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But, for Friedman, family is family, and Still Phyllis finds him drawing from long-forgotten diaries as he both recounts and interrogates his choice to take Phyllis into his New Jersey home, a decision he made without consulting his wife. He writes with crisp precision of the practicalities of caring for Phyllis despite the medical system’s zeal to convince us “to exile our debilitated parents or suddenly useless spouses to institutional caretaking.” Scenes of brother and sister still managing to understand each other despite the fraying of Phyllis’s capacity for language have rich power. These edge between the touchingly playful—Upper West Sider Phyllis offers tart assessments of authors reading at the 92nd Street Y—and the profound, as in the inclusion of a handwritten note from Phyllis (“Don, I lov yu. your deep & wondreerful &so &deep”).
Friedman notes that her words still “communicated well the truths about dying—about its terrors and confusions” more powerfully than the “saccharine and, finally, empty nuggets” he’s read in the likes of Tuesdays with Morrie. That commitment to rigorous thinking and writing about life as it’s actually lived powers this first-rate memoir, an act of memory, empathy, and love.
Takeaway: Finely wrought, deeply human memoir of a sister’s neurodegenerative disorder.
Comparable Titles: Elizabeth Hay’s All Things Consoled, Philip Roth’s Patrimony.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
What comes next is an exciting space-to-Earth coming-of-age story that relies on action to share a powerful message of adaptation and acceptance. Dayton is rudely introduced to Earth law and culture, stuck in Chuck Yeager High School until his 18th birthday. That means no more flying, and no more tight-knit camaraderie with his fellow pilots. The adjustment is difficult for the confident Dayton, who says, “A lot of you on the spacer side say I’m too much of an Earther. Then the Earthborn say I’m too much of a spacer.” When his father is recalled to active service in space, Dayton finds he must contend with an aunt who has very different ideals than the ones he grew up with. To top everything off, he’s head over heels for Allyson, a popular classmate.
With its stark focus on societal divides (with Griefers, neuros, and more), the novel shines a bright light on contemporary issues and plays on the classical literary themes of man vs self, man vs nature, and man vs other. The 1950’s-esque plot calls back to Heinlein’s Juveniles, and action-packed scenes will provide middle-grade readers with a delightful taste of science fiction without being overwhelmed by excessive character development.
Takeaway: Exciting coming-of-age SF story in space, on Earth, and inbetween.
Comparable Titles: Robert A. Heinlein’s Have Space Suit—Will Travel, Jennifer L. Holm’s The Lion of Mars.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: B
Marketing copy: A
Gayler immerses readers in a terrifying, fully realized potential reality, emphasizing the control that phones and computers have over human lives. Because people are always connected, it was all too easy for the programmers who created the Neon God and hypnotic lights to even further entrance users. The consequences are provocative: in this screen-centric future, millions died either by mass suicide, or neglect of their bodies, withering away while staring at their screens. Gayler also highlights fears about AI sentience, finding fresh angles, while mining tension and twists from the existence of people not affected by the mesmeric neon lights, living in refuge from electronic devices.
The worldbuilding is complex, but Gayler keeps the storytelling clear and engaging, whether in technical explanations, brisk action sequences, or passages blending these modes. Readers won’t find themselves pulled out of the story trying to follow the jargon. Taking readers from the destruction of the United States to the barely touched South America, Gayler explores the harrowing complications of this dystopia, where some governments will go to extremes to keep those—mostly tourists—affected by the lights from tarnishing their cities. The plotting, meanwhile, surprises, sometimes shocks, and will please fans of fallen near futures.
Takeaway: Apocalyptic thrill ride of a boy destined to save the world from tech.
Comparable Titles: M.T. Anderson’s Feed, Cory Doctorow’s Little Brother.
Production grades
Cover: A
Design and typography: B
Illustrations: N/A
Editing: A
Marketing copy: A
McCormick’s telling, covering the better part of a century, boasts both sweep and depth. Early Frankford Swedenborgians like Maskell Carll, the first minister of The First New Jerusalem Church in the City of Philadelphia, and “humble instruments” like Thomas Seddon found success preaching “Swedenborg’s doctrines to working-class people,” forging “an independent religious path, born of diversity and imbued with an ecumenical vision” and emphasizing a spiritual sense of scripture as well as “local activism to generate ‘happiness’ and community betterment.” McCormick notes that the faith was often misunderstood, and accounts of theological controversies, schisms, and occasional outside pushback will fascinate scholars of American faith.
