In Marullo’s SF novel, a future utopian community of evolved humans faces a quandary as long-suppressed sexual desire resurfaces in their society.
After the death of Earth’s original solar system, the planet is cast out on its own. It wanders as a rogue for a million years before getting a second chance by getting recaptured in the orbit of a passing star. Environmental upheavals are catastrophic, but over eons, a new iteration of Homo sapiens (“Homo Sapiens 2.0”) emerges, apparently repeating exactly the same evolutionary process as before and now occupying a single-continent landmass. The people who dwell upon the planet Opine, called Opinions, are intellectual and have a “cider complexion”; they’re nature-loving, generous, and have no organized religion, war, hatred, bigotry, or greed. A digital archive of old Earth has enlightened Opinions to their wretched history; indeed, mocking the “Fools” of the past is a common Opinion pastime. Their culture long ago quashed bad behavior by using a regime of drugs and gene therapy, and it has a side effect of muting human sex drives. Then Opinion student Aster Bottlebrush changes everything by politely asking his friend Dianella Whitebeam if he can see and fondle her naked breast, and she assents. The event has the effect of shaking Opinion society to its very core, as it reveals that the aforementioned “Self Suppressor” treatment is not absolute, as everyone thought.
Marullo, the author of Till Times Are Done (2019), among other novels, adopts several aspects of utopian fiction in this satirical work; it’s a mod of storytelling that has a venerable history in the SF genre (and one that underpins some of its earliest tales, in fact). Some readers may find that the narrative’s first act is rather tough going, offering readers a throwback to such chestnuts as Samuel Butler’s Erewhon (1872) and Edward Bellamy’s Looking Backward (1888), which both delve into the idea of allegedly perfect human societies. In this one, the author follows a familiar format, detailing how the whimsical Opinions finally managed to get things right, long after the Fools evidently destroyed themselves in a mid-21st-century storm of political corruption, division, wealth inequality, pandemics, and science denial. However, after the Bottlebrush-Whitebeam incident, the story truly kicks into gear, and the Opinions start looking less rosy and their culture recalls Aldous Huxley’s classic Brave New World (1932). There are erudite quotes from such thinkers as Aristotle, Karl Marx, Immanuel Kant, John Rawls, T.H. White, and others, but things get sexier—literally and figuratively—in the novel’s home stretch, as the Opinions start acting more than a little Foolish. By the time the finale rolls around, the book has turned into another genre warhorse known as the “shaggy god story,” which tackle biblical notions, such as Creation, from an SF perspective. This punchline is one that is worth readers’ while, and it may well have readers wondering where they would stand in the author’s depiction of a paradise lost.
An intriguing seriocomic fable of a supposed utopia gone wrong.
