Demerjian’s vivid descriptions flood her writing, infusing the story with rich texture and depth. Emlyn is beautifully portrayed—“dark limbal rings around the corneas of beautiful hazel-green eyes created a sense of deep drama in a distinct and charming face”—while Dyfen’s aqua gaze and barely-bridled intensity match Emlyn’s hunger, launching the two into a passionate spiral of lovemaking, danger, and an emerging war. Demerjian forms their attachment slowly but steadily, generating plenty of heat and building to a feverish incident in the stable at the book’s midway point that leaves little room for doubt that these two are meant for each other.
Richard the Lionheart is thrown into the mix, as he speeds to Cyprus to rescue his fiancée from the self-proclaimed emperor Isaac Komnenus, and Demerjian weaves his fate into that of Dyfen and his brothers, who must undertake their own daring retrieval of Emlyn, taken captive by a dastardly duke with evil intentions. The mix of feuding families, battles ripe for conquest, and men fighting for the reputation of beautiful young maidens comes to a head in Demerjian’s cliffhanger ending, crafting a sweet setup for future installments.
Takeaway: Period romance with its fair share of daring rescues and simmering tension.
Comparable Titles: Lisa Kleypas’s Devil in Winter, Georgette Heyer’s Venetia.
Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
“Embrace the shift,” Scherman writes, “and it won’t feel like the end of something but the beginning of an incredible transformation.” Whether or not his forecasts prove accurate, Scherman, drawing on over 30 years of experience as a chief strategy officer, proves a rousing guide to both the specific possibilities he lays out about platform economies and the role of AI in infrastructure management, but also more general lessons and strategies for navigating change, emphasizing principles like embracing “lifelong learning to stay ahead in a fast-changing environment.” Scherman evinces a striking ability to clarify complex topics, and even intricate ideas (like a heady exploration of AI’s potential impact on social interactions) are presented in a way that resonates.
How will the rise of artificial intelligence reshape production, industries, the energy sector, and even love? Scherman offers a clear-eyed, step-by-step tour of the likely consequences and risks while also highlighting the immense potential of this unstoppable transformation. One controversial topic he addresses is the balance between job loss and creation. Will we all become creatives alongside AI, or something else entirely? This is both a call to reflection and an urgent action plan for emotional intelligence development.
Takeaway: Urgent business guide to mastering the AI-driven near future.
Comparable Titles: Mustafa Suleyman’s The coming Wave, Kai-Fu Lee and Chen Qiufan’s AI 2041.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Mainly sharing from his own experiences gleaned over decades of relationship building, Karplus (author of Illustrated DACEASY Accounting) proposes a handful of recommendations in unfussy, candid prose that readers will find easy to grasp and implement. Whether a relationship goes the distance or ends amicably, Karplus asserts that, by focusing on communication, realistic expectations, and the importance of transparent boundaries, readers can build a connection “in which both relationship members happily give and get what they want from it.” He addresses potential roadblocks to that success as well, including what he terms the “disastrous trend” of social media (“a virtual reality that allows humans to have virtual relationships behind a screen and to avoid face-to face contact with other humans,” he writes) and unclear expectations that only set relationships up for failure.
What’s most helpful here are Karplus’s exercises and prompts, as he includes action items at the end of every chapter to practice his recommendations as well as several assignments to help readers deepen their interpersonal bonds (generating ideas for common activities and manifesting components of self-love are two that stand out). He calls for self-awareness and self-reflection as the first steps to establishing a successful relationship, leaving readers with the thought that “relationships are not simple… [but] they can provide partnerships that last a lifetime.”
Takeaway: Down-to-earth resource for building and maintaining successful relationships.
Comparable Titles: Jay Shetty's 8 Rules of Love, Jimmy Evans's The Four Laws of Love.
