Structured like the five scrolls, Hypatia shares her insurmountable losses and details the struggles of her time. A woman ahead of her time, Hypatia experiences olive picking and papyrus manufacturing, while arriving at realizations like “There is no security in life. There is no one and no thing to rely upon.” Yet she still believes that “Life is so utterly beautiful.” Her goal is to “counter-balance the crowd mentality” as she navigates history, philosophy, astronomy, and geometry. She faces formidable opponents and dangers, and benefits from mysterious assistance, not always choosing the easy or popular way.
Clark skillfully highlights name changes, reflecting the transformations in the characters’ lives. Jason, the camel driver, transitions into Theophilus, whose ambition and Christian piety reflect the uncertainty Alexandrians faced in a time of external threats and internal corruption. Clark disparages the “literary legend” of Hypatia, offering a thought-provoking and engaging narrative that brings to life the complexities of a fascinating period that, in Clark’s handling, connects to the present with some urgency.
Takeaway: Vivid historical novel of Hypatia, pagan beliefs, and the tumult of Late antiquity.
Comparable Titles: Ki Longfellow’s Flow Down Like Silver, Hypatia of Alexandria, Faith L. Justice’s Selene of Alexandria.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Kain handles the heavy topics of abuse, grief, and facing old wounds with sensitivity that doesn’t dilute the story’s impact. Gavin will resonate with readers interested in healing, even as he spirals further into his mental anguish. Exploring the effects of mental illness on not only the individual suffering from it, but those closest to him, What Lies Buried is a humane and engaging story that’s frank about the challenges of recovery. Gavin not only has to deal with his PTSD and grief but also the nagging possibility that someone is watching him as he deals with his family's estate. After discovering his family's surprise connection to the local mob syndicate, he enlists the help of his high school best friend, Trayvon, who works with the FBI.
Adding to the tension, everyone around notices Gavin's descent—his grandparents, his wife, his best friend, and his psychiatrist—but by the time they realize he might be a danger to himself, their efforts to help may come too late. Kain has crafted a fast-paced contemporary thriller that delves with insight into themes of mental health. Readers who enjoy unreliable narrators and jolting plot twists will enjoy this.
Takeaway: Psychological thriller digging into PTSD, family secrets, and generational abuse.
Comparable Titles: Erin Kelly’s Stone Mothers, Liane Moriarty’s The Husband’s Secret.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
The affair is made more complicated by the arrival of Clarence, desperate to win Daniel back, and the anonymous blackmail notes that threaten to expose both Daniel and Luke's sexuality. In a series of secret rendezvous, heated arguments and affairs, and repeated reminders of familial obligations, Lawrence deftly navigates the excruciating shame and guilt in concealing one's sexuality from an all-too-often judgemental society. "There is no place for me, or you, in a town like this. Perhaps in a city, where we could be anonymous. But that isn't truly being accepted, is it?" Luke says, an urgent and still all-too-timely reminder of the importance of accepting one’s self first and foremost.
Indeed, beyond the struggle for acceptance, Lawrence crafts a romance that rouses, with twists, surprises, and a randy wit. Blackmailer’s Delight does not extensively dwell on the falling-in-love phase, introducing complications early on, and lingering with playful precision on erotic romps. The bittersweet love triangle unfolds as a tale of being seen and understood, accepting queerness, taking no love for granted, and allowing oneself to indulge in the youthful pleasure of loving and being loved. Perfect for readers fond of LGBTQ+ romances with an erotic edge.
Takeaway: Randy, heartfelt winner of a gay Georgian romance.
Comparable Titles: Cat Sebastian’s The Queer Principles of Kit Webb, K.J. Charles’s The Secret Lives of Country Gentlemen.
