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General Fiction

  • The Witness Tree

    by Jena M. Steinmetz

    Rating: 9.25

    Plot/Idea: The toppling of a 150-year-old tree on a Gettysburg battlefield unearths a mystery that preservationist Breanne Walker is unable to resist: a leather-bound diary and an unidentified skeleton. A student of history and its mysteries, she soon becomes embroiled in the diarist's life, and, as the past begins to overlap with the present, Breanne truly begins to understand the importance of history and the people who lived it, and her own responsibility to conserve it—larger implications for both her professional and personal lives. 

    Prose: Steinmetz's storytelling is engaging and flows faultlessly between the past and present. The contents of the diary (and Abigail's tale) are so engrossing at times that it is easy to become as lost in the past as Breanne. The Witness Tree is a lovely historical drama that is beautifully written and a joy to read.

    Originality: Past and present overlapping as history's mysteries are slowly revealed to a diligent first-person archivist/heroine is not steeped in originality; however, the story is so detailed, well-researched, well written, and thoughtfully executed that it is easy to become enthralled by it.

    Character Development/Execution: The execution of the diarist A.M.P  is wonderful—and, overall, the present takes a backseat to the 1863 account of her life of loneliness, courage, and love set to the backdrop of the bloody Battle of Gettysburg. Despite this, the parallels between the two women are undeniable and this also adds depth to both of their stories—especially Breanne's, who benefits from her empathy, passion, and devotion to preserving the past and this unknown woman's life.

  • Finger of an Angel

    by Panayotis Cacoyannis

    Rating: 9.25

    Plot/Idea: On an unbearably hot day in London, Lily gets lost on a seemingly endless back road, and what ensues is a journey into her past and present demons accompanied by the voice of her conscience/guide/constant companion Bella. Time-warping, mythological, hallucinatory, and symbolic, Lily's sojourn into the figurative/literal woods eventually brings her back home in a conclusion that is oddly reminiscent of her time on the purgatorial road —however, now grounded in so-called-reality, the 'real' people in her life become characters in her own personal drama in an unconscious echo of lost time.

    Prose: Cacoyannis's prose flows in an appreciable rhythm with the cadence of Lily's 'lost' time: introspective, bleak, and quite often beautiful, it causes the oddity of events to feel full of meaning and purpose. The reader becomes Lily, struggling to find meaning where perhaps there is none—linked to her consciousness, the audience members are held in thrall to the heat-soaked imaginings of an all too plausible alternate reality.

    Originality: A tripped-out journey into introspection and temporary madness designed to expand a character's worldview and explore their hidden depths is not conspicuously original. However, the setting, Lily herself, the manifestations of her past, and the somewhat banal yet oddly symbolic conclusion all lend this tense tale an originality that makes the story a real pleasure to read.

    Character Development/Execution: Lily is beautifully developed as a character—empathetic, raw, and as honest as a first-person narrator can be, the reader is not only able to forge connections with her and her journey but with the figments of her past and present life who are given life through her various epiphanies and moments of introspection.

  • Plot: She Who Rides Horses: A Saga of the Ancient Steppe is a rich work of historical fiction that imagines the story of the first individual who ever came to tame and ride a wild horse.

    Prose: Barnes's prose is smooth, evocative, and pleasingly descriptive. The author brilliantly captures the lives of those in an ancient world with vivid and authentic detail. 

    Originality: In concept and execution, this is a highly unique work of historical fiction that will deeply gratify readers.

    Character/Execution: Naya is a captivating and fascinating character and the author's approach to the topic of the human-animal bond is thoughtful, philosophical, and resonant.

  • Dancing the Labyrinth

    by Karen Martin

    Rating: 8.75

    Plot/Idea: Martin's dreamy, esoteric book of female empowerment, maternal love, and overcoming abuse is dark, breathtaking, painful, and lovely, all at once. With the interwoven settings of present-day and ancient Crete, the reader will be immersed in an otherworldly tale saturated in femininity.

    Prose: Keeping with its surreal quality, Martin's prose is melodious and lilting. She does not shy away from the grotesque, often supplying the reader with difficult-to-process imagery, coupled with the inherent beauty of the Grecian island on which the book takes place. Martin is able to harness complex emotions within a few sentences.

    Originality: Dancing the Labyrinth is strange, beautiful, and riddled with pain and growth. The blending of past and present, myth and reality, feeling and concrete experience, makes for a highly unique read.

    Character Development/Execution: Martin is excellent at writing heroines, lending a statuesque beauty to the women about which she writes. The men often seem to be caricatures of toxic masculinity, but overall the book is pretty to behold and moving to read.

     

  • A Hundred Sweet Promises

    by Sepehr Haddad

    Rating: 8.75

    Plot/Idea: This plot of ill-fated love crosses cultural and socioeconomic boundaries to deliver a resonant story. Though the pace is leisurely, Haddad’s depiction of traditional romance elements juxtaposed with classical music is stunning.

    Prose: Rich with poignant prose and vivid descriptions that illuminate early twentieth-century life, this novel is a lyrical ballad to love set against the Romanov era in Russia. Haddad’s writing style is immersive and elevates his character presentation in a subtle way, transcending some of the more mundane plot points with its elegant solemnity. 

