The novel is emblematic of a broader battle for female empowerment, as Daniella navigates a path that defies the societal norms of her time. Charlotte, a firm believer in “free love,” is a model of courageous independence as she eschews religious constraints on sexuality and openly embraces life outside of traditional marriage. When Daniella meets photographer Yale Desmond—Charlotte’s brother—the two soon form a mystical but risky partnership. Daniella is able to summon spirits, a skill she inherited from her mother, and Yale offers her a job doing just that—while he photographs the spirits with the people they’re visiting.
Reed’s dedication to historical fidelity is admirable, with era-appropriate language and world-building prowess that encapsulates the prevalent superstitious beliefs of the time period—when scientific ignorance often compelled individuals to find solace and explanations through supernatural avenues. Though Daniella and Yale’s business blurs the boundary between belief and deception, the air of mystique surrounding their work is riveting. Reed masterfully assembles a consummate cast of characters, each lending a distinct thread to the narrative rather than simply serving as lackluster supporting figures. This is a polished commentary on 19th century societal conventions and traditional gender roles, with just the right amount of supernatural flair.
Takeaway: Haunting tale of a battered woman’s journey to become a séance facilitator.
Comparable Titles: Sarah Penner’s The London Séance Society, Amanda Skenandore’s The Undertaker’s Assistant.
Production grades
Cover: B
Design and typography: A
Illustrations: NA
Editing: A-
Marketing copy: A