Production grades
Cover: A-
Design and typography: A-
Illustrations: N/A
Editing: A-
Marketing copy: A
Mandell writes of Herb’s rapid deterioration in intimate, hushed tones, recalling his pneumonia (“the end of the road for anyone with pulmonary fibrosis”) and her looming “sixty-something” birthday, reflecting on Herb’s unconditional love and, to the very end, concern for her: when he declares “this is not what you signed up for,” Mandell replies “This is our love story… “there is no place else I’d rather be.” That love forms the backbone of the memoir, even after Herb’s death, as Mandell grapples with her new life amid bone-crushing grief. An emergency hospital stay of her own leads her back into yoga, and, as she questions her identity without Herb, she eventually experiences the kindling of a new love, with John, a college professor.
Throughout, Mandell traces the threads of life that continue to interlace, long after Herb is gone—the presence of their two adult children, her eventual marriage to John, the COVID lockdown, and her most challenging job yet: letting Herb go. Her relationship with John is sweet to watch, as the couple navigates the future while remembering the past, and her growth from lost to regenerated is an arresting reminder to be “open to all that comes [your] way.”
Takeaway: Heart-wrenching, life-affirming memoir of love, grief, and regeneration.
Comparable Titles: Laura June’s Now My Heart Is Full, Joan Didion’s The Year of Magical Thinking.
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A
Uncertain who to trust, Jake—a good cop who joined the force “to serve and protect”—endeavors to find the truth before anyone else winds up dead, including him. Fayman adds authenticity to this brisk, twisty mystery with a richly evoked milieu, from beach mansions to sea caves to a Hollywood premiere, and historical figures with a real La Jolla connection. Their fictionalized dialogue and motivations feel fitting to the genre—Chandler even tips Jake off to classic noir elements like the possible corruption of the police department and the captain he works for.
The story finds Jake’s faith in institutions tested as he learns that even Hoover is not upstanding in either how he treats others or in his blatant racist remarks. Bursts of action and romance are effective, but it is Fayman’s stunning conclusion, with Jake faced with the reality of not trusting anyone in his professional life, and the hint of future installments, that will resonate most with readers.
Takeaway: A young cop can trust no one in this superior 1950s California noir.
Comparable Titles: Steph Cha’s Follow Her Home, Jordan Harper’s Everybody Knows.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
A wonderfully twisty plot holds readers' attention, but the greatest joy comes from the characters as police and criminals move toward personal and professional reckonings. Pronko deftly moves Hiroshi from crime solving to coping with the hormonal Ayana and her mother. Hiroshi also must work with his fellow detectives, such as the old-fashioned detective Takamatsu with a penchant for European clothes and Ishii, a female detective who is both progressive and traditional. Pronko likewise crafts criminals who prove just as well-limned, stirring reader sympathy for the criminal Takuya, and hope for his redemption rather than his capture. The subtly effective character development elevates the story far beyond the usual police procedural.
The best character may be Tokyo itself, which Pronko neatly introduces to Western readers, from old-fashioned ramen restaurants with their dingy charm to the skyscrapers homogenizing the city. Pronko does as good a job of taking us on a trip through Tokyo—and a sweet and mournful journey it is—as Simenon does through Inspector Maigret's Paris. He also suffuses the story with Japanese ritual and tradition. The overall effect is a book that operates on multiple levels—and is successful with each of them. The clever plot, engaging characters and haunting themes will stay with readers long after they read the last page.
Takeaway: Clever, haunting procedural with a resonant cast and a vivid Tokyo milieu.
Comparable Titles: Keigo Higashino; Georges Simenon.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A-
Determined to save her daughter but with no idea how to make that happen, Yokas navigates a medical system and society that consistently fails people in need, straining her relationship with the emotionally volatile Faith and also her husband, Theo. Meanwhile, despite wrenching scenes and an “emotional pendulum” that swung from “rage to despair, desperation to worry,” Yokas looks into her past to examine and understand the emotional scars handed down from her parents, finding the courage and wisdom to persevere—and to both give and receive compassion, love, and support. Ultimately, it’s only when Yokas begins the hard work of standing up to her own history of rejection, low self-esteem, and neglect that healing becomes possible, for both mother and daughter.
