Croft’s novel is rich in imagery and history, clearly bolstered by her own research into the era, and historical fiction fans will relish following Renna’s compelling life. The power of “scars [to] tell stories” is a recurring motif throughout the book, threading the past with the present, the known with the unknown, and when Camilla’s son, Max, Renna’s sole friend, divulges a dark secret to Renna—that the scarred girl in the asylum is her sister—it triggers a dangerous avalanche of events that put Renna, Max, and Camilla in harm’s way. As a result, Renna and co. must flee to Venice, where Camilla’s sister, Danielle, an enigmatic figure herself, takes them in.
Renna’s time in Venice, where she’s fashioned into a courtesan for the Venetian elite by Danielle, is crafted in shades of excess, wealth, and her fight to have some semblance of control over her own future, all set against the stark backdrop of an ever-changing Venice beset by its efforts to stay neutral amid Napoleon Bonaparte’s shocking victory. In the end, Renna, much like Venice, is forced into a controversial decision in her pursuit of security, highlighting Croft’s shrewd grasp of history and its treatment of women.
Takeaway: 18th century orphan girl fights for belonging in this rich historical fiction.
Comparable Titles: Alyssa Palombo’s The Assassin of Venice, Harriet Constable’s The Instrumentalist.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
