What happens next is a fast-paced rollercoaster ride, as Elda lands in Moscow and deftly dodges numerous assassination attempts (many committed by Tosh’s favorite Russian assassin, Anatoly Petrov) in her quest to rescue Korinna, her musician husband Egor, and their two small Troodle dogs, Dasha and Sasha. As Korinna and Elda stay one step ahead of those who wish them dead, they head from Moscow to St. Petersburg to Germany to the Netherlands, among other locations—with means of transport including container ships, U.S. Navy ships, luxury railroads and even Jet Skis. Disguises are abundant, and Macy skillfully deploys these and other fun elements of spycraft in surprising ways readers will relish.
Macy mines her own past for Elda’s striking authenticity—she is a former officer in the US Navy and a mathematics teacher; the latter is Elda’s cover story in Russia. Macy’s story is impeccably plotted and touchingly humane, with characters both good and bad. Readers will undoubtedly want to off Elda’s drug-addicted half-brother, a supporting character with a very high and unjustified view of himself, but they will bond with Elda’s CIA boss. This smart, high-paced tale will delight fans of high-stakes thrillers.
Takeaway: Pulse-pounding espionage with a strong heroine and emotional resonance.
Comparable Titles: Lindsay Smith’s Sekret, T.A. Maclagan’s Alexandra Gastone series.
Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A-
Hope’s buoyant style is just right for this happily-ever-after tale. The characters are appealing and relatable, genuinely connecting with each other in ways that will resonate with readers. Emy and Chloe are great friends, bolstered by a crew that looks out for each other, and both Emy and Jackson are content with their lives, albeit a trifle lonely, as everyone around them seems to be settling down. Emy recognizes the privileges that come with being single and an international traveler, though she confesses the lifestyle can be isolating, a perfect setup for her intriguing meet-cute in the skies.
Emy and Jackson’s electric chemistry is palpable—and their blues, when separated by circumstances outside their control, ring true. Thanks to their family members, and a few lucky breaks, the two reunite in a satisfying, steamy scene that genre fans will savor, and Hope aptly describes their stolen moments together in Paris without veering into touristy fare, focusing instead on the couple’s growth as the city swirls around their whirlwind romance. The spotlight stays on upbeat, carefree romance throughout, making this once-in-a-lifetime chance at love a breezy treat.
Takeaway: Chance encounters lead to perfect love in this breezy romance.
Comparable Titles: Max Monroe’s Wildcat, Lacie Waldon’s The Layover.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
Bryant has a good handle on what makes holidays special, and her upbeat tale overflows with cheer. Rihanna and Harlem, best friends who relish the playful atmosphere of Holidayville’s Fall Festival, are the perfect guides for Santa: they immediately whisk him away to the town’s celebrations, reassuring him that he’ll fit right in, given that the whole place is decked out in costume, and enthusiastically coerce him to trick or treat, bob for apples, and even share a spooky story or two. Santa can’t stay for long, but he does give them a night they’ll never forget—and discovers his own “peace and joy” in the process.
Sandra Figueras’s bright, cozy illustrations bring to mind the glorious sights and smells of the holiday season, and readers will appreciate the book’s diverse characters—alongside Rihanna and Harlem’s exuberance for all things fall, from their coordinated mermaid gowns to their appreciation for Santa’s special treats from his toy sack. Luckily, Santa’s schedule snafu doesn’t hold up Christmas, and he returns to Holidayville right on time—and with heartwarming notes for both girls, reminding them that “the most magical moments happen when you least expect them.”
Takeaway: Schedule snafu lands Santa in the middle of a fall festival.
Comparable Titles: Will Hillenbrand’s Santa’s Story, Kevin Maher’s Santa Doesn’t Need Your Help.