Production grades
Cover: A
Design and typography: A-
Illustrations: N/A
Editing: B+
Marketing copy: A
Organized and concise, Empowering Pursuits benefits from an inviting voice that immediately engages and builds a sense of anticipation, as he encourages readers to fully invest in upgrading their leisure time. He kicks off the journey with 46 different pursuits, highlighting the benefits of each while addressing what’s needed to get started—and infuses the guide with insightful tips on incorporating these hobbies into a consistent routine. That’s an important aspect for his intended audience, as many women tend to put their creative pursuits on the back burner to navigate life’s demands. "In a world that often demands our constant attention and energy, our hobbies provide a sanctuary where we can recharge and reconnect with ourselves," Archer writes.
The diverse assortment of activities that Archer surveys will fit any reader’s needs: those seeking social connection can dabble in volunteering (food banks, tutoring, animal activism) or team sports, while fans of quiet time will appreciate Archer’s attention to activities like embroidery and birdwatching. He even touches on how to transform beloved hobbies into financial opportunities, helping readers find that sweet spot where “creativity meets entrepreneurship in the most fulfilling way.” Though his target audience is women, any reader searching for personal growth and purposeful relaxation will find this guidebook functional and refreshing.
Takeaway: Refreshing guidance on how to find meaning in leisure time activities.
Comparable Titles: Sharon J Stein's How to Find Your Hobby, Mike Rucker's The Fun Habit.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
After video of Coral and Jamie interacting during her first performance goes viral, Jocelyn concocts just the kind of delicious, forced-proximity scheme that romance readers relish: why not have Coral fake a relationship with her brother to fix his reputation, help him close his big deal, and publicize the hotel’s new show? While Jamie is only in town for two weeks, the ticking clock, plus Coral and Jamie's very real attraction to each other, adds tension and spice to a love story that develops swimmingly. With dashes of welcome heat, Dodd deftly entangles Coral and Jamie's lives despite their every effort to keep it casual. While the Vegas fantasy is fun, the couple’s issues are rooted convincingly in character: Coral is a rootless only child with a mother who still seems to be putting her own life together, while Jamie contends with his playboy mogul rep.
Tension, lust, and personal and career priorities fuel this page-turner, and lovers of meet-cute romances that embrace conventional tropes will swoon as Coral and Jamie, in the throes of what should be a fauxmance, grow closer despite conflicting interests and jaded stances on love.
Takeaway: Winning meet-cute fauxmance centered on a Las Vegas mermaid performer.
Comparable Titles: Jamie Wesley's Fake It till You Bake It, Ali Hazelwood's Deep End.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
In clear and simple prose that wastes no words, Aikin writes a heartwarming and imaginative story whose simple message has an air of mystery about it, linking humanity with the far reaches of existence to suggest the boundless depths within every individual. Young readers, though, may need some guidance in contemplating the detail in each picture and broader themes about the vastness of the cosmos.
Miroshnichenko’s illustrations emphasize realistic eyes, first in somewhat unsettling closeups that command ample page space, the irises alive with swirls of cosmic light. These eyes are juxtaposed against images of people regarding them with awe or traveling to do the same. Later spreads depict diverse individuals connecting with each other through eye contact while swirls of stardust unfurl around them. Ringed planets, brilliant galaxies, and seams of stars are both overlay and underpin these scenes, encouraging young readers to find specialness in the vast universe and their own personal world.
Takeaway: Moving cosmic tale of the special qualities everyone possesses inside.
Comparable Titles: Stephen Hawking and Lucy Hawking's You and the Universe, Krystaelynne Sanders Diggs’s The Light Within.
Production grades
Cover: A-
Design and typography: a-
Illustrations: A
Editing: A
Marketing copy: B-
Lore (the pseudonym for Carmen DaVinleam) threads betrayal, seedy business dealings, and taut loyalty into a complex story of survival that unfolds through the eyes of a street-smart protagonist trapped in a dangerous web of lies. Alyx’s only way of escape involves outsmarting those in charge and dismantling the business from the inside, and Lore uses incredibly high stakes to band together her central female characters, who must trust each other before they can successfully overthrow a sadistic enemy. Twists and turns keep coming, as Alyx learns surprising nuggets about her parents’ deaths, and Lore ratchets up the tension into a suspenseful climax that finds Alyx working behind her handler’s back to uncover the truth—and gain her freedom.
