"Deleted Scenes" is a surreal, experimental dystopian narrative set in the remote, snow-covered island of Novo Tsarstvo, uncanny reflection of contemporary Russia. Through a mosaic of perspectives, the author explores the lives of ordinary people struggling under a totalitarian regime where reality blends with nightmares. The novel combines psychological horror with dark humour to examine themes of truth, violence, and freedom, while showcasing the resilience of the human spirit in the face of oppression. With its politically charged and psychologically complex narrative, the book challenges readers to confront the possibility of hope amidst darkness.
The collective inhabitants of Novo Tsarstvo attempt to make sense of their dehumanizing existence by imagining fanciful scenarios of how this fascist world came to be and how they can change it. Their fantasies include a professor creating the sadistic police as a race of pig-faced demons, Homo demonicus; a parallel dimension where leaders and newspapers don’t lie and benevolent rulers promote art and science; “television reality” that feeds alternate truths so pervasive that it takes on anthropomorphic form; and the shriveled and feeble Tsar as a marionette manipulated by his officials. Most scenarios are either alarmist or optimistic, but a couple are comical, like one centering on a stalwart woman who ignores the law against owning a cat.
Bagaev’s metaphysical observations strike with chilling accuracy, while the prose, despite the heady invention, is brisk and pointed, the storytelling as fleet as it is wild. A welcome fabulistic playfulness leavens the dehumanizing themes, even as Bagaev explores how a civilization evolves to practice sadism and genocide, the capacity for diverse perceptions of reality, and the steps, however small, that must be taken to right the world’s wrongs. Readers who love outraged play and literary daring will appreciate Bagaev’s pained, vivid vision.
Takeaway: Clever, outraged novel of storytelling in a totalitarian state.
Comparable Titles: Ken Kalfus, Bruno Schulz.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