    Originality: Despite the conventional premise of this historically-inspired fictionalized romance, Haddad splashes an intriguing mix of realism and dreamy elements into the text that heighten the novel’s impact.

    Character Development/Execution: Haddad’s characters struggle to find their footing in such a complex environment, and Nasrollah’s ardor pales in comparison to the impassioned Princess Irina. Despite some aloofness in development, by the end of the story their emotional weight is significant.

  • Enfant Terrible: Headliner

    by Gwydhar Gebien

    Rating: 8.75

    Plot/Idea: Gebien’s acerbic wit and incisive voice help buoy Damen’s various misadventures as he grapples with two competing identities: rock star and stepfather.

    Prose: Gebien’s prose is suffused as much with heart as with grit. Her true-to-life dialogue and atmospheric writing will engage a broad range of readers.

    Originality: The author's subversive sense of humor captures the essence of a man struggling to raise himself out of obscurity. A colorful cast of characters uplifts the story: Damen’s dangerously sexy girlfriend Melody and his crooked investor, Judge, all fill out the pages to make for a wacky, erratic tale.

    Character Development/Execution: Gebien’s careful plotting and clever characterization create a nuanced portrait of a man attempting to realize his own destiny.

  • Breath and Mercy

    by Mark Anthony Powers

    Rating: 8.50

    Plot/Idea: In this riveting prequel, Dr. Phineas Mann deals with the AIDS epidemic in a New Orleans hospital and then the aftermath of a hurricane. Powers successfully captures the urgency and agony of grappling with a devastating disease.

    Prose: The prose is clean and brisk, delivering clear and organic insight into the characters' motivations and intentions.

    Originality: The author's familiarity with the early 1980s era is apparent, as is his understanding of hospital and end-of-life care. 

    Character Development/Execution: Most characters are well crafted, especially Phineas the protagonist. Dialogue is lively throughout while the sly humor is surprising and lends itself well to making the painful subject matter more readable.

  • Close Your Eyes: A Fairy Tale

    by Chris Tomasini

    Rating: 8.50

    Plot/Idea: Close Your Eyes: A Fairy Tale is a charming and romantic story featuring a cast of distinctive characters. Born in 1399 in Cologne, Samuel is a dwarf and becomes the King of Gora's jester. He soon makes friends with Agnieszka the cook and Tycho the storyteller, but must search for answers along his journey. 

    Prose: The text flows well enough, and the writing is strong. Some scenes would benefit from being more detailed, and the integration of additional historical context would help strengthen the setting and storyline.

    Originality: Besides a few major titles, and a score of medieval "romances," the subject of the 1400s is not overly plentiful. The text here discusses love and the lives of a cook, jester, and storyteller, whereas other works might typically focus on knights and princesses. Even so, the narrative style falls into works that use letters or a fictional writer to tell the story after the fact, and some might ask, what's the greater meaning of setting up the story like this, instead of merely following the characters through an omniscient authorial narrator.

    Character Development/Execution: Characters are colorful, endearing, and intriguing, while their motivations remain realistic and convincing. 

  • SCHLOCK Featuring Russia Cop

    by David R. Low

    Rating: 8.50

    Plot/Idea: Low's impressive, eclectic collection manages to present four tales that are simultaneously distinct, yet are all linked through the mysterious idea of the "Russian Soul" and the search for connection when living outside of one's home culture. Featuring everything from a Russian RoboCop parody to one man's difficult quest to find a bathroom, Low's plots prove entertaining and often laugh-out-loud funny.

    Prose: Low's prose is descriptive and flowing, yet also frenetic—perfectly capturing the wild randomness of his character's experiences in Russia. The book's punchy speech in dialect and hilarious vulgarity also serve to enhance the text's focus on absurdist themes.

    Originality: While stories of expats traveling through exchange programs or people simply visiting foreign countries aren't wholly original, Low's offering stands out for its genuine combination of humorous plot devices and serious content. The book's innovative use of different formats is additionally impressive, including forays into critical essays and screenplays. 

    Character Development/Execution: SCHLOCK featuring Russia Cop is overall more focused on satirical plots and situations than characters, which works due to the book's general zaniness and madcap pacing. The work is not without introspective moments, however, and features several characters going through realistic changes and experiencing unexpected revelations; these sections are made all the more powerful as they don't happen that often.

    Blurb: A satirical collection of connected stories focusing on Russia, David R. Low's SCHLOCK Featuring Russia Cop is a delightfully bawdy, sometimes melancholy, take on encountering another culture headfirst.

     

  • Everyone Dies Famous

    by Len Joy

    Rating: 8.50

    Plot: Joy's moving and atmospheric small-town chronicle centers on a broad assortment of effectively drawn characters with believable entanglements, grievances, and conflicts. 

    Prose: Joy is a sophisticated storyteller, offering a prose style that is poised, rich, and allows readers to differentiate between characters of focus.

    Originality: Stories that create a kaleidoscopic view of small-town life and its struggles are familiar. But Joy's novel succeeds in creating a vibrant picture of a place peopled by individuals with rich interior lives.