Readers will root for Lore’s whip smart lead, an incredibly resilient young woman who isn’t afraid to get her hands dirty if that’s what it takes to exact vengeance on anyone who crosses her—or her loved ones. Diverse characters give the story layered depth, and Lore capably handles weighty topics like sex trafficking, kidnapping, and unbelievable violence. This gritty thriller vividly depicts the lives of young girls trapped in the sex trade, exploited by men and women with staggering amounts of money and power.
Takeaway: Street smart female lead confronts the dark world of sex trafficking.
Comparable Titles: Ian K. Smith's Eagle Rock, Elizabeth Gilbert's City of Girls.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Anderson is a gritty yet tender writer who fashions touching moments just as easily as he does the harshest of circumstances, juxtaposing images like the “picturesque tapestry” of England’s verdant farmlands with his despair at discovering Sarah locked in an embrace with the couple’s Israeli friend. His reflections take the form of a diary, visiting the depths of his emotions as he muses on the people they meet along the way, all of which trigger a coming-to-terms awakening with the many wrong turns of both his journey and his life. Ultimately, he decides those risks are worth taking, as he writes, “I think I’m more afraid of not living.”
Anderson’s memoir is in turns amusing and poignant; when delays force him to set up camp in Jungle Junction just outside Nairobi, he muses on the similarities he shares with strangers from myriad backgrounds, while, when driving near the Dead Sea, he works to “escape [his] dark thoughts” after his “decade of devotion” with his wife comes to a screeching halt. Those moments will cause readers to pause and reflect on the twists in their own lives as well, to consider the power of not knowing what lies ahead against the painful awareness of what’s been left behind. This is a journey worth taking.
Takeaway: Epic motorcycle trip upends—and rebuilds—a man’s life.
Comparable Titles: Kathleen Terner’s Living at Full Throttle, Todd Lawson’s Inside the Belly of an Elephant.
Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Bursting with high-stakes action, old and new feuds, a dash of romance, a diverse array of perspective characters, and the machinations of corrupt Artificial Intelligence, this spirited sequel centers on an exciting battle of man and machine while developing ongoing stories and themes seeded in the first volume. Most tantalizing: while the UTF defends itself against an advanced new enemy called the Sagittarons, the daughter of an old foe seeks to capitalize on a plan of vengeance.
Among vivid accounts of space-battle tactics, considerations of the finer points of lasers and shields, and classic space opera moments where the day is saved by scientific improv like “injecting ferrous particles into the output aperture,” Ideue weaves intricate layers of intergalactic politics, exploring tense, complex relationships between the surviving humans and between humans and AI. This volume builds with smoother pacing than its predecessor, the tension mounting to an explosive conclusion that sets up more books to come, but the relative swiftness of the storytelling never comes at the expense of compelling characterization or fresh spins on big SF ideas.
Takeaway: Exciting space-opera sequel pitting what’s left of humanity against advanced AI.
Comparable Titles: Joshua James's Artifact, Christopher Ruocchio's Empire of Silence.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A-
The unforgiving terrain, studded with mines and IEDs, and ever-present danger is brought to life through Rohām’s language, which transports the reader to the battlefront. Alongside his experiences in Afghanistan, Rohām weaves in scenes from his childhood spent in Iran, along with portraits of his strong mother, Mini, who immigrated to the US a year before the Islamic Revolution. Insights into the history and culture of the Afghan people pepper the narrative, while the scenecraft is compelling. The encounter with Hila, recklessly brave in her hope to better her life, haunts the reader, as does the portrait of Taymor Nuristani, a major in mourning.
Rohām’s pained, precise narration illuminates the utterly chaotic and brutal nature of war, the bravery and large-heartedness of the Marines, the helplessness of much of the local populace, and the relentlessness and ingenuity of the Taliban war machine. The account stirs admiration for the bravery of the men and women of the military who have put their lives on the line, ready to obey the commands of their political bosses, whose justification for the long, drawn-out war sounds hollow when weighed against the sacrifices of the personnel. An engrossing read.
