General Fiction
Plot/Idea: Dorfman's novel showcases an ensemble of characters whose lives are intertwined via their employment at a photography company, SmilePosts. Dorfman delivers a well-paced drama with nicely balanced storylines that converge in a gratifying manner.
Prose: Dorfman's storytelling is unique. The book begins and ends with a look at the narrator from a third person perspective. The bulk of the novel, however, is told from the perspective of the narrator, as he tells the stories of his coworkers. While the reader may need to adjust to this style at first, it ultimately serves the story and its characters well.
Originality: The most novel element of the reading experience will be readers' own simultaneous familiarity and unfamiliarity with the characters' line of work. While many readers will have a nostalgic connection to school picture day, they most likely haven't considered what happens at the office nor in the lives of the people taking these photos.
Character/Execution: Dorfman takes characters on a rollercoaster ride of experiences and emotions during this novel. And while the narrator, Blake, eventually reveals that most of the details of his coworkers' lives are conjecture, these stories have substantial character arcs, showcasing each person's growth, or lack thereof.
Plot/Idea: Rock Gods & Messy Monsters is a high-energy satirical story that unfolds against the backdrop of a corporate entertainment company. The plot fires off at a romping speed, taking readers through an array of trials and mischiefs that Alex and her cohort of colleagues get up to at music company, Acht Records.
Prose: Hatz's novel is satirical, zany, and funny. The prose holds nothing back with punchy descriptions that investigate and reflect upon the music industry’s disjointed hierarchy and the mistreatment of women in the workplace.
Originality: The author creates a fantastical and zany world that nevertheless showcases the many power complexes and power plays of the workplace.
Character/Execution: While the characters are intriguing, satire-filled depictions of the various personas in the music industry workplace, at times, the characters crave more depth and range. The protagonist does have a recognizable story arc, yet her awakening to the dismal circumstances of her current career path comes across somewhat abruptly.
Blurb: Satirical, zany, hilarious—a gut-punching commentary about the inner workings of the music industry, its power complexes, and power plays.
Plot/Idea: Anderson’s storyline—following the alternating perspectives of Chris, a successful businessman who stumbles onto a magical paintbrush, and Jo, a florist burdened with secrets—takes its time to develop, but the plot is engaging. The wealth of details and meticulous descriptions sometimes detract from the narrative flow.
Prose: Anderson favors energetic descriptions and extensive dialogue, but the story is enjoyable, with a steady balance of exposition and action.
Originality: The novel’s penetrating and memorable characters add distinction, and how their individual arcs eventually converge is particularly creative.
Character/Execution: Anderson is able to portray the thoughts and emotions of the story’s characters remarkably well. Jo’s anxiety about her secrets is palpable, and readers will be moved by Chris’s rawness when dealing with his strong emotions.
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Plot/Idea: McILvain offers readers a sweeping forbidden romance between Susannah, the daughter of enslavers, and Philippe, one of her father’s enslaved people. The plot spans several years, from 1817 to 1832, and overflows with tension, hidden meaning, and deep, abiding love.
Prose: The prose is evocative and paints vivid images of the story’s events. Some transitions feel less smooth than others, but overall McILvain writes fluidly, with arresting descriptions.
Originality: The premise is familiar, but McILvain endows the characters with vibrant personalities that carry the story.
Character/Execution: Readers will be drawn in by McILvain’s characters, who are richly developed with powerful voices. The tension crafted between Susannah’s past and present is palpable throughout, and McILvain skillfully depicts her warring emotions.
Plot/Idea: As Larry’s life implodes, leaving him separated from his wife and drinking far too much, some newfound friends help him see a way out of the darkness. The story is relatable, though predictable in parts. Ultimately it is about finding one's way after being lost and is a lovely tale about growth and forgiveness.
Prose: The author writes in a clear, poetic style, with rich dialogue and charming moments throughout.
Originality: While stories of struggling writers and self-medicating through alcohol are familiar, the well-conveyed backdrop of New Orleans uplifts the storytelling, while the exploration of art in its many forms provides a layer of meaning.
Character/Execution: Larry shows significant growth throughout the book. Readers will root for him as he struggles to reclaim his life and forge new human connections. The side characters are nicely developed as well, established on their own terms rather than solely in connection to Larry.
Plot/Idea: Day of Epiphany tackles brutal subject matter-–child abuse, including medical experimentation–through engrossing storytelling that nicely propels the story.
Prose: Bourgault has a polished, lightly lyrical, and smooth-reading prose style.