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A
Taking full advantage of its tense, convincing ER setting, Krentz’s swift storytelling is both exciting and humane, as invested in the mystery Zack faces as the challenges of serving as a front-line medical professional. Every page is alive with striking medical and technical detail, with situations that force Zack into hard choices and self doubt, or convincing legal drama, or straight-up suspense as the body count starts to rise. The major players have hidden depths to them, especially Zack, plagued with uncertainty after once having felt like a “bad ass” doctor, and brilliant, empathetic defense attorney Bridget Larson, whose best moments showcase her legal brilliance even as she’s beleaguered by issues with family.
Krentz’s leads will win readers over with their power-through resilience, their ability to work towards a hopeful outcome even when there’s scant promise of victory. But what mystery lovers might most appreciate is Krentz’s deft plotting, from red-herrings to narrative sleight-of-hand involving what’s filtered through the perspectives of characters. Dead Already favors the hard work of saving lives and finding the truth over empty action.
Takeaway: Medical mystery series starter, as an ER doc faces conspiracy.
Comparable Titles: Kelly Parsons’s Doing Harm, Gary Gerlacher’s AJ Docker Medical Mystery series.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Smirnova’s collection is structured by loosely bound sections, which can overlap in theme, form, and subject matter. The first section, titled “Nature,” contains an ecstatic homage to the natural world and its cycles and transformations, but also a questioning both scientific and spiritual: “Is there logic // or just an intuitive movement, // that brings together // a state of things?” The penultimate section, “Cities,” romanticizes the hum of concentrated humanity in the urban environment, but also addresses the contrasting loneliness one feels in a crowded space, a loneliness that echoes these relatable lines from the poem “Ice Breaker” in the “Love” section: “I boomeranged your thoughts // Looked in your soul for more // but couldn’t find.”
Introspection is also a frequent creative force as Smirnova’s poetry assesses the individual’s relationship to the universe but also the very concept of a self: “I am rebuilding myself // from ashes, // I am redrawing myself // from blank.” Rather than a fixed entity, the self here is, like nature, an ever-shifting journey. “One day you have to take a path,” Smirnova writes, “that is unique, that no one took,” and ultimately, the path itself “makes you the one”—and part of the oneness that carries everything.
Takeaway: Searching, of-the-moment poems on nature, love, and the path of the self.
Comparable Titles: Amanda Lovelace, Caroline Kaufman.
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A-
Marketing copy: A
The dynamic between the couple is rife with both fiery arguments and undeniable chemistry, as Benedict’s aloof arrogance clashes with Sophie’s kindness and strong-willed charm. Coia-Ramsay, the author of several historical romances, including Bernadette Barrymore, captures the tension of that love-hate relationship against the backdrop of class divide in early 20th century Great Britain, transforming it into a significant source of conflict throughout the book. It is Benedict’s growing attachment to Sophie—and the looming threat of her departure to America—that pushes him to act rashly, culminating in an impulsive proposal to avoid losing her that infuses their interactions with both frustration and passion.
Coia-Ramsay’s worldbuilding is rich with period details, from Benedict’s love for Scotland to the social nuances of their world, and the supporting characters, particularly Euphemia and Judge Hicks, add layers to the narrative, weaving in a parallel romance that offers its own moments of intrigue. The initial hostility between Benedict and Sophie simmers with excitement, though some readers may find his domineering attitude difficult to digest by modern standards. Nonetheless, their journey across the Atlantic as they navigate their new life together offers plenty of emotional highs, solidifying the story as a thrilling exploration of love and class in a changing world.
Takeaway: Historical romance rife with passion and early 20th century social class conflict.
Comparable Titles: Darcy Burke’s One Night of Surrender, Eva Devon’s The Beast and the Bookseller.
Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A-
Lamoureux expounds on her understanding of the Bible as she draws closer to God, with a deep contemplation on “the love of God [that] calls to all of us, no matter our current mindset.” Her reflections often address commonplace life questions—such as the role gratitude plays in everyday relationships—alongside a deep dive into biblical passages, whereas Hanson veers more towards intimate recollections of her most painful, and inspiring, moments, recalling her early years as plagued by “an empty hole in my spirit that I needed to fill.” Her account of a childhood spent at the mercy of addiction, rehabilitation facilities, and sexual abuse is heartrending, but her spiritual journey empowers, bearing witness to the transformative effects of faith.
