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Elaine Russell
Author
When the Tamarind Tree Blooms
Genevieve (Vivi) Dubois, a half-Lao/half-French métisse, turns eighteen and leaves the French orphanage where she has lived for fourteen unhappy years. (The colonial government forced many native mothers in Indochina to give up their mixed race children after the French fathers abandoned them and returned to France. The system tried to keep the children’s origins hidden from them.) Vivi is determined to discover the story of her parents. She finds herself immersed in the deeply divided world of French colons and their Lao subjects, where both cultures look down on her mixed heritage. She struggles to find where she fits in. When two men, one Lao/one French, fall in love with her, she must faces the stark reality of her status in society. Steeped in the lush setting of Southeast Asia and the confines of the colonial period, the story unfolds over the summer and fall of 1931.
Reviews
Russell (author of Across the Mekong River) gracefully captures the fraught atmosphere of 1931 French colonial Laos through the eyes of Geneviève “Vivi” Dubois, 18-years-old and fresh out of the orphanage in which she has spent the last 14 years of her life. Her memories of her family are still raw, and Vivi finds it too painful to crush her hope, however small, that her mother will, one day, return for her. With her new status as an adult, she vows to find her family and “discover a way back to my beginning,” but that dream, sparked inside a half-Laos and half-French sheltered young woman just entering a world that doesn’t want to accept her, is fragile at best.

Laos—and its divided, tense undertones—springs to life in Russell’s capable hands, as Vivi desperately tries to decide where she belongs. Her struggles mirror the greater battles of the Laos people to find their own footing against the backdrop of France’s colonization: Vivi wisely describes the orphanage girls as “uprooted—ripped from our families and native Lao culture, everything familiar, to be raised as French citizens,” only to be turned out into a world that refuses them (“Many terms had been coined for our unseemly blend of races” Vivi remarks). Despite the disregard of her surroundings, Vivi perseveres in her mission, devoted to recovering her family and, in the process of growing into her own, finds herself torn between two suitors and unsure of what kind of future she wants to build.

Russell’s gentle narration allows readers to experience Vivi’s blossoming firsthand, in poetic prose that stirs vivid imagery, as when Vivi observes “I drew in a deep breath and began with what I remembered of my childhood…It was like a great spool of thread rolling across the floor and gathering speed.” This coming-of-age is a stunning declaration of resilience and belonging.

Takeaway: Stunning coming-of-age set in French colonial Laos.

Comparable Titles: Helen Fripp’s The French House, Jennifer Anton’s Under the Light of the Italian Moon.

Production grades
Cover: B-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A

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