Sharing a raw, honest look at facing and enduring a history of trauma, Bloodlines shows that the road to recovery is paved with acceptance, hope, and love. Yokas’s story, told with power and warmth, will help parents who are navigating mental health crises understand that the chains that bind us up in narratives often were forged long before we were born—and that they can be broken.
Takeaway: A mother’s raw, hopeful account of a daughter’s disordered eating.
Comparable Titles: Harriet Brown’s Brave Girl Eating, Hadley Freeman’s Good Girls.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Pengwee, in true best friend fashion, coaxes the value of having an extra strong heart out of Ruby, building her up with chummy assurances that his heart does the same thing when he’s uneasy, and the two discover they have quite a lot in common, as Ruby announces her heart “hip-hops when I’m happy, sinks when I’m sad,” just like Pengwee’s heart “dances when I’m delighted [and] burrows when I’m bummed.” Pengwee helps build Ruby’s confidence to take the stage, and, sure enough, a familiar face in the crowd gives her the self-assurance she needs to steal the show. Rusu’s cheery hued illustrations evoke the frosty feel of glaciers against a brilliant blue sky, and Ruby and Pengwee’s expressive eyes shine as they navigate the ups and downs of self-esteem.
Younger readers will fall for the fun words and sounds Nutley introduces: Ruby dances the “Jiggly Wiggly” after her stellar performance and “joggly woggly[s]” to Pengwee for a celebratory hug, declaring her heart is “as big and warm as sunshine.” For musical-minded readers, Nutley collaborated with a songwriter to bring Ruby’s Talent Show song to life. This is a cool tale with a warm, fuzzy center.
Takeaway: Warm-hearted tale of a penguin who finds the courage to be herself.
Comparable Titles: Rachel Bright’s The Lion Inside, Jacqueline Woodson’s The Day You Begin.
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A
McClure and Wilde pack Do Bigger Things with real-life examples of people using ecosystem innovation to tackle difficult social and business problems and reach for big opportunities: from AirBnB revolutionizing the hotel industry to providing education in refugee camps to COVID vaccination campaigns in Mexico. Together with clear diagrams, “ecosystem maps,” as they call them, these examples make the process of applying the lessons of the book clear and flexible. Although part of the planning process involves setting ethical guardrails, the ethical concerns raised by some of their examples, such as Uber, are not explored in depth.
This guide would serve a reader well who is facing a challenging problem, in business or in their community, and looking to solve it outside of the usual models for innovation. McClure and Wilde emphasize that some projects demand other models of innovation, such as big ones with well understood parameters (engineering innovation) or small projects with unknown restrictions (agile pilots), leaving ecosystem innovation for big, complex problems. Whether an experienced “choreographer,” or someone new to the field entirely, the guidance here will help any reader accomplish transformation in pursuit of their goals.
Takeaway: Clear, actionable guide to “ecosystem innovation” for facing challenging projects.
Comparable Titles: Jeff Sutherland’s The Art of Doing Twice the Work in Half the Time , Leah Kral’s Innovation for Social Change.
Production grades
Cover: A-
Design and typography: A-
Illustrations: A
Editing: A
Marketing copy: A
Kelly pens an intricate historical adventure that spans millennia as he weaves in factual details of Nicholas' life in historical flashbacks and exciting travelogue elements as Maggie and Malachi touch down in Rome, Bari, and Moscow in search of answers. No one is safe in Kelly's narrative, and readers who appreciate a blend of archaeological exploration, mysteries of faith, and international chases will find much to enjoy, never quite knowing who to trust. Kelly escalates the tension as more interested parties are revealed, a host of secrets and lies face exposure, and Bruscoli faces the possibility of the miraculous.
Rich in culture, themes of belief, and the grand implications of its relic, The Malachi Covenant exemplifies its genre, blending brisk plotting, action-packed sequences, and jolting betrayals with thoughtful spiritual inquiry, keeping the suspense potent up to a satisfying conclusion. Fans of historical fiction with biblical context and globe trotting adventure will be engaged and immersed in this intricately woven story with larger than life characters.