Together, Lamoureux and Hanson's stories highlight the impact and change a life can have "when God [starts] to make Himself known.” Both authors reiterate the importance of a personal relationship with God, an odyssey that, for them, started with painful experiences but transformed into pathways of healing, acceptance, and spiritual revival. Lamoureux reminds readers that God’s love is personal, writing that “The Almighty didn’t just create a universe and then step away. He’s always where you need Him,” a soothing sentiment that Christian readers will find echoed throughout this inspiring book.
Takeaway: Two powerful stories of Christian revival following painful life experiences.
Comparable Titles: Brianna Ladapo's Emerging from Darkness, Julia Walsh's For Love of the Broken Body.
Production grades
Cover: B-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A-
Rylan’s past relationship with Abigail reveals his vulnerable and loving side, while his experience of the dehumanizing realities of war powers his quest for vengeance. Rylan approaches each victim with meticulous planning and cold detachment. As he captures each, his calm demeanor starts to unravel, exposing his unpredictable and inhumane nature. Santana depicts these encounters with disturbing detail, compelling readers to grapple with the ethics of Rylan’s actions, especially as “fresh-faced FBI agent” Helio Sangria takes up the case. At times, in brisk italicized in-his-head colloquies, Santana captures Rylan talking himself through his disquiet, coming up with rationalizations.
The Shattered Bones delves into the psyche of a vigilante, exploring themes of personal trauma, the quest for justice, and muddy lines between right and wrong. The novel's deliberate, taking a deep dive into Rylan's thoughts—he feels deeply alone, in 2017, after seeing the Wolverine film Logan and having no one to discuss it with. Such detail can at times feel indulgent, but as a complex character study of a man haunted by his past and driven to right the world’s wrongs at any cost, the novel weaves a morally intricate narrative. However, it leaves significant plot threads unresolved, setting up a potential sequel while falling short of delivering a complete arc for Rylan.
Takeaway: A soldier’s brutal quest for revenge powers this psychological road-trip thriller.
Comparable Titles: Stephen Graham Jones’s The Least of My Scars, James Ellroy’s Killer on the Road.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A-
Briggs chronicles the highs that will inspire parents of children with autism—her non-verbal daughter speaking for the first time, followed by a rapidly expanding vocabulary; purposeful eye contact; Sarah mastering toilet training. She also lays bare her own insecurities about parenting Sarah and her neurotypical sister Amy: “It can be hard to imagine what it was like to have to teach your kid each tiny bit of every single thing,” she writes. She frankly acknowledges doubts and setbacks, encounters with medical professionals, and her own changing hopes and expectations, such as no longer harboring the wish that Sarah might one day “pass” as neurotypical. There’s also, as the title suggests, triumphs, joy, and breakthroughs.
Briggs writes movingly and with grace about the emotions parents of children with special needs face before marshaling their strength and actively advocating for their children and their future. She praises the volunteer teams she recruited to help deliver the therapy to Sarah, and rejoices in the progress and triumph her daughter achieves with her “village” of helpers. While she notes that the method doesn’t work 100 percent of the time, in every situation, Briggs’s journey transforms her daughter’s future, and her candor and insight will resonate with parents facing similar challenges.
Takeaway: Inspiring story of a mother’s fight to give the best life to a child with autism.
Comparable Titles: Heidi Mavir’s Your Child is Not Broken, Kate Swenson’s Forever Boy.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A-
With both a light touch and academic confidence, King posits that extraterrestrials may have seeded life on Earth, supporting Richard Dawkins's argument for a Higher intelligence, parallel to ancient scriptures' description of angels. He further examines the ancestry of early humans (Adamites) interbreeding with hominids—a theory he finds echoed in the Koran—and speculates that interactions between Adamites and Neanderthals could explain myths about trolls and giants, perhaps even inspiring worship due to physical differences—leading to a conclusion that humans possess an innate drive to search for the divine. King’s bold sweep of evidence and argument—among other topics, King contemplates apocalypses, space travel, immortality, self-determinism, the multiverse, Carl Sagan’s idea that humans are made of “star stuff,” and the possibility humans were fashioned from clay—imbues the book with wonder.
