Dipitous Beach’s residents cope with the aftershocks of the town’s Sickness on their own terms: Lorelei, an amateur oceanographer, finds solace in taking her purple surfboard, Amethyst, out among the hidden underwater caverns of the ocean; New York city transplant Isaac finds himself alone in a new world; Tad, Lorelei’s quiet brother, grows up too quickly as he confronts their mother’s illness; Lorelei’s boyfriend, Casey, chafes against his parents’ overprotectiveness; Condi, granddaughter of a wise yoga teacher, grapples with the growing terror of isolation; and Irish expat Kait longs to leave the America she’s feeling increasingly trapped in. The tale brims with atmosphere, though the many varied viewpoints make for choppy storytelling at times.
The cast is relatable for middle grade readers, and, despite the mishmash of traits and personalities, the story’s framework—built on oceanography, marine biodiversity, and even magic—is intriguing. Abernathy’s use of color as a recurring motif for Tad and Isaac is fully fleshed out and resonates, and the pair’s blossoming friendship is a bright spot in the narrative. The storytelling evokes tranquility and mystery alongside coming-of-age transformations that probe the limits of love and adventure, making this a delightful testament to the forces of friendship and bravery.
Takeaway: An imaginative coming-of-age tale rich with magic, adventure, and friendship.
Comparable Titles: Rebecca Stead and Wendy Mass’s The Lost Library, Tahereh Mafi’s Furthermore.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
Shared through intimate snapshots of childhood memories—and framed against an undercurrent of foreboding that runs throughout—Schneider’s recollections pack a powerful punch. He unflinchingly recounts his abuse, sharing the hatred he instantly felt for the man he once loved unconditionally—and chronicles how that hatred remained, unabated, for years. Despite those earth-shattering insights, Schneider never lets the calamity overshadow the rest of his memoir. Using his poet’s touch, he relays thwarted childhood runaway schemes, science class experiments that go awry, hipster cousins ruining the spirit of Christmas, and the lasting effects of shattered young love (“For years I would fall hard whenever I fell in love. And even harder when love departed” he writes).
Schneider’s short essays roll a striking portrait of a distinct time and place into a highly readable story of his early life, delivering a patchwork of potent experiences that feel fully formed and deeply expressive. Classic music and pop culture of the ‘60s and ‘70s invade the memories, from Schneider’s description of Joni Mitchell as a “guide, articulating the minor keys of my emotional state” to his dabbling in drugs on “the beach not far from Nixon’s San Clemente estate.” This is an exquisite rendering of innocence, unraveling, and identity.
Takeaway: Exquisite coming-of-age amid trauma, family secrets, and 1960s awakenings.
Comparable Titles: Rick Hill’s We're All from Somewhere Else, Lawrence Culver’s The Frontier of Leisure.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Marie’s focus throughout is on urging readers to release the worldly things that interrupt what she presents as our innate, intuitive abilities to receive messages from the universe. “The more you know about the psychic energy you leverage, the more meaningful your life will be,” she argues. Chapters that include meditation exercises or the experiences of real cases in which Sheila Marie participated will prove enjoyable and compelling to seekers, and her direct voice and stream-of-consciousness style is intimate and personable, that of an impassioned instructor.
Readers already open to the idea of a joyful connection with a Divine Source will feel buoyed by Marie’s encouragement and stories of intuitive flashes, like the friend who can “download psychic energy” from people warning, prophetically, that a man’s work colleague is not to be trusted. The chapters including exercises and meditations to sample are refreshing, and the overwhelming positivity of Marie’s message will resonate with readers on her wavelength.
Takeaway:A medium’s upbeat guide to connecting to the Divine Source.
Comparable Titles: Lisa Hunt’s The Divine Connection, Ervin Laszlo’s Reconnecting to the Source.
