Vujicic praises the people of Hangzhou as polite and helpful but avoids Orientalist tropes with anecdotes showing the humanity of those she interacts with, including their frustration at times, like the server at the restaurant who she mistakenly asks, in her “best Chinese,” for e-mail rather than soy sauce. She also relates legends and history of Hangzhou, making clear that this place isn’t simply physically lovely and abundant in great food but also is home to rich, fascinating traditions which, at times, foreigners can participate in, such as ringing the bell at the temple of wealth.
In addition to all Vujicic’s vivid descriptions of landscape and people, her food descriptions and pictures make a reader’s mouth water (and, at times, as when she describes stinky tofu, inspire distaste). From cuisine to environment to culture, it is obvious before she says it that she felt she “simply fit in China like a Lego brick.” A western reader contemplating exploring Hangzhou will find Vujicic’s brief guide to the city and its attractions invigorating and inspiring. And if Western travelers are not contemplating exploring Hangzhou, they will after reading this book.
Takeaway: One woman’s story of how she fell in love with Hangzhou—and why readers might, too.
Great for fans of: John Rydzewski’s China Diaries & Other Tales From the Road, Monique Van Dijk’s Hangzhou.
Production grades
Cover: A-
Design and typography: A
Illustrations: A
Editing: B
Marketing copy: B
That exemplifies the tone of this loose, high-spirited book. Telling the story of how embracing weed during the pandemic brought him peace he never knew he could have—and possibly saved his marriage—Right makes a case for pot without overpromising or resorting to Freshman Composition canards. Charming occasional sidebars from Right’s wife, here called Alexandra, back up his claims while gently, amusingly offering a second perspective. A thumbnail history of pot and some speculation about the nature of the soul prove less illuminating than his frank, insightful rundown of marijuana’s effects on him personally. Right writes movingly of it helping him feel more open to other people, more aware of individual steps in everyday processes, and more in touch with his own thoughts.
Most powerfully, both husband and wife describe the shutting down of the “elevator music” that plays in their heads, those ambient worries and concerns. A cleverly structured chapter documenting misadventures while high, including an out-of-body experience, is often laugh-out-loud funny, while the more speculative material (Are we living in a simulation? What happens after we die?) is most involving when connected to life and family. Unless, perhaps, the reader is high.
Takeaway: This celebration of life with marijuana is most persuasive on stress relief and human connection.
Great for fans of: Amanda Siebert’s The Little Book of Cannabis, Michelle Lhooq’s Weed.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: B
Marketing copy: A
From there, Lipman digs back for a brief examination of DelBello's education and marriage before jumping into the meat of this exhaustive account, a highly detailed look at DelBello’s first political job, as a city councilman in his hometown of Yonkers. What follows is a blow-by-blow of DelBello’s career: he won the mayor's office with a promise to cut out the corruption of political patronage. He teamed with other mayors to get state funding, hosted a call-in radio show for his constituents, and even took on the mob-controlled garbage disposal industry. He moved on to become county executive, helping to establish a new hospital, dealing with a corrupt police department, and defusing a prison riot.
Throughout, DelBello is depicted as fair, kind, and intelligent, writing at times as gung-ho as a press release. Readers invested in New York state politics will find a fest of detail, though a focus on the nuts and bolts of wrangling over city projects likely limits the book’s audience. Still, Lipman focuses on the biggest issues, like rooting out corruption, and DelBello's dogged determination shines through, guiding the career of a politician with the desire—and the will and guile—to make things better for his hometown.
Takeaway: Readers fascinated by New York state politics will enjoy this in-depth history of a politico unafraid to make enemies.
Great for fans of: Seymour P. Lachman and Robert Polner’s The Man Who Saved New York, George J. Marlin’s Mario Cuomo: The Myth and the Man.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A-
Acknowledging the difference between restoring an antique airplane for display purposes and making it flyable is the essence of Yagen’s legacy—he believes these warbirds “cannot be fully appreciated unless you see them where they belong: in the air.” This is a privilege he offers readers, alongside an extensive photograph collection of each airplane both on the ground and in flight. With an eye for accuracy, Yagen also details the specs of each aircraft and their individual careers, from original manufacturing to post-war use. One such plane, the Supermarine Spitfire MK IXE, fought in 100 combat missions and later served as an attraction in a children’s playground before Yagen added it to his inventory.
