Booklife Review

“There is a mysterious fire in her chest,” the groundbreaking feminist Bolivian poet Adela Zamudio (1854-1928) wrote in a work whose title declares, with blunt force, how she viewed herself: “Poet.” That “mysterious fire,” a few lines later, is called “sacred,” the “shard of a shattered soul,” and the very “blood of the heart.” For Zamudio, that fire was both Art itself and “the Idea,” and the act of pulling it out from one’s self and giving it voice in a society hostile to artists in general, poets in particular, and women above all else—well, that was an act of courage. Now, almost a century after her death, Zamudio’s rousing, visceral, defiant work is at last available to the English-speaking world, thanks to this searing, sensitive translation from Yetter.

Yetter’s choices—from individual word choices to her selections of poems and prose pieces—illuminate the sweep and heat of the fire in the poet’s chest. The pieces here reveal Zamudio’s passions, interests, beliefs, and career, from the powerfully explicated feminism of poems like “Born a Man,” to her handling of subjects like depression and the feeling that one must wear a false face in society. These verses feel urgent and timely, and poems like “Masquerade” could be about Instagram: “In the dance of the world /our joy / is a dazzling garment /of fantasy / we use to cover /the hidden sadness / we repress.”

Even poems with traditional romantic forms and subjects (“To a Seagull,” “To a Tree”) pulse with a sense of fin-de-siècle ennui and, often, outrage about injustice, while one literally titled “End of a Century” builds to the bleak punchline of what “admirable and blessed” science has bequeathed us: the knowledge that, after our sufferings on Earth, we face the void. The long, surprising “Iron Crazy Woman,” meanwhile, and a poem of love for Zamudio’s sister, offer crucial consolations: the mystery and artistry of the former, and the deep feeling of the latter.

Takeaway: Trailblazing poems from a Bolivian feminist in English at long last.

Comparable Titles: Gabriela Mistral, Rosario Castellanos.

Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A