Originality: Day of Epiphany is set during Québec’s Grande Noirceur, a period during which the Roman Catholic Church held unprecedented power over social, educational, and medical institutions. Historical fiction fans will relish the vividly established setting as the author brings a dark, and little-explored, chapter in Canadian history to light.
Character/Execution: Characters like Sister Ursula are brutal to the point that one questions their humanity. In contrast, Cassandra is a main character who is easy to invest in and provides a degree of levity to the painful and inhumane circumstances.
Plot/Idea: While Wonders in the Waves is a sequel, the novel successfully stands alone.
Larissa's calm demeanor as she grapples with the painful circumstances of her loss and interacts with the universe around her, will pull at reader’s heartstrings.Prose: Collins writes with a clear sense of purpose. Her lyrical writing will inspire and comfort others, even as the text confronts weighty topics.
Originality: Collin’s novel uniquely integrates elements of mystery into a story of working through grief.
Character/Execution: Initially it is confusing as to who the male characters are, but as the story unfolds, it becomes more clear. Overall, the male characters come across as more stiff in nature than the leading female characters, who are realistic, authentic, and relatable.
Plot/Idea: Bryant’s plot delivers satisfying twists, and she hints at those early on to keep readers invested. The theme carries a deeper, relevant meaning that will resonate with modern audiences.
Prose: The Mother Gene is told through changing perspectives and flashbacks, and, though the flashbacks happen abruptly in places, the author skillfully uses them to hint at coming plot twists.
Originality: This is a thoughtful, multigenerational chronicle of the strength of love and the value of chosen family, told in a compelling and suspenseful way.
Character/Execution: Bryant reveals the dichotomy between her characters in a natural way, showcasing Miriam’s fierce but waning independence against her daughter Olivia’s more trendy autonomy—and, in the end, uses their differences to unite them. The characters are complex and appealing, with intertwined lives that support the plot’s momentum.
Plot/Idea: This is a moving portrait of a Black family grappling with enslavement and racism. Sebastian depicts their everyday life in arresting detail, and the long-term impacts of their mistreatment are unforgettable alone.
Prose: The stark contrast Sebastian paints between the world of the Briscos and their white enslavers and neighbors is vividly rendered, evoking the family’s pain and generational struggles due to the abuse they suffer. Some events lack buildup, but that doesn’t detract from the story’s powerful message.
Originality: The strength of this novel lies in Sebastian’s ability to draw out the crucial themes of racial discrimination, enslavement, and the right to freedom through a sweeping narrative of one family’s struggles and victories.
Character/Execution: The disparate circumstances between brothers Dub and Tim are skillfully tied into their family history, and Sebastian excels at illuminating the undercurrents that drive the men’s life choices. Readers will feel transported into the family’s experiences, and the main characters are compelling.
Plot/Idea: The author has crafted a light and engaging fairy tale that is tonally appropriate for younger readers. With humor, irreverence, and lots of references to modern life, Addams delivers a gentle yet empowering message.
Prose: Addams has an appealing, liberating, and humor-filled writing style that frequently breaks the third wall.
Originality: Through the framework of classic fairytale tropes, Addams delivers a fresh and inviting story about individuality, agency, and making one's own way in the world.
Character/Execution: The author offers lively characterizations, particularly with Nightingale who is unlike any fairy tale princess ever.
Plot/Idea: The plot follows Black protagonist Haim as he navigates college in Indiana in the 1940s. While he goes about his daily routine, the effects of casual racism—and how that racism ultimately leads to his death—are skillfully depicted. Actor James Dean is incorporated into the storyline as a close personal friend of Haim's.
Prose: The novel shifts between the perspectives of different characters at each chapter break, and the book's structure affords readers intimate glimpses of the main events as opposed to a lingering study.
Originality: The novel uses a fictionalized account of James Dean’s life as a focal point to explore what America was like for a Black man during the '40s—a unique storytelling method that makes the book stand out.
Character/Execution: Although Jimmy Dean is a character with historical import, the novel focuses primarily on the specificity of race relations through Haim, who is a strongly-developed, powerful protagonist. Aside from his role in the book, the writing style and chapter structure inhibit deep character exploration.
Plot/Idea: The plot here is reminiscent of a more raunchy, raucous Gentleman in Moscow. While the pacing flies quickly at the start and flags a bit through the middle as the narrative moves forward and backward, the overall effect is a tantalizing balance of seriousness and humor amidst political upheaval.