The story of the Swedenborgians reflects the story of the nation itself, as McCormick’s rich chapters, each covering a half decade or so, explore local impacts of national news and politics, as well as local and community issues. The narrative draws deeply on local publications, digging into customs, the practicalities of community-building, news events like fires and new businesses, and reports on controversies and the Society’s responses, like Rev. B. F. Barrett’s 1866 sermon in support of desegregating Philadelphia streetcars. The level of detail is likely too granular for readers of pop histories, but McCormick offers a feast of insights, connections, and revelations.
Takeaway: Richly detailed history of Swedenborgian Christians near 18th century Philadelphia.
Comparable Titles: Marguerite Block’s The New Church in the New World, Harry C. Silcox and Frank W. Hollingsworth’s Northeast Philadelphia.
Production grades
Cover: B
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A
If that statistic doesn’t grab readers’ attention, it should. Keefer goes on to note that 80 percent of Americans suffering from hearing loss don’t employ hearing aids, chalking that choice up to three main reasons: barriers with Medicare insurance, substandard audiological care, and “human ego.” If health insurance won’t pay for hearing aids, he asserts, most individuals are forced to sacrifice quality and accept what they can afford—even if that means missing the subtle sounds, nuances, and communication that keep us connected to others. That outcome kickstarts a domino process with far-reaching emotional, physical, and social impacts; hearing loss doesn’t happen in a vacuum, and, according to Keefer, it can damage our physical condition, relationships, and more.
Readers will find a wealth of information here, with useful guidance and handy tips, whether Keefer’s outlining the different types of hearing aids and their costs, reviewing the new technology transforming the field, or reminding readers there’s a glimmer of hope: “you are not alone,” he comforts, and “with the right treatment, [you can] experience an improved quality of life with hearing aids.” Keefer closes with real life stories of individuals with hearing loss, professionals in the field, and resources to champion change.
Takeaway:Informative call-to-action for the effective treatment of hearing loss.
Comparable Titles: Keith N. Darrow’s Stop Living In Isolation, Bella Bathurst’s Sound.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
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Readers will find themselves fully immersed in the vividly depicted world of the am’r as Belasco's intimate storytelling delves into intricate bonds of friendship, love, and resilience. Each novella offers a distinctive perspective and contributes depth to the overarching narrative of Blood & Ancient Scrolls while still proving welcoming to new readers. The exploration of historical settings and events adds urgency and variety, with engaging period detail never slowing narrative momentum. Belasco adeptly navigates themes such as love, loyalty, and trust throughout the novellas, resulting in three moving reads. A heart-to-heart between Astriyah and Palmina on death, life, blood, and Dracula pulses with feeling, while the range of milieus (and Belasco’s mastery of her world) yield a bounty of striking detail and situations.
Blood Triad is a must-read for fans of vampire fiction and historical fantasy, especially those who value meticulously researched narratives that deliver immersive world-building, nuanced character dynamics and diverse perspectives, and thought-provoking explorations of love and resilience.
Takeaway: Resonant, immersive historical vampire novellas with diverse themes.
Comparable Titles: Deborah Harkness's The All Souls Trilogy, Octavia Butler’s Fledgling
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Molinaro’s conception of leadership is clarifying and inspiring. He defines it as a decision, an obligation, hard work, and also a community, and he stresses the importance of a community of leaders in a world of ever-changing consumer needs and technological advancements where “companies need to reassess and alter their business models to maintain competitiveness.” A guide to ten characteristics of a strong community leader is illuminating as Molinaro emphasizes the importance of "breaking down silos,” presenting a united front and one-company mindset, and celebrating success and key milestones, all as a community and within both the leadership team and the entire organization. Especially helpful: Molinaro's lists of potential “blockers” of the development of community (cliques; tolerators of mediocrity; making things personal), which block progress and success, and community “accelerators,” (“support leaders who join the community”; promote cross-team sharing and transparency), which fast track progress and success amongst the community of leaders.
