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Honeymoon Alone
Honeymoon Alone follows Lucy Gray – a 26-year-old do-gooder who spends most of her time taking care of her family as well as twenty-two third-graders. A humiliating public experience spurs Lucy to get away – quite literally – from everything that holds her back and put herself first for once. In search of adventure, Lucy tells a little white lie that creates quite the tangled web. As she explores London and reunites with an old high school friend, Lucy unwittingly gains the attention of international authorities as she struggles to finally be true to herself.
Plot/Idea: 7 out of 10
Originality: 6 out of 10
Prose: 8 out of 10
Character/Execution: 8 out of 10
Overall: 7.25 out of 10


Plot: The plot follows many existing conventions - lonely but good-hearted heroine, travel as a route to self-discovery, unwittingly getting caught up in someone else's crime story - but it's nicely structured and paced. It keeps being fun.

Prose/Style: There is a certain breathlessness to Lucy's internal narration and frequent exclamations of wonder at being in a foreign city, and the emails from her doting, somewhat smothering family are pitch-perfect. There's a sweetness and innocence to the narrator that may make this more appropriate for a YA format.

Originality: Plenty of other books and films have put a heroine in a foreign setting, caught up in events she doesn't quite understand, though this is far more charming and wide-eyed than other comparable stories.

Character Development: Lucy's innocence and frustration with a life in which she does just what is expected of her are plausible and winning, if a little on the '"gee whiz" side. As she takes action, gets mobile and opens her eyes to the wider world and to people she would never have met otherwise, she grows and changes in a way that is easy for the reader to root for.

Date Submitted: June 15, 2019