But the veneer of perfection quickly begins to smudge: for example, who is Eloise and why was her journal hidden inside Aloe’s condo when Aloe was told that it had been never previously uninhabited? Why does Aloe feel stalked by the “steely eyed creeper?” Suspension of disbelief comes thanks to King’s descriptive, verbose language that seeks—and mostly succeeds—to evoke Aloe’s eerie yet pleasing new world in vivid, cinematic images. There’s a consistent psychological edge to Aloe, referenced via internal dialogue, and the pace sparks when Aloe discovers Blue Haven’s dark, unexplained secrets that leave her hiding in her condo, tugging on matted hair, and chewing her fingernails.
Scary and exhilarating, with more twists and turns than a game of Chutes & Ladders, Blue Haven is an ambitious and painstakingly written psychological thought-adventure about the pursuit of pleasure and escape from pain. King offers surprises in terms of perspective and flashbacks, even edging at times toward speculative fiction, building to the urgent question “Why fix your old life, when you can have a new one?”
Takeaway: A grabber of a psychological thriller imagines living the lush life on a private island–or is it something else entirely?
Great for fans of: Rachel Howzell Hall’s They All Fall Down, Michael Redhill’s Bellevue Square.
Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A