Production grades
Cover: B+
Design and typography: A-
Illustrations: N/A
Editing: B+
Marketing copy: A-
With the same inviting storytelling that distinguished 2022’s Heart of New York, Rem blends the light-hearted and the quietly profound, pulling the reader into his close-knit family while also celebrating the cultural richness of their destinations. The joy of introducing his family to Spanish places he visited as a young man, and the excitement of taking the Gaudi tour of the famed architect and designer in Barcelona, radiates from the pages as Rem creates lifelong memoirs with his wife and children—and conjures some of the magic for readers in evocative descriptions of tapas, the stillness of siesta time, the “medieval” feeling of Madrid, and the beauty and complex history of Alhambra and its gardens. Through it all, he imparts life lessons with his sons, with perhaps the most edifying being Rem’s zeal for family, travel, and culture, food, and art.
This moving story is rounded out by Lorie Miller Hansen’s charming illustrations, plus personalized summaries of each chapter from both author and illustrator. Readers who have read Rem's previous works will reconnect with his family and note the growth in his two sons from adolescence into adulthood, though no prior knowledge is required to enjoy the book.
Takeaway: Touching memoir from a family man creating lifelong memories on a Spanish vacation.
Comparable Titles: Jessi Hempel's The Family Outing, Pat Kogos's Feet in the Window.
Production grades
Cover: A-
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A-
Dane's offering is an imaginative and creepy story of ancient secrets and immortal life forms that watch from the sidelines and strike in strategic and deadly ways. Shelton is more than just a wealthy businessman with an impressive military career— he is a complex character with a secret double life as a vigilante seeking justice for the innocent and those who have been violated in the foulest way. Dane peels back the layers of this complicated hero with care, building suspense and setting up jolting revelations. Embroiled in a doomsday narrative that spans centuries are a wide range of characters from clergymen to the president, as Dane pits good against evil and humanity against a threat to the world itself.
“I am required to rely on seven souls to help me. Seven souls who believe in what I am doing and will lay down their life for the cause," Thomas explains of hismission. That captures the tone of this brisk, tense novel. Readers who enjoy bloody thrillers of demons, souls, lost religious tomes, and quick-witted, philosophical-minded characters will find much to enjoy.
Takeaway: Suspenseful doomsday thriller of demons and ancient secrets.
Comparable Titles: Mike Carey’s Felix Castor series, John Shirley’s Demons.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: B+
The collection’s power is in its accessibility. Epigraphs from household names like Taylor Swift and Kristen Stewart, plus celebrated queer poet Ocean Vuong, gather readers into a space of familiarity, and illustrator Sarah Rose Glickman’s jagged, floral line drawings offer a gentle visual element to Bendheim’s poetry that draws readers deeper into the poet’s narrative and the shape of her yearning. No two coming-out stories are alike, but Bendheim’s inviting concrete and conversational style (“You Knew First” opens with “In eighth grade, / you ask me who the most beautiful girl in the world is.”) allows for a friend-confidant dynamic to develop between author and reader that increases in intimacy as the collection follows life into adulthood.
As this memoir in verse demonstrates, Bendheim had no guidebook to queerness and coming out; she had to figure it out, facing rejection, heartbreak, and longing, alone. Through her suffering, she was able to emerge, self-actualized, into the most authentic version of herself. In “Desire Lines,” the speaker defines desire lines as paths made by those “architectural rebels” who don’t follow paved walkways, who are unafraid to ruin the grass. By the end, Bendheim reveals that coming out is becoming “no longer afraid of a little dirt.”
Takeaway: Achingly poignant poems charting a coming-out journey.
Comparable Titles: Michelle Tea’s “Oh God," June Jordan’s “Poem for Haruko," Audre Lorde’s “Movement Song.”
