Throughout, Schur captures each new milieu in striking detail: the “knotty pine walls” and “emerald meadows” of the fir-wood chalet the couple acquired for $25 a week in Troistorrents, Switzerland, will warm readers, characteristic of Schur’s assured, compelling scene painting. In Schur’s telling, though, the couple’s travels are as much about the people they meet as the places they visited, brought to life here with quick, vivid portraiture. Readers will marvel at the couple’s resourcefulness—whether securing passage on a ship or recruiting new friends to construct a home in their van—and ability to connect with key figures in every region of the globe.
Among the most memorable are Serkan, in Turkey, who tells the couple over raki “The people of my country are very good” and then offers a gripping story as demonstration. The travelers, too, exhibit a welcome authenticity as they make friends (during a singalong in Antalya, Schur does a Betty Boop impression), face dangers, and continually make discoveries, with courage, luck, and an infectious zest for life.
Takeaway: Arresting memoir of a globe-crossing honeymoon in the early 1970s.
Comparable Titles:Rosita Boland’s Elsewhere, Terry Tarnoff’s The Bone Man of Benares.
Production grades
Cover: A-
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A
These essays are memorable in their reach. Schur's fascinating account of her young life as a trusting, traveler will make the reader long for the seemingly carefree travel of the days before 9/11/"
"The tales take on a transformative power. Maxine writes with so much humor, suspense and wisdom. This is what travel memoirs should be, and so seldom are."