy pace will draw adventure-minded middle grade readers to this tale of Viking and Saxon warfare and romance.
Great for fans of Neil Gaiman’s Odd and the Frost Giants, Terry Jones’s The Saga of Erik the Viking.
Design and typography: B
Marketing copy: A