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A
Many of the poems in Petrie’s collection relay the experience of a downtrodden, heartbroken, lonely person. “And Then It’s Done,” for example, begins as a letter to the speaker’s children offering advice, but the poet builds to this jolting declaration: “I never had kids.” Yet for all the unsettled feelings that Petrie’s collection explores, there is an equal and opposing presence of hope. “Pour-Over Coffee” uses the pour-over process as a metaphor for aging. “This is a liquid art” the speaker advises, “do not rush,” and once the “sweet symbiosis” is reached, “they call it the bloom— this waking moment, right now — when the favor reaches // its peak.”
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Takeaway: Bittersweet and illuminating poems exploring middle age.
Comparable Titles: Donald Hall’s “Affirmation”, Margaret Atwood’s “Dearly”.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
The heart of the tale lies in the complex mother-daughter relationship between Trixie and Death, which proves amusingly relatable amid the fantastical settings. Trixie's unhealed abandonment issues from Death's aloofness and seeming nonchalance bring a human touch to all the crossings of realms, although the exploration of Death's persona here feels somewhat limited, perhaps to be explored more deeply in future stories. "Like, would it kill my mom to make it to my frickin’ birthday dinner?” Trixie asks, her words echoing the struggle for connection. Better late than never, Death bestows upon Trixie a mysterious miniature scythe—as a birthday gift!—and warns her to carry it with her at all times.
What follows is an action-packed comic trip through hellscapes where Trixie must survive on the other side of the vortex, one that tests the power of friendship to will courage in the face of adversity. Although the story could benefit from a more robust exploration of family and friendship dynamics, Paisley prioritizes world-building and adventure written in lively prose and imaginative storytelling, always with elements of surprise and humanity that readers of inventive urban fantasy metaphysics will find alluring.
Takeaway: Death's daughter goes through Hell to save a friend in this amusing debut.
Comparable Titles: Seanan Mcguire’s October Daye series, M. H. Boroson's The Girl with Ghost Eyes.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
Paine offers smart jolts and surprises while making this dark dystopian scenario plausible. As Emma and others (including Trey’s former colleague Malcolm Schmidt) fight to find and save D’Angelo, Trey convinces Emma that he’s one of the good guys and seduces her for good measure. Meanwhile, the body count of Trey’s former hires for his unsuccessful project rapidly mounts, with several dispatched in spectacularly gruesome fashion—and it seems that evil will take over good. As Emma and Malcolm solicit help from others, innocents (including a young child) may end up as collateral damage.
The author does a masterful job of continually ratcheting up the tension and expertly weaving in red herrings. Action is crisp, though some of the torture details may be too much for squeamish readers. Polished and professional, this well-plotted and expertly wrought suspenseful tale will tick all the right boxes for readers who enjoy heart-stopping and scarily plausible stories.
Takeaway: Twisty, scarily plausible thriller that grips from page one.
Comparable Titles: Blake Crouch’s Recursion, Jon Evans’s Exadelic.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
The authors render a careful portrait of sorrow and longing in this purposeful tale, and Milko’s ache at his mother’s absence is palpable. He dreams of her gentle embrace, “as tender as a petal,” as he, his father, and Abena traipse through their empty days without her, somehow managing to accomplish quotidian tasks like haggling at the market and getting breakfast on the table without her steady hand. Nothing’s quite the same without Mama: the porridge boils over, the cat and dog are always after each other, and Milko misses the salteñas Mama always buys him at the market. Abena struggles with sadness in her own way, crying in a “shrill voice” that startles Milko and stumps his father, prompting Milko to wonder if her tears are “a longing for the gleam in Mama’s eyes.”
Milko sheds tears of his own, in private, as he falls asleep at night, holding a mirror “to watch those secret tears roll down his cheeks.” Of course, Mama returns just in the nick of time, and the reunion is delicately depicted by Knatko’s graceful watercolor illustrations, when Mama’s laugh “as deep as the forest slips into [Milko’s] room.” Young readers and adults alike will treasure this testament to family love.
Takeaway: Touching, dreamy portrait of a son’s bond with his mother.
Comparable Titles: Suzanne Collins’s Year of the Jungle, Patrice Karst’s The Invisible String.