Takeaway: Memorable thriller of the hunt for a relic and possible miracles.
Comparable Titles: Gary McAvoy; Raymond Khoury.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
The series blends surprising magic with emotional resonance and an emphasis on "the collective strengths ... of friends and family" to accomplish great things. Magical backpacks, a clever and appealing invention, provide power to the valiant teens, who each have different but complementary powers—or so they believe, until one teen attempts to steal someone else’s special gift, something that the evil Zane is determined to acquire for himself. Secrets, mysteries, and surprises abound, some seeded in the earlier entry, though Gouveia does a fine job of succinctly summarizing the relevant plot points from book one.
In some instances, paragraphs are so long as to be visually intimidating, especially for a middle-grade audience. However, the skillful world-building, bursts of inventive magic, well-drawn characters, and touchingly realized relationships will make readers forgive that, even as she ends on a tantalizing cliffhanger. Lovely paintings by Branislav Sosic punctuate the chapters, bringing the author’s world-building to breathtaking life. A host of compelling supporting characters, especially Emma (formerly known as the Ghost of Ruin) and brave Hao, add depth. Those who enjoy inventive school-age fantasy will devour Gouveia’s engaging tale.
Takeaway: Vividly imagined fantasy with an appealing magic and life-bringing heroes.
Comparable Titles: Christina Wallace’s The Light Keeper, Anna Garnet’s The Seasons.
Production grades
Cover: A-
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A
Never letting readers stop to breathe, Pepper paces the story relentlessly, never allowing a slow moment. There’s always something happening, usually something shocking, as every character Rook comes into contact with is suspicious in some way, with Pepper leaving readers, like Rook, to wonder who can be trusted. But even as Rook regularly ends up in wild situations, going from one immediately to the next, Pepper keeps the escalating perils down to Earth enough to be believable. Adding to the suspense, each chapter often changes time periods (from “last year” to “then” and to “now”), with each section offering its own urgent mini cliffhangers.
As the title suggests, miserable, cold, icy weather is a constant. Pulling from his own experiences of the real-life Delta Ice Storm in 1994, Pepper conjures a chilly sense of terror, showcasing the real dangers of the storm, from icy roads and pelting ice to tree limbs–and then entire trees–raining down everywhere, smashing into homes and cutting off electricity. One Icy Night’s frightening exploration of the perils of both mother nature and human nature will keep readers quickly turning pages.
Takeaway: Non-stop thriller of one woman’s attempt to survive a Mississippi Delta ice storm.
Comparable Titles: Luanne Rice’s Last Night, Alice Feeney’s Rock Paper Scissors.
Production grades
Cover: A
Design and typography: A-
Illustrations: N/A
Editing: A-
Marketing copy: A
Hellmann’s extensive research is apparent throughout this gripping novel that dramatizes the fascinating history of the Ritchie Boys, who were mostly immigrants from Germany and Austria trained to interrogate German POWs and gather intelligence to help further Allied efforts. Max’s personal struggles with love, family, and friendship also are pivotal. His perception of home is broken because of his continuous displacement, but his determination to survive stems from this loss of home and family. “You must do everything in your power to survive,” his mother tells him before they separate, and throughout Max’s War that urgent charge sees him through every obstacle and attack.
Action is crisp and clear, and the touch of romance has an appropriately desperate edge, a welcome reprieve as Max faces the worst of humanity and at times suffers anguish over the impact of his choices. A page-turning reminder of the horrors of fascism, Hellmann’s novel informs as its story surges ahead, through tragedies and breathless escapes, and the personal cost of vengeance. This thriller will resonate with history enthusiasts but also anyone seeking stories about standing up against hate.
Takeaway: Urgent thriller of a Jewish refugee taking on the Nazis with the Ritchie Boys.