King suggests with some passion a fundamental unity among all religions as they evolve. Readers who welcome the challenge of fresh thinking and tearing down rigid boundaries will enjoy this exploration of the DMZ between science and spirituality.
Takeaway: Ambitious, fascinating reexamination of the conflict between science and spirituality.
Comparable Titles: Francis J. Collins's The Language of God, Ursula Goodenough's The Sacred Depths of Nature.
Production grades
Cover: B+
Design and typography: A-
Illustrations: N/A
Editing: A
Marketing copy: A-
García Saúls meticulous research shines through as he paints a vivid picture of turn-of-the-century Puerto Rico, capturing both its natural beauty and the harsh realities of colonial rule. The author's descriptive prose brings to life the "majestic mountains and breathtaking tropical beauty" of the island, creating a stark contrast with the grim medical crisis unfolding within its borders. Also striking: the juxtaposition between the lives of the “coffee aristocracy” and the workers “crushed under abject poverty accentuated by chronic disease.” The heart of the narrative, though, lies in Ashford's relentless pursuit to uncover the cause of the illness plaguing these “jíbaro” workers, farmers, and peasants.
García Saúl skillfully portrays Ashford's growth from a fresh-faced lieutenant to a determined and resourceful doctor, drawing readers into the urgency of his mission. The medical detective work is particularly engaging, offering readers a glimpse into the challenges of early tropical medicine and epidemiology. While grounded in historical events, dramatic tension and personal stakes, especially the clash between Ashford's medical mission and the broader political context of the American invasion, power a story that explores rich questions of colonialism, public health, and moral responsibility.
Takeaway: Engrossing novel of medical heroism, war, and Puerto Rico.
Comparable Titles: Esmeralda Santiago’s Conquistadora, Audrey Blake’s The Surgeon’s Daughter.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A-
At these hateful words, Daisy May jumps into action. “We have one thing in common. We’re all creatures of Earth, each unique and special with value and worth,” Daisy May barks back at the snake, who slithers away into the grass. Importantly, the snake is not converted to share their point of view or join their game, which mirrors how this scene will play out with most real-world bullies kids will encounter. The rhyming, singsong prose will help keep kids engaged and share the fun-loving spirit of the real Daisy May, who belongs to Taylor and whose images fill the last few pages of the book.
The colorful illustrations show the animals enjoying their woodland home and help drive home this book’s important message about inclusivity. Friendly and smiling in each scene, Daisy May is shown frolicking along trails and running through fields of wildflowers accompanied by her myriad furry and feathered pals, with a grinning green frog perched proudly on the back of a short-legged dog named Lance. Ultimately this sweet story will help kids understand that kindness and acceptance are the keys to lasting relationships.
Takeaway: A labrador meets many diverse new friends in her forest home.
Comparable Titles: Alfredo Soderguit’s The Capybaras, Jessie Sima’s Not Quite Narwhal..
Production grades
Cover: B+
Design and typography: B
Illustrations: B+
Editing: B
Marketing copy: B
Gracely (author of the Misfit’s Magic series) skillfully mixes the real world with the mystical, portraying Max’s very normal struggles as a high school boy—with a penchant for mischief—alongside his attempts to manage the enigmatic Orb at the same time. He’s infinitely relatable, a strongly rooted character despite having amnesia from an earlier accident and no memory of who he is, and he wants nothing more than to find a family of his own. That wish eventually comes true for Max, when he’s paired with a new foster family overflowing with odd yet endearing siblings, but it puts him in a tight spot when it’s time to return the Orb to Sarina.
