Elly Robin fans will be thrilled with the return of Quaver’s singular heroine—now sailing to France on the hunt for Edwin Friend, her “one true love”—in this eighth installment of his Ordeals of Elly Robin series, after Elly Robin in Harlem. When Edwin, an aviator with the First World War’s elite American Escadrille, is shot down over Germany and only narrowly escapes death and imprisonment, he finds refuge in a remote German village—and falls for Ilse Gruber, the widow who nurses him back to health. Meanwhile, Elly, desperate to be reunited, careens through France—and, eventually, behind enemy lines in Germany—flying planes, sinking a U-boat, and playing spy, all while searching for Edwin.Elly’s adventures are every bit as colorful as readers have come to expect with this extraordinary prodigy, and Quaver sketches a believable historical setting alongside her incredible feats. As with other volumes, the pages are teeming with fascinating characters—including real historical figures Gertrude Stein, Alice B. Toklas, and, of course, the Crown Prince of Germany, William—but the characters who linger most in memory include Ilse and the imposing Olive King, an Australian ambulance driver working for Britain’s Voluntary Aid Department, whose tough-talking, steely exterior conceals a true heart of gold. The female leads are trailblazers, each in their own way, a testament to the often-unsung roles of women in World War I.
Though Elly’s operations still take center stage, Edwin, too, faces bizarre twists of fate, and, through their alternating perspectives, Quaver evocatively portrays early 20th century Europe, both rural and urban, as the war’s senseless tragedies overtake much of the continent. Even Elly’s induction into the Escadrille crackles with authenticity, and her devotion to Edwin eventually pays off—though the ending is as gut-wrenching as it is sweet, leaving Elly with a measure of hope that better times may be on the horizon.
Takeaway: Young woman’s search for her true love in WWI Europe.
Comparable Titles: Caroline Scott’s The Poppy Wife, Kate Quinn’s The Alice Network.
Production grades
Cover: A
Design and typography: A
Illustrations: A-
Editing: A
Marketing copy: A