Takeaway: A translator’s urgent account of life with Marines in war torn Afghanistan.
Comparable Titles: Sebastian Junger’s War, Nathaniel Fick’s One Bullet Away.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
The Gay Affair blends Swain’s presentation of her case with polemic elements—she argues that Gay is both “a victim and a beneficiary of a system that picks and chooses winners and losers”—plus consideration of untested areas of copyright law, a diagnosis of “plagiaritis” in academia and its causes, and the unfairness of students being held to a higher standard than professors). As in other recent books, Swain—a professor of law and political science who retired from Vanderbilt amid clashes over DEI initiatives and other topics with progressive students and administrators—offers both academic rigor and a spirit of pained aggrievement, but this time with a lighter touch: The Gay Affair is in many ways a victory lap.
Though she acknowledges the public perception of her as “the controversial Carol Swain,” she undermines the reach of her argument by singling out only liberal alleged perpetrators of plagiarism in her book like Kamala Harris and Malcolm Gladwell. At times it’s difficult to not read this book as simply sour grapes from somebody who wished their academic career had gone the way of Gay’s. Gay isn’t Mozart, but this feels at times like a book by Salieri.
Takeaway: Controversial academic’s personal account of Harvard plagiarism scandals.
Comparable Titles: Heather Mac Donald’s The Diversity Delusion, Helen Pluckrose and James Lindsay’s Cynical Theories.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A-
Meticulously researched, this installment (after Devil’s Ledger) is imbued with a rich history of Paris, stretching from its traditions to fashion to literature, and Evanoff pays homage to several of the greats, weaving historical and cultural knowledge of Paris directly into the mystery at hand. From Chanel fittings to glitzy outings at the Palais Garnier Opera House, readers will be swept into the posh Parisian fashion arena alongside Louise, who’s just as adept at appreciating local architecture as she is at sniffing out a murderer. She partners with local police in her efforts, drawing on her CIA experience to gently guide their investigation, and Evanoff skillfully handles the mystery’s progression as Louise joins the hunt, building the action to a natural climax with nimble, steady pacing.
Evanoff’s passion for all things Paris oozes off each page as she effortlessly immerses readers in the story’s setting. As Louise is gradually drawn back into the tricky world of espionage, mystery fans will thrill at the story’s twists and turns, from chaotic prison breaks to gripping secrets revealed from the tangled tapestry of Louise’s own family. The dangerous and high stakes search that ensues is set to the backdrop of a Paris flush with glamour, a reminder that, even in the most sinister of moments, “the show must go on.”
Takeaway: Fashion and crime unite in this Parisian thriller.
Comparable Titles: Charles Beaumont’s The Oxford Spy Ring series, Emma Jameson’s Lord and Lady Hetheridge Mystery series.
Production grades
Cover: B
Design and typography: A-
Illustrations: N/A
Editing: A-
Marketing copy: A
Martel sets up an intriguing world that is both divided by the strict rules driving career assignments and banded together by the collective fear and uncertainty plaguing its citizens. Noa and Tali initially have nothing in common, but, as the tension in the story builds, their paths inevitably cross—and bring to light a society that functions on mystery and secrets, from the enigmatic Pastor (described as a “nobody, or everybody”) who delivers broadcasts for the controlling Variety to attempts to suppress the unusual gifts some citizens possess. Those citizens include Noa, who, believing herself to be some type of prophet, soon finds out she’s not the only one experiencing visions—and the government is on to her.
That realization drives the story’s quest to expose the truth—and potentially overthrow the government. Martel supplements the action with touchstone themes of friendship, loyalty, and, of course, an unexpected romance, in the shape of Noa’s crush on her trainer, Amar. The story muddles somewhat as the Cavalry recruits confront the artificial intelligence at the heart of the Variety, but, still, dystopian fans will relish Martel’s uneven heroine and cold, controlling society.