Prose: The flow between the author-narrator voice and Henryk’s notebook of tales is incredibly smooth at nearly all times. Dialogue is rendered in such a way that Polish characters’ speech is slightly estranged for an English-speaking audience without becoming difficult to understand or distracting. Quotations are perhaps used at a higher rate than would naturally occur in a journal.
Originality: The combination of military story, journaled personal narrative, and a recounting of sexual exploits taking course over many years, adds up to a unique reading experience.
Character/Execution: This narrative introduces a large cast of characters into its orbit, and while many do not have the opportunity to develop in any meaningful way, they are all certainly realistic and individual. The execution of interruptions by the narrator’s voice is assisted by his strong introduction at the beginning of the novel.
WEAVING DREAMS IN OAXACAhttps://www.amazon.com/Weaving-Dreams-Oaxaca-Karen-Samuelson-ebook/dp/B0C54Y7H9C
by Karen SamuelsonRating: 8.00
Plot/Idea: The interweaving plotlines of this engaging story come together smoothly, with minimal unnecessary overlap. The struggles of the story's main characters are poignantly rendered, and Samuelson shines when sketching relatable, convincing conflict.
Prose: Samuelson switches perspectives between Mac, Enrique, and Frankie, giving the narrative a rawness that skillfully showcases the complexities of everyday life. Every scene is bursting with energy and incisive prose.
Originality: Complicated family ties is a familiar topic, but Samuelson heightens the narrative by exploring three distinct—and riveting—perspectives. Each protagonist possesses their own charm and voice to enhance the storyline, and even the supporting cast add individuality to the book.
Character/Execution: Characters form the backbone of this novel, and, despite their singularity, their plights are moving. Samuelson depicts their pain, search for meaning, and moments of beauty exceptionally well.
Blurb: A polished sketch of family complexities alongside the beauty—and pain—of life's unexpected paths.
Plot/Idea: The plot follows Barabbas as significant events occur both in his own life and against the historical backdrop of the novel's setting. Those familiar with the figure of Barabbas will be intrigued, though as the third in a series, the novel is most impactful for readers already acquainted with the first two books.
Prose: The style mirrors English translations of biblical accounts, a choice that matches the novel's premise but also creates some distance between readers and the book's characters.
Originality: The story, anchored in biblical history, successfully delivers an absorbing fictionalized account of Barabbas’s later life.
Character/Execution: Readers will want to be grounded in the first two books of the series to truly understand the background of the novel's characters, but Barabbas and his family are well-crafted, relatable, and charismatic.
Plot/Idea: Brooks's masterful text takes Norah Crawford on a heart-breaking journey back to her hometown, where she is forced to come to terms with her ailing mother and a plethora of unresolved personal relationships. Brutal and relentless, A Lost Woman is an astute study of the all-encompassing effects of generational domestic abuse.
Prose: A Lost Woman is a devastating, pummeling text that vividly describes acts of harrowing brutality. Peppered with storm metaphors, Brooks's chapters are short and tense, enhancing the horrific drama as it unfolds.
Originality: Brooks delivers a powerful and passionately written story about a past crudely obliterated by domestic abuse. The story explores the pain involved in facing up to a tortuous upbringing, and the arc becomes even more tragic when unexpected and punishing revelations are exposed in the book's final pages.
Character/Execution: Brooks's characters are extremely raw and real, painfully negotiating their dank, miserable lives with seemingly little hope for redemption. Norah slowly realizes she is becoming her mother, drowning out the noise of the outside world with alcohol, and her situation becomes so helpless that death seems the easiest and most convenient way out.
Blurb: A powerful and heart-wrenching story of loss and suffering.
Plot/Idea: The narrative ebbs and flows with purpose across the main storyline and interspersed flashbacks. While much of the true action is kept to the first few chapters, pieces of backstory are meticulously revealed at a steady tempo that pushes the plot forward.
Prose: The narration situates the story firmly in Lynn’s perspective, building a consistent and deeply personal tone. While at times bending so descriptive as to detract from the narrative rather than build it, All That Is Sacred is full of exactly the sort of emotional and place-based description that pushes it beyond the expected limitations of a ghostly narrator.
Originality: Lynn’s band of friends clearly round out a tight-knit cast, but the story otherwise does not seem to hinge on these exact characters in this exact situation. Altogether, a car crash resulting in a process of mourning that brings friends and families closer has not pushed this plot in an extremely original direction.
Character/Execution: The plot hinges on the tightness of its small cast, effectively building real investment into the central friends’ lives—past and present. This web of interdependence is where All That Is Sacred most shines and is what gives such satisfaction to the inclusion of its epilogue.