Community of Leaders is an inspiring, easy-to-follow guide to building a productive and effective leadership team that works together toward a common goal. Molinaro pairs a convincing exploration of why this kind of leadership is ideal for contemporary businesses with a wealth of hard-won and practical knowledge for building and maintaining such teams, all written in a direct, inviting tone.
Takeaway: Concise how-to guide on building leadership communities that point to success.
Comparable Titles: Howard Partridge's The Power of Community, Thomas J. Sergiovanni's The Lifeworld of Leadership.
Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Readers are taken through the cold sweat of Ted's nightmares: fear of being exposed, fear of being duped, fear of being left behind, and the fear of losing everything he holds dear as a result of a few desperate decisions. Roberts grounds the suspense in convincing human detail and relationships: Ted left the family ranch in Montana as a young man to seek out a life where he felt validated by titles, money, and upward mobility. When Ted confesses to Charlotte that everything about their life has come unwound, the couple are forced to face some hard truths: he’s been lying to her, their friends may not be who they think they are and there is a bigger scheme underway to destroy them both than either really knows.
The story is engaging and the characters and plot are both well-developed, though the "whodunnit" and "why" are fairly easy to deduce. Most every character is fairly flawed, in ways both touchingly human and sometimes disheartening, but the novel’s most moving when it reveals there’s more to these people than expected, as in a lovely exchange between Charlotte and the mother she considers cold and disapproving. Unexpected warmth and connection amid the suspense will keep readers turning the pages.
Takeaway: Tense story of the fallout in a marriage after a husband’s accused of embezzlement.
Comparable Titles: Michael Eon’s These Things Happen, Angela Terry’s Charming Falls Apart.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Hamilton-Guarino personalizes the material with exercises, journal prompts (“write freely about how you wish to be remembered”) and other tools crafted to help readers discover their own routes and destinations. She emphasizes collaboration throughout, noting, in one of the many “Stores from the Heart” case studies, that entrepreneurship “requires collaboration, shared wisdom, and a humility that allows for learning from others.” The emphasis on collaboration may surprise readers raised on the myth of the independent genius entrepreneur, though Hamilton-Guarino’s treatment of the subject is nuanced and includes the advice that collaborations can become bitter without mutual respect.
Some material here will be familiar to self-help readers, and The Success Guidebook occasionally is repetitive, though Hamilton-Guarino’s enthusiasm is infectious. She writes like a coach or a friend, someone who has been through what readers might be facing and offers advice born out of experience. Her attitude toward the relationship between money and happiness is interesting, as she recounts learning money’s value the hard way, via a lack of it, but also proposes that money (nor “status, awards … or famous contacts in your phone”) is the key to happiness. Her comments about resilience (“resilience and determination can overcome even the toughest of setbacks”) are especially upbeat and hopeful.
Takeaway: Upbeat guide to charting one’s own long road to success.
Comparable Titles: S.S. Bawa’s Visualizing Success, James McCrae’s The Art of You.
Production grades
Cover: A-
Design and typography: A-
Illustrations: N/A
Editing: A
Marketing copy: A
Narrated in breezy, conversational language with much local color, the novel is fast-paced, with action that never lets up, bringing life to a milieu of Waffle Houses, gravel roads, ramshackle wooden bridges, and bars specializing in bikini bull riding. Though on the outside Mary Beth is a hardened law enforcer, her own vulnerabilities regarding her son Sam, her confused loyalties and feelings of guilt regarding her late husband and some family members make her human and fallible, while her dialogue—calling a prosecutor “Boss Hogg,” for example—is charmingly expressive of her region. Izzy is a good sidekick to Mary Beth, restraining her when required and backing her up when the situation demands. Apart from the two, Princess, Izzy’s wife, and Sam, prove especially engaging, the kind of characters who reward readers over series installments.