    Character/Execution: Residents of Maple Springs are distinctive and authentic in their development, with Dancer Stonemason being especially powerful as he grapples with his grief.

  • City of Liars

    by Michelle Fogle

    Rating: 8.50

    Plot/Idea: City of Liars is a dark romance, set during a painful time in history that led to countless deaths, paranoia, and secrecy. Focused on anti-Semitism at the hands of the Inquisition in Barcelona, Fogle's book explores the desolate fear experienced by those threatened by the church, and what they had to do in order to survive.

    Prose: Fogle's writing is gritty and dark, with highlights of beauty and nuance. She is able to place the reader into the setting, no matter how grotesque the subject material. Her descriptions of people are on point as well, writing them so that they emanate their character and values through their physical appearances, words, and actions.

    Originality: Fogle has placed a spotlight on a piece of history, and has given the reader a very sympathetic love story to experience in the midst of the chaos of killings at the hands of the church.

    Character Development/Execution: Fogle writes her characters well, humanizing their attributes and experiences while she gives the reader a glimpse into their psyches, even if brief.

  • The Last Roman: Exile

    by B.K. Greenwood

    Rating: 8.25

    Plot/Idea: Greenwood delivers a tightly paced, action-packed novel with strong character development, an unusual hero's tale that will have readers anxiously waiting for the next installment. Alternating between the ancient past and modern times, the reader is witness to an unfolding narrative pitting eternal good against the ultimate evil.

    Prose: Told in third-person perspective, the story is well crafted with attention-grabbing scenes delivered in a concise manner.

    Originality: A gripping novel that blends several genre elements such as historical fiction, biblical lore, thriller and paranormal while maintaining a cohesive and absorbing storyline.

    Character Development/Execution: A brilliant juxtaposition is employed between the stoic and honorable Marcus and the bitter and cynical Thomas. A strong supporting cast rounds out the novel well, including the doomed love interest, Isabella.

  • Figurines

    by Jamie Boud

    Rating: 8.25

    Plot/Idea: Figurines is a poignant and gripping novel that focuses on loss, love, and mental illness. Boud tells the story in chapters with alternating points-of-view, each detailing Anna and Rachel's experiences. It may take readers some time to understand the dynamics and relationships between the characters. Both women's lives emerge as profound and lonely. 

    Prose: This prose is clearly crafted and is quite literary in style. Though the author identifies as male, he depicts women's emotions and mindsets with nuance and realism. 

    Originality: Stories of institutionalized mentally ill individuals are familiar. Nevertheless, Anna and Rachel's circumstances come across as original and memorable.

    Character Development/Execution: The characters in Figurines are genuine, nuanced, and evoke empathy from readers. 

  • The Lonely Ones

    by Jessica Dainty

    Rating: 8.00

    Plot/Idea: Although unremarkable male characters have graced the pages of fiction many times, Patrick’s journey into underground vampirism has hallmarks of a simmering horror story that straddles the mundane and the strange.

    Prose: Dainty captures Patrick’s affability and awkwardness in her compelling, realistic prose.

    Originality: Dainty’s strong characterization buoys a rather inventive tale of a man finding himself among a cultish group of people. Her ability to capture the simultaneous fear of the unknown and Patrick’s feeling of freedom makes for an engrossing story.

    Character Development/Execution: Many of Dainty’s characters are well-rounded, making for an engaging story. A few minor editing errors could be easily remedied to smooth out the flow of the narrative.

    Blurb: This story of an unremarkable man embarking on a remarkable journey into the seedy underbelly of underground vampirism is an elegantly plotted piece of suspense fiction. 

  • Elly Uncomposed

    by Valerie Niemerg

    Rating: 8.00

    Plot/Idea: The well-worn trope of time travel nonetheless proves effective in this story, centered around a historic opera, that will be especially enjoyed by music and opera buffs.

    Prose: The author, a retired opera singer, is an excellent and strong writer. The only bolded musical terms prove distracting and perhaps could be transferred to footnotes, though the glossary proves helpful. 

    Originality: Although time travel itself is not an original idea, the idea of setting the story within an opera is unique. The text is not only original, but proves highly humorous in parts.

    Character Development/Execution: Elizabeth is a very clear, well-developed character. Her rescuer in the 18th century, Gaspar, is empathetic and kind. A number of the other figures here read like fairy tale characters. The details of the women's clothing prove particularly vivid.

  • Harriet: A Jane Austen Variation

    by Alice McVeigh

    Rating: 8.00

    Idea: McVeigh’s plot is well-developed and delivered at an even, smooth pace. The events unfold in a natural progression, with enough curveballs to keep readers interested. 

    Prose: McVeigh employs period-appropriate prose that is emphatic and natural – reminiscent of others in the genre. Her dialogue is effortless and flows smoothly between a broad range of characters.

    Originality: Harriet stays within the expected limits of the Austen universe, while also delivering a few fresh twists. Readers fond of the genre will be gratified with its breezy writing and polished delivery.

    Character/Execution: McVeigh’s characters are well-developed and manage to offer some surprises, despite being limited somewhat by their stylistic range. Readers will find them engaging and commanding, until the very last page.

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