Mallory’s eccentricity makes her a target for ridicule, and her attempts to confide in her parents fall flat as they dismiss the voices in her head as her imagination. Through this unnerving narrative, Zuiweta effectively wills Mallory's torment to her advantage, revealing a neglected and abused child whose cries for help often go unheard. Each betrayal deepens her wounds, turning her into a ticking time bomb—“Cadence won’t like that,” Mallory replies when a pastor’s daughter asks pressing questions—that is primed to explode. The betrayal of those she considered friends sabotages her capacity to trust, twisting her into a cynic. She is forced to be her own hero, even if it means becoming a monster.
With an emphatic eye revealing Mallory's chaotic internal world, Zuiweta excels in showcasing nuances of how people can fail an innocent, suggesting that this is how a serial killer is made, not born. The result is a hair-raising tug-of-war between good and evil, conscience and retribution that challenges readers to feel for and understand the young killer without necessarily justifying her actions. A satisfying yet unexpected ending will leave lovers of dark suspense yearning for the second installment.
Takeaway: Gripping coming-of-age thriller of trauma, neglect, and a murderous alter ego.
Comparable Titles: Zoje Stage's Baby Teeth, Oyinkan Braithwaite’s My Sister, the Serial Killer.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A