Vargas takes us back to a time when figuring out life and, in particular, the opposite sex are foremost on the mind. Beautifully written, travel along with Daniel as he navigates this new and confusing world of adulthood, filled with equal moments of awkwardness and optimism. Along this ride, meet the supporting cast of Daniel's life, whose advice and own adventures shape his decisions and actions.
That Would Be Telling is a charming coming of age story, filled with drama, humor, and sexual tension. In it, Daniel Vargas explores the timeless complexities of the family relationships, schooling concerns, romantic love, and tumescent desire all concomitant with a young man's life -- ostensibly his own.
Set in 1960's, the novel takes place mainly in Portugal, but the characters' paths take them at various times to France, and--with comedic effect--repeatedly to "Brussels." Vargas makes occasional references to the impact of Portugal's contemporaneous fascist regime on certain aspects of daily life, but this does not really darken the mood of the story. Daniel enjoys a life of moderate bourgeois privilege, yet he is confronted with the looming threat of induction into the military while the country is on the brink of a brutal war in Angola.
Throughout the novel, young Vargas struggles to connect with his father, as they are both still grieving for the loss of his mother. However, he is bolstered by a strong extended family, and much of the novel centers around family gatherings. This, of course is the backdrop of many encounters with one of his primary love interests, his adopted cousin Mireille, who loves to tempt and tease Daniel.
However, Mireille is but one of Daniel's romantic concerns. Daniel has been "friend-zoned" by Theresa (a lifelong friend, and crucial emotional support for Daniel), repeatedly rebuffed by Aurélia (a luscious divorcée), and thoroughly despised by Zulmira (an underprivileged classmate). Daniel's dance card is full indeed, and despite his pressing desire for sexual fulfillment, one opportunity after another is foiled by slip-ups, circumstances, or nagging concience.
Interestingly, as much as young Vargas is preoccupied with love and sex, like all teen boys, he needs to eat, apparently all the time. Quart de niche, pain de champagne, Rosette de Lyon saucisson sec, petit-susses, feijão frade, chouriço, pão saloio, marmalada, cozido, pastéis, and more. It seems no chapter is complete without an appreciation of the gustatory delicacies that keep a young Portuguese's motor running.
In all, Vargas tells his story well. The novel employs several overlapping narrative arcs that have interesting interplay. Dialogue is crisp and pithy. Characters have depth, exhibiting unique merits, flaws, and individual needs. While Daniel's sexual aspirations are a driving force in the novel, Vargas's treatment of sex is authentic and free from taboo, without being tawdry. And this novel is about so much more than a boy's romantic escapades; it's also significantly about grief, forgiveness, fear, and romantic and familial love.