While Trozzolo is usually thoughtful in formulating his observations and ruminations, most of these poems have a spontaneous feel to them. They quickly and sketchily capture a mood, as in “Walls”: “Can you/ Climb walls/ while/ Sitting in a/ Chair?” These brief verses are more effective than some of the longer poems, such as the overly labored “Blue,” which loses its impact as Trozzolo works hard to create rhymes. Trozzolo’s humor also works best in small bursts, as opposed to poems like “It Is,” in which Trozzolo belabors references to the song “You’re So Vain” in order to craft a joke.
Most of Trozzolo’s poems don’t fall into the trap of being clever for their own sake. Even when he’s playing around, he focuses on communicating his ideas through vivid, spare imagery. He’s candidly direct and sincere in expressing his thoughts on how the pandemic has changed daily life, and communicates gratitude for the remnants of meaning he can still find. Trozzolo distinctively touches on the strangeness of pandemic life while embracing its absurdity, and his quirky poems offer laughter and genuine insight without being pretentious.
Takeaway: Readers looking for a poetic take on life sheltering at home during the pandemic will relish Trozzolo’s wit, empathy, and economy of words.
Great for fans of Kit Falbo’s Pandemic Poems, Christoffer Petersen’s Pandemic Poetry.
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