Takeaway: Dystopian society is fractured by rigid rules and dark underlying secrets.
Comparable Titles: Dave Eggers’s The Circle, Jeff VanderMeer’s Borne.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Rather than viewing infidelity through a narrow lens, Michele asserts that all involved parties have a crucial role to play in the aftermath of broken trust in a fractured relationship. Through client anecdotes and a wealth of assessments and hands-on exercises, she helps readers understand the underlying reasons that drive infidelity, from childhood trauma to relationship dynamics, offering a gentle—but firm—process of improving communication that she terms the “Five A’s of Recovery”: acknowledge, admit, apologize, ask, and adapt. Michele concedes that emotions will run high—and recovery will take time—but, for those willing to put fear to the side, it is possible, she writes, to start anew.
That will give readers who are desperate for answers some hope, an element that is often missing in similar material. Michele handles infidelity with a deep respect for both partners, exuding a confidence that "thorough affair recovery can not only save your relationship but provide you with the tools to make it better.” From mindfulness and attention to self-care to tackling hot-button topics like masculinity, this encouraging debut will prove a valuable resource for anyone struggling to reconnect or rebuild a relationship.
Takeaway: Encouraging resource for couples attempting to rebuild after infidelity.
Comparable Titles: Emma Lancaster's Infidelity Recovery, Janis A Spring's After the Affair.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
"My father and I hold the view that relationships are fundamental to our existence, influencing our experiences, emotions, and life paths," Josiah writes, contending that readers must first grasp how the three main relationship types manifest before they can transform them into higher-level personal and professional success. To help that process, Transforming the Relationship digs into factors like empathy, positivity, and authenticity as the basis for quality business interactions; gives examples of professional roles in each relationship category; and studies what it takes for each relationship type to progress. Whereas transitional relationships (classmates, colleagues, etc.) will be the majority type for most people, they aren’t necessarily the end goal, the authors write. Transformational relationships—those that “provide mutual growth and make us better than the people we were when we first entered into them”—are an example of human connection at its best.
Beyond business interactions, the authors touch on family attachments as well, including how parenting looks through the lens of their three primary relationship types. They close with a discussion on transfiguration as “the fulfillment of transformation,” emphasizing that true change occurs from the inside out and tying this concept into their Christian faith. Their central idea that “with every person we meet… we build each relationship into a beautifully intertwined story full of significance” is moving.
Takeaway: Practical business advice centered on interpersonal relationships.
Comparable Titles: Ed Wallace's Business Relationships That Last, Jan Yager's Productive Relationships.
Production grades
Cover: B
Design and typography: A-
Illustrations: N/A
Editing: A-
Marketing copy: B+
Young readers will learn hard truths about the era, including the Nazis’ genocide against Jews and others, as well as the shame of having a collaborator in the family. Still, despite the authors’ deft handling of the real-world stakes of the historical conflict, readers will cheer as the good guys come ever closer to winning the day—not only Lewis and Pearl but also eccentric old Lillian Whitford, Pearl, and some other unexpected heroes. Tense close calls keep the pages turning, including hiding in a secret room in Berlin as Nazis search the building and outsmarting a henchman trying to kill them. A cruel steel magnate, a villain from earlier in the series, makes an exciting reappearance with further nefarious deeds; here, too, the blend of history and adventure is skillfully handled, as his henchmen are disposed of in satisfying fashion.
While the story ends on yet another cliffhanger as the team focuses on its next case, readers will forgive the authors, who ably demonstrate what heroic preteens can do with a “flash”—a remarkably effective diversion tactic that their enemies are determined to capture. This spirited tale will attract readers both old and new. Middle-grade readers will devour the latest installment of the Flash Gang and eagerly anticipate the next.
Takeaway: Rip-roaring middle-grade thriller blending history and adventure before World War II.
Comparable Titles: Kimberly Brubaker Bradley’s The War that Saved My Life, Joan Hiatt Harlow’s The Watcher.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A-