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: B+
Marketing copy: A
"For far too long, society has painted a bleak picture of this natural life transition," Low writes. Low explains that menopause is not the end of youth and vitality but "a comma in the sentence of life". Through client anecdotes, clinic research, and scientific evidence, Get Your Sexy Back offers solutions and proactive measures to take in the most common symptoms of menopause. Sharing trends that have proven most successful such as low-carb diets and the effects of ketosis, ways through exercise to stay in a caloric deficit, and beneficial supplements, this resource guide provides insights to ease the transition into this "phase of introspection, growth, and mental unrest.”
Focusing more on how to align mind, body, and soul than sexiness, Get Your Sexy Back is a comprehensive guide that provides readers with the knowledge, wisdom, and tools to flourish during this crucial season in a woman's life. With chapters on how to combat weight gain, mood swings, or even insecurity through connecting with support groups and being in community, Low highlights the new beginnings and reasons to celebrate "the wisdom of the past and the promise of the future" that comes with the transformative journey of menopause.
Takeaway: An informative guide for woman transitioning into menopause.
Comparable Titles: Maisie Hill’s Perimenopause Power, Jen Gunter’s The Menopause Manifesto.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Lily passes on the bad news to her parents, but the king and queen pay her no heed. The kingdom has nothing to fear, thanks to Lily’s “powerful sisters” and the menacing royal army, or so everyone thinks—but when the trolls come to call, Lily, and her family, are sorely disappointed. The royal army fails to stop the marching trolls, and Princess Rose isn’t quite strong enough to take them on; Jasmine fails as well, when she discovers the trolls are immune to her magic. That leaves Lily, whose talent, readers will likely guess, is the last defense—and the kingdom’s surprising secret weapon. Luckily, the trolls aren’t immune to Lily’s siren song, and they’re all soon sleeping peacefully, giving the royal army a chance to load them into carts and escort them out of the kingdom.
Quilario’s anime-like illustrations give this feel-good princess story a bit of an edge, and younger readers will appreciate fun details like the trolls’ surly expressions or the royal soldiers’ earmuffs that block Lily’s song while they dispose of the trolls. The storyline is light, but Johnson’s message about Lily’s transformation is important: “Knowing she had a unique way of bringing peace and tranquility to everyone, she never shied away from her talent again.”
Takeaway: A young princess discovers the power of believing in herself.
Comparable Titles: Aaron Blabey’s Thelma the Unicorn, Dan Bar-el’s Not Your Typical Dragon.
Production grades
Cover: A-
Design and typography: A
Illustrations: A
Editing: A-
Marketing copy: A
Shining with insight and playful language, pieces such as "Calling Mommy" ("three-dimensional sound wrapping/ around a sweet spot/ the word naively singing a miniature siren sword") dig deep into life’s richest experiences. Hunziker also offers vivid detail in pieces exploring the challenges of breastfeeding and considering the calming tranquility of nature ("Trees teach. Trees produce. Trees help build things. Yet maybe even more profoundly, they are simply here.”), the lines fluid and alive with feeling while honoring the poetic forms. "The canvas of life provides so many unique motivations for our work," Hunziker writes about finding a passion or calling and "not 'only' trying to arrange our bliss.” This inspirational collection also focuses on faith, love, and cultivating a relationship with God, children, and ourselves.
Half Moon Waking explores life lessons with vulnerability and empathy as Hunziker, writing with approachable eloquence, ruminates on experiences both treasured and painful, including some, like the exhaustion of the first weeks of motherhood, that are too complex—”too ripe and absurd,/ too stark real”—to fully capture in language. The result is a surprising collection, straightforward and personal despite its host of formal approaches, digging deeply into what the author has learned as she has grown, often in the face of self-doubt, into maturity and the wisdom that “the most beautiful treasures in life are those that involve pain, time, and great effort.”
