WEST OF FAMOUS is a terrifically smart, strong thriller from Joni Fisher, whose crime novels get better with each entry in the series.
Combining the elements of a police procedural and a suspenseful thriller, Fisher tics all the boxes for a compelling crime novel that will keep readers turning pages to the satisfying conclusion. Martina is a crafty, well-drawn character who refuses to be a victim, preferring instead to take action to save herself. She keeps the plot moving forward in unexpected ways and fuels the adrenaline-soaked venture of survival at the hands of menacing kidnappers. Martina’s ordeal leads her to some deep soul-searching about what really matters in life, and Fisher strikes a poignant tone in these scenes of revelation in the face of death.
Fisher also packs the pages with a supporting cast of FBI agents, investigators, Florida retirees, and eco-tourists that add intrigue and subplots which propel the story forward. The author expertly develops fringe characters to add another layer of relationships and unpredictability to this riveting crime story. With an emphasis on following the evidence and clues to find the kidnappers, crime fiction fans will appreciate the details of the investigation. Fisher’s ability to anchor the story with a strong sense of place makes this a memorable story with a unique Floridian flair.
West of Famous is the third in Ms. Fisher’s suspenseful, crime series and I loved it! Fisher wraps her intriguing drama in captivating characters and a well-developed plot that seizes you from the first sentence to the last. Through the Compass Crimes Series, I have fallen in love with the cast of characters and West of Famous can be read as a stand-alone or in sequence. With the third in the series, Fisher had established herself with the other great crime writers—her writing crisp and fast-paced. I can’t wait to see what blows in from the East!
As a reader, I love to learn new things when I read fiction. I enjoy experiencing danger vicariously and seeing the world from different perspectives. As an author, I strive to craft that same thrill for my readers. Research is how to nail the details that create that you-are-there insider's experience.
We've all read stories that fail at this. I am an instrument-rated private pilot with a little training in aerobatics. When I encounter blunders in a story about aviation, the magic of being in the story falls apart. I don't want to be that author who breaks the magic.
Why write what you know when you can write about exciting things you are learning? As a pilot, of course, I'm going to use that knowledge and experience in stories. But I can't become an expert in everything, so I find experts willing to share their knowledge and experience.
HEROS OF RESEARCH
Authors James A. Michener, Ridley Pearson, David Morrell, and Steve Berry exemplify the serious kind of research that elevates their stories to the bestseller category. Michener's tome Hawaii presents the geologic formation of the islands to establish the setting for readers. Pearson's research in his crime stories is revered by detectives for thoroughness. Morrell spent 35 days carrying a 60-lb. backpack through the Wind River Mountains in Wyoming with the National Outdoor Wilderness School to research is book Testament.
Here's my process.
SETTING
Where does the story happen? For North of the Killing Hand, I drew on travel experience in Mexico, Costa Rica, Panama, Ecuador, and Columbia for the scenes in the Amazon. The photos taken in these remote places reminded me of the density and types of foliage. Journals reminded me of the smells, sounds, oppressive dampness, and dangers. Beyond personal experience there comes online research and trips to the library for demographics. How many people live there and who are they? What languages do they speak? How do they travel? How do they communicate? What cultural differences stand out? Crime? Education? How do people make a living in the Amazon? What are their religious and ethical beliefs?
For the upcoming West of Famous, I spent a week on a trawler because a huge portion of the story takes place on such a boat. All the library research in the world cannot capture the smell of diesel, the constant motion of the boat, the sounds of the engines, or how to find compartments large enough to stuff a body. The boat owners, Paul and Caryn Frink, went above and beyond in helping me.
They took me to the oh-so-remote site in the Everglades where part of the story takes place and dropped anchor. They let me ride in the engine compartment while the boat was underway. I had to test if screaming could be heard over the sound of the engine.
I took copious notes and photographed everything at various times of day and night to nail the details. Online research cannot compare. Paul, retired navy with a strong engineering background, taught me more about boats and boat engines in a week than I learned from months of other research. Hands-on research beats online research any day! Fun, too! The rocking sensation stopped two days after I returned home.
CHARACTER
For each character, major and minor, I want to know who they are. What makes them behave the way they do? What does the character fear? What does the character want? For minor characters, the basic information reads like a police profile: height, weight, age, gender, race, education, and basic history. For major characters, deeper analysis works.
In South of Justice, the main character Dr. Terri Pinehurst-Clayton is a veterinarian. What does it take to become a veterinarian? The info uncovered during research appeared in the book, especially the items that grabbed my attention. Did you know it is tougher to enter veterinarian school than medical school? That tidbit of info led me to find out why. The answer found its way into the book because inquiring minds want to know. At one point in the story, Terri bolsters her courage by reminding herself that she graduated at the top of her class because of her intellectual tenacity. She then decides to begin her own investigation into her husband's past.
Understanding the strengths and weaknesses of the main characters empowers the author to leverage these traits in the story. I have interviewed experts to gain insight into the how and why of their work.
I suppose such research is similar to method acting. I want to learn so much that I can step inside a character to experience life from a new perspective in a new place under circumstances I pray I never have to experience in real life.
Which authors do you admire for creating stories that make you feel you are there?
This article first appeared on the Not Your Usual Suspects blog October 2, 2017.