Through Yagen’s intriguing accounts, readers gain a cockpit perspective of history. This is the locus of Yagen’s passion: to him, these warbirds are “more than just metal, fabric, and wood. They are time machines that provide a tangible link” to such a pivotal time in the twentieth century. Aviation enthusiasts, WWI and WWII history buffs, and lovers of airplane restoration will delight in this catalog, as visually stimulating as it is rich in detail about the history, mechanics, and reconstruction of these legendary aircraft. Yagen’s expensive, arduous pursuit in bringing “these historic warbirds back to life” comes alive in these pages and gives readers a chance to imagine flying like “an ace of aces, Prince of the Skies.”
Takeaway: A passionate chronicle of restoring vintage warplanes to flyable condition, with vivid photographs.
Great for fans of: Nicholas A. Veronico’s Hidden Warbirds, and David Mondey’s British Aircraft of World War II.
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A-
Using scientific observations as her starting point, Mahoney depicts the reunion of the J, K and L pods as a joyous and raucous celebration of their return from the Pacific Ocean to their home base in the Salish Sea (bordered by Washington State and British Columbia). The exquisite illustrations of Ginger Triplett are especially important during this meeting of the pods, as she can take a moment that might sound menacing—orcas displaying their six foot high dorsal fins in what looks like a standoff—and turns it instead into a rousing celebration of movement, with swirling water cresting into white.
Triplett renders the orcas’ emotional life without anthropomorphism, inviting young readers into an luminous realm of seaweed and jellyfish, where sunbeams create glowing shafts, followed by a scene of orcas exuberantly leaping from the water to dance in the sunlight, their massive bodies briefly, seemingly weightless. Wildlife nonfiction with a strong current of empathy is Mahoney’s forte, and her orca books have a particular urgency. Presenting orcas as inherently social creatures, with sophisticated systems of communication and navigation, Mahoney makes a heartfelt plea for their preservation, and for a healthy ecosystem where all underwater life can thrive.
Takeaway: This rousing tale of orca families makes compassionate environmentalism hit home.
Great for fans of: Amanda Abler’s The Spirit of Springer, Sharon Mentyka’s Chasing at the Surface, and Rosanne Parry’s A Whale of the Wild.
Production grades
Cover: A
Design and typography: B+
Illustrations: A
Editing: B
Marketing copy: A-
Readers will be swept into the tension and feel as if they are walking the wetlands alongside Dana, and Cooper’s evocative narrative sets a swift pace for the story. The characterization is strong even as the cast has been crafted to keep readers guessing. Henry, mercurial and ruled by his otherworldly intuition, is certain that Dana solicited him because she believes in his supernatural powers, and he is rewarded when his abilities lead him to Debra Lee. But just as Dana is drawn to Henry, she and readers both will wonder how he found Debra Lee so easily—and if he is using his psychic abilities to manipulate her.
Though Dana’s relationships with both Jonathan and Henry deserve more attention to detail, Cooper’s deliberate ambivalence towards the minutiae will compel readers to fill in the gaps, upping the intensity behind the characters’ motives and the real reason for Debra Lee’s disappearance. Cooper’s skill with suspense powers the novel and readers will relish the edgy undercurrent pulsing throughout the pages. Cooper’s capable intertwining of Henry’s psychic manifestations and his desire to control Dana immerses readers in a gripping and inventive thriller.
Takeaway: The tense story of a woman searching for her cousin falling under a mystery helper’s spell.
Great for fans of: L.T. Ryan and Brian Shea’s Drift, Georgina Cross’s The Missing Woman.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: B
Marketing copy: A
Self-growth and recognizing one’s strengths is not a simple topic to tackle in a narrative for young people, but Fyrre’s story does so capably, though the dialogue veers between the casual (“Wow, that was amazing”) and the curiously formal (“I do not understand it either”), often with uncertain punctuation, especially periods in place of commas, that gives the characters’ short utterances a sense of stiff finality. Adults reading out loud can work around this, but young readers feeling out the rules of English dialogue may be confused.