Johnson’s story will test Mary Beth, with some personal complications at times seeming to keep her from seeing the truth of key matters—in fact, seasoned mystery readers might be able to guess at some secrets she misses long before the reveal. Still, this thriller is a brisk, tense read, pulsing with character, and it will hold reader interest till the last page.
Takeaway: A West Virginia county’s first female sheriff takes on an engaging cold case.
Comparable Titles: Julie Ann Lindsey’s Apple Cider Slaying, Rita Herron’s The Silent Dolls.
Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: B
Marketing copy: A
The theme is complex, but Greene skillfully simplifies it, offering reflection questions adult readers can use to guide discussion. As Little Bear practices interacting with his environment, a wise Frog serves as his mentor, prompting him to consider the impact his behaviors can have on others—a process that Greene mirrors through the adult-centered questions included throughout. When Frog explains the tangled concept of boundaries to Little Bear, adult readers are encouraged to have kids brainstorm boundaries Turtle can set in their play; when Frog details the “Animal Party Pact” of respecting others’ physical boundaries, adults are given prompts that explore why it’s crucial to ask others before touching them.
K.K.P. Dananjali’s brightly hued, entertaining illustrations bounce readers through a colorful, inviting world that, though sprinkled with some hefty learning moments, is a celebration of how exciting life can be with just a little forethought. Little Bear’s a quick learner, and he and Turtle eventually reunite with their other pals for a boisterous, pool-splashing romp that kids will love. Greene closes with a list of the top five body aware rules for young readers to master, alongside a gentle reminder that “when we’re having fun, our bodies should feel safe too.”
Takeaway: Delightfully crafted lesson on boundaries and safe play.
Comparable Titles: Jenny Simmons’s I Can Say No, Emily Nelson’s Can I Give You a Squish?.
Production grades
Cover: B
Design and typography: A
Illustrations: A-
Editing: B+
Marketing copy: A
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Morgan’s language evokes an ambience of the gated cities, ducal castles, courtly intrigue, and “plump ruddy prince”s, conjuring rich detail without diminishing narrative momentum. Among the host of characters peopling the pages, the maternal figure Madame de Dinan, Anne’s gouvernante, stands out, offering support but perhaps uncertain loyalty. These only add to the demands made on Anne. As a pre-teen, she shows remarkable courage and intelligence in thwarting the underhanded moves of people whom she believed she could trust. Though her love for her land is idealistic, she exhibits pragmatism in her decisions about marriage.
The pace of the novel remains brisk to the end, even as Morgan’s research and her deep knowledge of the era and obvious love for her subject shine throughout. The curious custom of marriage by proxy will fascinate and amuse contemporary readers, but the fact that marriage itself was often rooted in political considerations among the ruling elite is explored without 21st century judgment. Morgan blends fact and fiction seamlessly and the result is an authentic story of a strong woman ruler determined to defend her right to rule and face the challenges of her situation.
Takeaway: Brisk, involving historical novel of Anne of Brittany, protecting her duchy.
Comparable Titles: Rozsa Gaston’s Sense of Touch, Tracy Chevalier’s The Lady and the Unicorn.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
This collision with history will change not just Luke’s life, and McCarthy keeps the tension (and the feels) at a strong simmer as Sofia, like readers, gets caught up in the story. The setup is emotionally complex: Luke—then Lukas—had been a German soldier, just 18 years old, in occupied Verona, and Anna a resident hiding under her bed as his unit searched her house. Boldly, he chose not to reveal her to the other Germans, but he never saw her again. In the present, Sofia and her family dive into the case, striving to find Anna and answer questions that have haunted Luke.
The end of World War II is brought to vivid life as McCarthy balances the timelines of Sofia’s 2005 and Luke’s 1945, with storytelling that emphasizes sleuthing and history. Sofia’s own story, of healing and self-discovery, never compels as much as the beautifully narrated tale of Luke and Uwe, Luke’s oldest friend and mentor, which reveals just how unpredictable life can be. Readers will appreciate, though, how McCarthy’s attention to telling detail never slows narrative momentum.
Takeaway: Romantic historical mystery of love lost and found in the aftermath of a world war.