Thanks to Gracely’s brilliant imagery, readers will feel as if they are journeying alongside Max as he faces a dark force too terrifying for words and his own staggering role in an ancient mystery. His quest pulls in friends and family, and Gracely crafts each of his foster sibling’s quirks in a way that makes them a crucial player in this epic battle of good versus evil. Max ultimately wins that battle, and Gracely makes the road to get there as fun as it is suspenseful.
Takeaway: Teen boy and his new family help magical beings save the world.
Comparable Titles: Peter J. Woods’s Joey Finch series, E.G. Foley’s The Gryphon Chronicles.
Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: B+
Bühler is a long-time consultant with deep experience helping companies through difficult projects, and this expertise shines through in her explanations of the steps it takes to manage complex institutional transformation in ethical, responsible ways. Much of her language is more complex than many leadership guides, with a high level of detail even in her hypotheticals—including fictional quotes from her invented companies—but her flashes of wit and practical advice are paired with thoughtful rigor, and helpful illustrations, examples, repetition, and subheadings keep things clear. (Especially in the opening chapters, the text at times reiterates points more often than necessary.)
Bühler’s Ethic Pocketknife provides an excellent set of values, practices, and tools for implementing AI in a variety of situations, assessing AI programs, facing ongoing challenges, and fostering a culture of integrity. This is a helpful introduction to this concept with a comprehensive view and a plethora of examples. Any reader interested in AI, especially one in a position of leadership, would benefit from absorbing the lessons from this illuminating guide.
Takeaway: Fresh lessons and an “ethical pocketknife” for using AI in businesses.
Comparable Titles: Reid Blackman’s Ethical Machines, Beena Ammanath’s Trustworthy AI.
Production grades
Cover: B
Design and typography: A-
Illustrations: A-
Editing: A-
Marketing copy: A-
Upon his release, Švejk receives a summons to a medical examination to determine his fitness to fight in the coming war. He demands his cleaning woman push him there in a wheelchair, declaring “at a time when it is so grim for Austria, every cripple must be at his post.” As always, this first book of Hašek’s sprawling novel centers on soldiers’ talk, including scabrous monologues about latrines and what maladies will help get one out of service (“I got a dislocated foot for a tenner”), plus hilarious accounts of card games, training mishaps, and soldiers’ certainty that they face death.
Here, though, the laughs are more pained, the scatology more pointed, that good humor laced with mustard gas. Rather than a bumbling Pangloss, this Švejk resists readers’ efforts to see him as sympathetic. He’s often cruel and oafish, animated by no clear philosophy, quite unlike the pacifist teacher Hašek describes in the prison passages. The result is challenging and provocative, a century on. Prefatory material addressing translation issues is academic but illuminating.
Takeaway: Illuminating translation of the human complexity of a Czech classic.
Comparable Titles: Vladimir Voinovich, John Kennedy Toole.
Production grades
Cover: B
Design and typography: A-
Illustrations: N/A
Editing: A-
Marketing copy: B
All of these questions culminate into revealing a truth that otherwise can be hard to get to: the "why" of how an event or action played out. Kelly makes clear that everyone throughout an organization, from the C-Suite to the custodial staff, should be involved in event prep and AARS, always kept informed of the desired outcome and their role in achieving it. He makes recommendations for hiring for "fit," as well as ensuring consistency of message and actions, identifying the learning needs and styles of team members, and busting out of the silos that form in many organizations. Kelly reinforces the impact of each individual team member on the entire organization. Drawing on his own background and fresh research, he puts the onus on leadership to engage with team members but also vice versa.
Ultimately, Kelly argues, the purpose of the AAR is to establish best practices throughout an organization, within each team, and by each individual to ensure overall success. Kelly’s blending of memoir and leadership advice roots his ideas in his military experience, but the guidance, tips, exercises, and clear plan for implementing AARs are all applicable to a variety of orgs and businesses.
Takeaway: Clarifying guide to assessing and improving group performance after events.
Comparable Titles: Simon Sinek's Start With Why, Christopher D. Lee’s Performance Conversations.
Production grades
Cover: B
Design and typography: B
Illustrations: N/A
Editing: A-
Marketing copy: B-