Nevertheless, watching a character face disappointment and perceived ostracization and then put the emotional puzzle pieces together to figure out more about themselves is a beneficial tool for children. Kini’s charming digital illustrations show the playful, frustrated, and joyful side of Klippe and her diverse array of Viking friends, imbuing the story with emotional clarity and urgency—all while conjuring a northland forest of vibrant greens, lush red flowers, and irresistible waterfalls. Best suited as one tool within a larger social emotional toolbox, Klippe the Viking brings big ideas to the forefront, leaving room for discussion with an adult.
Takeaway: Shy or quieter kids will find encouragement in this young Viking’s journey to self-confidence.
Great for fans of: Kelly Cunnane’s Chirchir Is Singing, Dashka Slater’s The Antlered Ship.
Production grades
Cover: A-
Design and typography: A
Illustrations: A
Editing: B-
Marketing copy: A
The photographs and images take precedence over the text, though each appliqué piece is described in detail, from the type of stitchwork and the fabric choices made to the symbolism of the shapes within the pieces. All images of the embroidery and of the Hmong people are clear and bright, with additional close-up images for important detail work, like decorative borders or intentional “mistakes” sewn within each piece to “let the spirit out of the work.” Gerdner often presents patterns in groups, highlighting individual approaches to motifs like X-shaped crosses or “cucumber seeds.”
Gerdner’s research into Hmong craftsmanship and culture is impressive, and she occasionally weaves in stories from her own travels and experiences with the Hmong stitchers, which add a welcome personal touch to the subject matter. While the descriptions of individual works can, by necessity, be repetitive, even casual readers with an interest in textile art will find the book gorgeous and informative. Ultimately, the Hmong peoples’ craftsmanship and resilience is reflected with respect, care, and insight.
Takeaway: These handmade creations from the Hmong peoples will inspire anyone interested in textile art.
Great for fans of: Clare Hunter’s Threads of Life: A History of the World Through the Eye of a Needle; Johanna Amos & Lisa Binkley’s Stitching the Self: Identity and the Needle Arts, Claire Wellesley-Smith’s Resilient Stitch: Wellbeing and Connection in Textile Art.
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A
What truly makes the narrative compelling are the strong female characters and the general diversity imagined by Rothstein in his fictional representation of American politics. Tenny, now in her third book, is a memorable and inspiring creation, rising again to the occasion even as she faces potential danger: the story begins with a series of high-profile political assassinations meted out by the covert global organization The Salvation Project, whose members argue that the world’s great powers have failed to act against matters such as climate change and environmental degradation. Tenny and her top officials and aides work together to squash a conspiracy that’s targeting them, while bucking conventional political wisdom by drafting a manifesto to change the world for the better—and protect a melting Arctic—through more peaceful means.
Rothstein’s interest in and respect for the Arctic, especially the beliefs and culture of Alaska’s Iñupiat, bring welcome gravity to a story often caught up in complex political matters–a story that ultimately is optimistic about the possibility of effective change emerging from leaders working within the system. The fast pace means that the details of specific issues—and some backstories and motivations—don’t get fully fleshed out. Still, with concise prose, rousing speeches, and extensive geopolitical knowledge, Rothstein weaves a compelling, idealistic thriller.
Takeaway: This sharply written political thriller finds a Latina president leading boldly and facing a conspiracy.
Great for fans of: Tom Rosenstiel’s The Days to Come, Nicolle Wallace’s 18 Acres.
Production grades
Cover: B+
Design and typography: A-
Illustrations: N/A
Editing: B+
Marketing copy: A-
The plot is quickly set in motion as Dee and his team are hired by a woman to spy on her senator husband, whom she believes is involved in an extramarital affair. While working the case, Sara and Daniel—two of the four members of Dee’s team—are shocked to witness the senator’s murder. Reed doesn’t let up on the jolts, as a series of political assassinations follow, including the murder of a former CIA agent who is Dee’s close associate. Meanwhile, Bailey, the IT expert, uncovers something sinister while investigating a second case, one concerning a rapper’s original music being leaked to another more famous musician. With strong pacing and clever revelations, these seemingly disparate elements come together seamlessly to form a complex and surprising—yet still believable—nexus of criminal activities.