Comparable Titles: Linda Kass’s A Ritchie Boy, Bruce Henderson’s Sons and Soldiers.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Equally encouraging and motivational, Murray explores the harvest that comes from the “seeds” one plants in their own life and the way they take root and bloom over time. Emphasizing the importance of being a creator, taking risks, expressing gratitude, and facing life's biggest obstacles or goals "a single step" at a time, Murray makes the case that discovering one’s own path starts with discovering one’s own heart, urging readers to always trust in yourself, be yourself, and "do what feels right.” “Who can provide you with the best advice?” he asks. “Yourself.” Anecdotes are blended with practical advice, such as three illuminating things to consider when delaying gratification by working hard to achieve long-term goals.
Each chapter ends with a section entitled "What Do I Want For You?” in which Murray both reinforces key takeaways and touchingly underscores why they matter. While this work originated as a guide through life for his children, Welcome to My Garden will resonate and offer clear-eyed, practical lessons for any readers entering into a new phase of life, whether it be a new job, college, or taking steps toward becoming an entrepreneur.
Takeaway: A father’s wise, touching guidance on being yourself and finding success.
Comparable Titles: Charlotte Pence's Where You Go, Richard Reed’s If I Could Tell You Just One Thing.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Wintur, a pseudonym for collaborators identified only as Lando and Kori, engages with a familiar, YA-tinged blend of dystopia, rebellion, and rousing heroes. The domed metropolis’s cultures and dangers, Ren's extraordinary abilities, and the discovery of a sinister truth all create a strong foundation for an immersive, polished thriller. The dialogue sparkles, with each of the strong supporting cast representing a fascinating culture or backgrounds—including Jardinerans, who “have a separate evolutionary tree from modern humans, completely unique”—as the heroes collaborate, crack jokes, face wild challenges, and face some awkward moments of flirtation.
The story surges ahead even as it introduces its surprising future, drawing a contrast between virtual and all-too-real worlds, and between the intricacies of MetiCity-6, city of flybikes, high rises, and even a castle, with the harsh Outskirtz beyond its dome. Readers can expect a lively, exciting time as the story weaves through these inventive, oppressive environments. While Ren’s engineer’s-view of the world’s nuts-and-bolts is memorable, and developments involving “brainwave syncs” have an intriguing and uncanny edge, the briskness of storytelling may leave readers wanting a deeper exploration of the characters’ backgrounds, motivations, and struggles, which could add a bit more heft and urgency. Still, this is a slick, promising start, bursting with memorable characters, setpieces, and ideas.
Takeaway: Exciting SF-series starter of a domed dystopian city and an engineer’s revolt.
Comparable Titles:Jeanne DuPrau’s City of Ember, Chandler Klang Smith’s The Sky Is Yours.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A-
This saga of urbane comic deviltry unfolds at a fast pace, with disjointed scenes and multiple characters crossing paths at several junctions heightening the boisterous New York-ness of the narrative. Gross masterfully employs the character arcs of Joan and Elliot to paint a rich picture of 1960s counterculture stalwarts—they tripped at Woodstock and have busked as a folk duo on the subway—facing the hard 1970s hangover. Joan’s obsession with The Swan leads her to strike a Faustian deal, setting the stage for a twisty love story intertwined with a search for identity as Joan and Elliot both face crises of the soul.
Gross’s potent blend of garbage strike-era New York portraiture, brisk comic dialogue (“Satan’s not so scary. He just don’t conform to bourgeois norms”), yellow-tabloid press accounts, earnest belief in baseball, and incisive socio-cultural and political explorations power a wild story rich with wicked humor but also a sense of humane street poetry. At its core, Spillage is an ornate portrait of New York, still vital at its lowest ebb: its politics, its neighborhoods, its diversity, and the abiding belief of the Flatbush Faithful. This is a crackerjack novel of love and self discovery that echoes themes of resilience and of redemption.
Takeaway: Faustian comedy of 1970s New York, the counterculture, and the Yankees.
Comparable Titles: Colum McCann’s Let the Great World Spin, Philip Roth’s The Great American Novel.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A