Kruse employs a variety of poem structures—narrative format, rhyming, short observations and pleas (“Lord, / Remind me to read the pages / Before the ink fades away.” reads “Primary Sources” in its entirety), and repeating formats—which make the collection feel fleet despite its off-putting length of nearly 700 pages of mostly brief poems. As a self-proclaimed Christian, his poems on faith draw from the tone of the Psalms (“Melt my heart / Revive this soul / God of love, I need a miracle”) or Lamentations, which inspires “The Book of (American) Lamentations.” Many poems reach beyond his belief system, pose urgent questions (“Why is [it] that human beings, during times of crisis, / Can accomplish incredible feats, / And yet / We waste away during peace?”) or express pained doubts.
His style tends toward the melodic and the autobiographical, as Kruse digs into his fears, trials, successes, and longings. Love interests, family, and friends are recurring characters, as is God, who alternates between Kruse’s subject and the audience the poet is addressing. Overall, Grace in the Dirt reveals a deep sense of longing for connection. Kruse notes that he writes for the sake of catharsis, but readers eager for the musings of a believer in troubled times will likely find some connection of their own.
Takeaway: This poetry debut frankly considers faith, doubt, despair, and hope in clear, inviting verse.
Great for fans of: Edgar Holmes’ Her Favorite Color Was Yellow, Ted Kooser.
Production grades
Cover: A
Design and typography: A
Illustrations: A-
Editing: B
Marketing copy: A