Despite the tension and high stakes, the camaraderie and engaging banter among Dee’s team keeps the novel feeling human, and even hardened FBI agents have moments of vulnerability. Getting readers to care about the characters, of course, also serves to ramp up the suspense, especially when those Dee cares about face danger themselves—and he seems helpless to save them. Though sometimes a touch wordy, the action is clear and hard edged.
Takeaway: A well crafted, fast paced action thriller blending detective, espionage, and political genres.
Great for fans of: David Baldacci, William Tyree.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A-
Freshley’s approach is as much inspiring as it is thought-provoking. Through a variety of anecdotes, he encourages contemplation of the causes and consequences of readers’ actions—and how these actions affect others. Freshley dives deep into the question of why it’s difficult for individuals to make good group decisions, suggesting that this is because “the peace standard is really hard.” He offers the potent example of people preferring to quarrel with their neighbor rather than talk about a problem, driving home the point that a good group decision would benefit both the individual and the neighbor. After all, he notes, “it’s not us versus them, it’s just us.”
An engaging and informative read, Together We Decide is not just for leaders and managers, but for any individual who has a desire to contribute positively to their group, community, or team. Though repetitive at certain points, one can look past it because of the strong message Freshley is trying to communicate through these reiterations—the idea of togetherness.
Takeaway: This thought-provoking guidebook to effective collaboration gently challenges readers to think outside themselves.
Great for fans of: Cass R. Sunstein and Reid Hastie’s Wiser: Getting Beyond Groupthink to Make Groups Smarter, Steven Johnson’s Farsighted: How We Make the Decisions That Matter the Most.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A-
The fun of Rink’s first Alpha Buddies books comes not just from the beaming letter characters or the bright, inventive digital backdrops that are choc-a-bloc with endearing suns, fish, elephants, horses, and lacey-eyelashed hearts. That’s all memorable, of course, but what’s most powerfully engaging is the way the book’s alphabetical structure, allotting one text page and one full-page illustration for each letter, invites young readers to imagine along about the next letter’s activity or character name. Rink is generous in the number of elements included in each spread, so readers guessing kitten, kite, or kiss for K (full name: Kala K) will feel rewarded.
That spirit of playful abundance even enlivens the pages given to the alphabet’s final three letters, perennially linked, in alpha-books, to xylophones, yaks, and zebras. The X, Y, and Z pages likely won’t be favorites like U’s—“Ulla U” gets a unicorn, an umbrella, and the cutest smile in the book—but they exemplify Rink’s approach. Even when young readers have a good idea of what’s coming, Alpha Buddies Land gives them more than they might expect, with an emphasis on the darling. Even the vulture hanging out at a volcano is cute as a bug.
Takeaway: This lively alphabet book introduces 26 darling and inventive letter-based characters.
Great for fans of: Alethea Kontis’s AlphaOops, Maira Kalman’s What Pete Ate.
Production grades
Cover: A-
Design and typography: A-
Illustrations: A
Editing: A-
Marketing copy: A
Because childhood is a time of such rapid change, kids will relate to the hermit crab’s plight—and while they may initially be rooting for her to keep her standout shell, they will likely soon recognize that letting it go is the only way for her to continue to grow and stay safe. Importantly, in Petrie’s empathetic book the crab is never shamed or criticized for wanting to hang on to her old home, which makes the message more accessible. The story also includes plenty of facts about hermit crabs and other sea creatures, which will appeal to both curious kids and adults.
Detailed and colorful, Petrie’s illustrations cleverly bring this story to life and allow kids to feel a sense of compassion for the hermit crab, which may be an unfamiliar creature to many. With long, pointy legs and antennae-like eyes, the crab is shown hiding from predators and scuttling along the ocean floor in a too-small shell before finding her lovely new one, surrounded by rocks, seaweed, and a trio of colorful fish. With her rhyming prose and obvious love of sea life, Petrie has created a playful and exciting underwater world that children will be eager to revisit.