Comparable Titles: Jillian Cantor’s In Another Time, Laura Nowlin’s If Only I Had Told Her.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
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Cole evokes this fraught, frightening era with an eye for the telling detail, especially the “traditions and simple way of life” in Oksana’s village and how the Bolsheviks trample them. Historical context never slows the narrative, however, and Cole’s inventions, especially her characters’ choices and desires, make the past feel urgent for contemporary readers as they become engrossed by the injustices meted out by the cruel Soviet regime and its intense effort to erase Ukrainian culture. She also aptly demonstrates how war and persecution can drive difficult decisions, especially when Oksana’s friend Anya and her father Grigori join Stalin’s organizations in an effort to survive the conflict and not go hungry, even when Grigori plays a part in arresting Mikhail, Oksana’s father.
When Cole recounts the persecution and torture of Mikhail, and Dymitro, the town’s elderly baker, the unflinching details can be hard to stomach, and readers will feel the ache of hunger and despair right along with the characters. The story is all the more poignant given the ongoing war between Russia and Ukraine. While this expertly crafted tale may be geared for a younger audience, readers of any age should take Cole’s wise points to heart.
Takeaway: Heart-wrenching, meticulously researched tale about the Ukrainian Holodomor.
Comparable Titles: Erin Litteken's The Memory Keeper of Kyiv, Katherine Marsh's The Lost Year.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
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Fong covers all this chronological order, after opening with a brief account of his hopes of joining China’s Flying Tigers and fighting the Japanese invasion there, but a snafu led to him being sent to Germany instead. He briefly describes boot camp and training to be a crew member of the B-24 Liberator bomber before jumping into a detailed description of the desperate German offensive in Ardennes, later to be known as the Battle of the Bulge. In essence, the Allies had wiped out the German air force (the Luftwaffe) before the invasion of Normandy. Hitler, deranged in his final days, had ordered an all-out offensive to break through the Allied forces.
Touchingly honoring his heritage and the sacrifices and courage of Chinese-Americans, Fong details the challenge of destroying the industrial complex that allowed the Germans to build planes and tanks, as well as providing fuel for their vehicles, processes Fong played a part in disrupting in countless bomber missions designed to destroy airfields, factories, processing centers, and other industrial targets. Fong supplements his close-up and big-picture account with fascinating photos and maps that clearly relay military goals, plus a wealth of material in appendices. Readers interested in the fine details regarding the end of the war will be fascinated.
Takeaway: Revealing, moving account of 22 bombing missions in Germany at the end of World War II.
Comparable Titles: E. Samantha Cheng’s Honor and Duty, Philip Kaplan’s Escort Pilot.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: B
Undaunted, he assembles a makeshift band (and chosen family) for potential gigs. Then he hears a life-changing rumor: another human, on a moon that's a lawless den of vice, being held captive by a brutal criminal who has sinister motives. That spurs a highly unlikely, amusingly ludicrous, and frequently lethal chain of events as Prog hires a vicious but principled criminal to guide him and his friends on a seemingly doomed rescue mission. Amidst befouled space cruisers that crash before even leaving the atmosphere, teleporters that might kill you, enemies everywhere, and a murderous, clone-hungry villain in the monstrous Croakus, Prog labors to protect not just his life but his sanity.
Written as the first volume of a potential series, Lamberson leaves some loose ends but brings this story to a satisfying end, though sometimes at the cost of having his hero get lost in the shuffle of so many colorful characters. Narratively, Lamberson switches perspective with each chapter in the second half, deepening characterization while sometimes slowing the momentum, but then he cleverly flips this technique by advancing the plot in surprising ways before rewinding to tell the story from a different point of view. Despite some proudly ridiculous story beats and the exaggerated comic features of many alien characters, Lamberson takes care to pay close attention to their feelings and individual personalities, while spinning a gripping story. Lamberson refusing to bow down to action cliches elevates the novel from a wild lark into something with more depth.
Takeaway: Teen angst, heavy metal dreams, and madcap science fiction escapades.
Comparable Titles: Jim C. Hines’s Janitors of the Post-Apocalypse series, Dennis Taylor’s Bobiverse series.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A