Takeaway: Wise and engaging chapbook on parenthood, faith, and love
Comparable Titles: Rudy Francisco's I'll Fly Away, Morgan Harper Nichols's All Along You Were Blooming.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
In clear and personable language, Irwin offers an illuminating introduction to the ins and outs of the business of supply and demand, hedging in agricultural economics, and controversies over future trading. Balancing the complex details of trading with the antics of his childhood is an unorthodox approach, but the choice creates an inviting narrative while revealing the workings of commodity markets. With the goal to "shed light on the market's mystery in a way that is understandable to the average person,” Irwin shares insight through his hard-won experience and the knowledge of other experts such as Terry Duffy, the owner of the largest commodity trading exchange in the world. Exploring the "global controversy" of speculation in future markets, ways to manage price risks, and what it means to "corner the market", Irwin delves into economics, consumership, and "systemic risk.”
With persuasive power, Back to the Futures defends "the vital role" of speculators, what he considers the dangers of over-regulation, and the importance of future trading in the global economic financial system. Irwin's chronicling of his childhood scraps (being hit by a Pepsi truck; running from rogue steers) and his personal experience in the business of future trading make for an informative and engaging resource.
Takeaway: Rousing introduction to and defense of future trading, with stunts.
Comparable Titles: Emily Lambert's The Futures, Thomas Smith's Futures Trading
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
The rest of the story allows the narrator to show off her sock collection and briefly discuss the meaning behind each occasion. Valentine’s Day, for instance, is about “showing the ones you love how much you care,” which is why her pink-and-red socks are adorned with tiny hearts. Her Fourth of July socks feature colorful fireworks that encourage her to celebrate her individuality, and her Christmas socks remind her of the joy of giving. The text rhymes, the meter feeling somewhat forced at times, and is laid out like prose rather than verse, making first-time outloud reads a little tricky. Still, young children will enjoy pointing out the ubiquitous symbols of each holiday and relating their own experiences.
Emilija Marija Navelskyte’s playful illustrations make the narrator’s socks the star of the show. They have a place of honor in a blue container adorned with a red ribbon, and excitement is evident on the narrator’s smiling, wide-eyed face as she models each pair. She poses proudly alongside familiar images that children will recognize, such as a rainbow and shamrocks for St. Patrick’s Day and ghosts and pumpkins for Halloween. This spirited story will give kids the chance to consider their favorite aspects of these annual occasions while delighting in the narrator’s unique way of celebrating.
Takeaway: Lighthearted picture book introduces major holidays through a girl’s sock collection.
Comparable Titles: Elana K. Arnold’s What Riley Wore, Miranda Paul’s 365: How to Count a Year.
Production grades
Cover: A
Design and typography: A-
Illustrations: A
Editing: B+
Marketing copy: A-
Jamin shares 18 memories in 18 chapters, told in roughly chronological order: he recalls being a child who shied away from sports, his reluctance to take a father-mandated martial arts class, and the abject terror he felt at his first lesson, looking at a bloodthirsty opponent. Jamin is a skilled writer, and his account of reluctance turning to dread turning to flat-out terror is potent. “We’ve had enough judo for a while, don’t you think?” his father eventually says, and the reader’s heart rate will return to normal. From there, Jamin covers moving to Hollywood and living at the Melrose Place; “general” meetings with studio executives; the secret life of a “spooky” neighbor; and taking dance lessons after being called out by his sister at a wedding.
The strength of Jamin’s book lies not only in his immersive conjuring of memories or his brisk, engaging storytelling and dialogue. It’s in how he deftly ties each anecdote into larger life events, revealing how “almost forgotten moments” can be substantial in their significance, even life changing. Paper Orchestra offers as many heart-tugging moments as laughs, but it will also leave readers rummaging through their own mental archives.
Takeaway: Incisive, sharply told memories from a Hollywood writer’s life.
Comparable Titles: Patty Lin’s End Credits: How I Broke Up WIth Hollywood, Susan Silver’s Hot Pants in Hollywood.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A