Takeaway: In this upbeat picture book a hermit crab helps children explore how to let go and grow.
Great for fans of: Catherine Leblanc’s Too Big or Too Small, Barney Saltzberg’s Chengdu Can Do.
Production grades
Cover: A-
Design and typography: A
Illustrations: A
Editing: A-
Marketing copy: A

Stone’s crisp writing highlights the compelling turmoil between Junior and his father. Junior desperately wants to shift Universal Pictures into the future with compelling new films, while Carl seems rooted in the past and struggles to grasp his son’s vision. While this dynamic plays out in briskly paced scenes powered by crack dialogue, Stone also explores the lives and ambitions of a pair of creature-feature greats: Bela Lugosi’s ego as an established actor is skillfully contrasted with Boris Karloff’s struggles as an up-and-coming star. The fascinating glimpse into these actors’ lives highlights a delightful narrative for film buffs.
As in his previous novel, Stone demonstrates a clear dedication to and knowledge of cinema and Los Angeles itself, and his love and expertise for the milieu—and for the minds of actors and producers and studio heads—radiates from the pages. Stars like Mae Clarke and Clara Bow make cameos, while movies like The Jazz Singer and Murders in the Rue Morgue get special shoutouts, the details piecing together to form a dynamic tapestry of the movie business in an era of tumult. Classic Hollywood film buffs and historical fiction fans will enjoy this fascinating tale revolving around the passions and persistence it took to bring life to one of the movies’ greatest monsters.
Takeaway: A compelling novel of old Hollywood, Universal Pictures, and the 1931 Frankenstein film.
Great for fans of: Stewart O'Nan’s West of Sunset, Adriana Trigiani’s All the Stars in the Heavens.
Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Though Taken Away takes on challenging topics, Thompson does so with grace, eliciting both Miles’s emotional torment and eventual comeback in relatable and poignant language. As Miles walks readers through his fears of failure and immense grief, there are glimmering moments of hope that will inspire: his basketball coach never fails to deliver uplifting messages at just the right time (“You can do anything if you set your mind to it and work hard”), and Miles’s extra work in school eventually pays off. When he finally gets back on the team, he’s learned not to give up—even after failing to make the winning shot in his first game, a lesson that will resonate with readers facing their own natural self-doubt.
Thompson deliberately leaves the ending with loose ends to allow readers the opportunity to meld the story to their own experiences, though he deposits a hint of optimism that things may work out ok for Miles after all. Regardless, readers will be left with the knowledge that life can be tough, but giving up will only make it worse—and the solid advice that “Sometimes people seem hard on the outside. But that’s not how they are on the inside.”
Takeaway: The inspiring story of a teenage boy picking up the pieces after his father goes to prison.
Great for fans of: Ali Benjamin’s The Thing About Jellyfish, Rainbow Rowell’s Fangirl.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: B

Hans narrates from old age in 2021, but the bulk of his story takes place over the course of a few weeks in 1933, as the novel’s taut timeframe underscores the speed with which radical nationalism took root in Germany. With his friends pressuring him to demonstrate his patriotism, Hans stalls, choosing a dangerous path—a secret relationship with Rebecca. After the mysterious disappearance of a school official, Hans gets swept up in a book burning and a Hitler Youth initiation ceremony and must decide whether to defy his peers or follow them, becoming “the one that does nothing” to resist.
The leads are skillfully and vividly drawn, especially Hans and Rebecca, whose dialogue brims with both tenderness and tension. As history encircles him, Hans’s inner struggle feels palpable, and the mob mentality he attempts to fend off rings true. By the end of the story, all citizens must fill out a “racial form” declaring whether they are Aryan—and while Hans’s mother’s career is jeopardized, his father turns a profit buying the business of a Jew fleeing the country. Present-day Hans inserts brief, chilling notes on what eventually happens to the characters, and their gripping stories will stick with readers long after the last page.
Takeaway: The gripping story of a german teen, at the start of the Nazi regime, discovering he’s half-Jewish.
Great for fans of: Ben Elton’s Two Brothers, Mark Sullivan’s Beneath a Scarlet Sky.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: B+
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