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Julie L'Enfant
Author
A Prospect of London
It is 1980, and Caroline Landry has arrived in London to do research on a long-forgotten writer. But the last thing she wants is to sit for hours at a desk in the British Library. Eight years ago, she fell in love with London on a college trip, guided by a magnetic teacher, and the city has come to represent everything this bookish young professor loves. But her research will take her places she could never have imagined, into a world far more interesting than she hopes. Caroline is an assistant professor at a small state university in Barston, Louisiana. She needs to write a scholarly book to secure her job and thinks the right subject might be Emerald Glover, an American who published four novels in England in the 1920s and 1930s but then disappeared. Otherwise, Caroline knows little about her, apart from the facts that she might be from Louisiana and once attended a party with the Bloomsbury Group. But her literary research is not as important for Caroline as being in London, where the very air is stimulating and every moment yields something of interest. It is the other side of the world from Barston. Along with colleagues from the English Department—an assortment of characters led by the new anxiety-producing department chair recently arrived from the East—she settles in at a quirky Bloomsbury hotel. Everyone seems to know exactly what they are doing—everyone but Caroline. So begins this delightful novel, where the reader experiences a time and place through the eyes of a sharply observant, wryly humorous narrator. In clear, often elegant prose, the author, herself an ardent traveler and author of several books on art history, shows how chance meetings and openness to experience can transform one’s view of the world.
Reviews
In L’Enfant’s (The Dancers of Sycamore Street) academic comedy of manners, Caroline Landry, assistant professor of English at a Louisiana university, travels to London in 1980 on a research grant. Accompanied by a group of colorful colleagues, she has three weeks to spend at the British Library tracking down an obscure American author with a possible connection to the Bloomsbury set of the 1920s. Adrift in her career, Caroline needs to publish soon or lose her chance for tenure, but she’s less interested in research than in absorbing London culture—and staying on high alert for sightings of a mesmerizing former professor.

A string of coincidences constitutes a loose plot that eventually leads Caroline out of London to Emerald Glover, the mysterious novelist whose work could secure her academic reputation. Through first-person narration, Caroline reveals herself as a naïve Anglophile prone to speaking in exclamations, continually expressing astonishment that her colleagues don’t share her rapture about London—but her knowledge of the city stems primarily from a brief sojourn as an undergraduate and a devotion to Masterpiece Theatre. L’Enfant makes clear her characters’ bias throughout the novel, particularly with Caroline’s nonchalant judgments about “brown scholars" and her understanding of a friend’s “sensible distrust of foreigners,” and when combined with the anti-Semitic outbursts of a supporting character, these sentiments may challenge some readers’ patience.

Skeptics will be pleased to see Caroline achieving some maturity in the final chapters, as she realizes the professor she’s dreamt about for eight years isn’t all that dashing and that London is just one speck in a big world—though she shares this growth through meandering, travelogue-style observations that foster some disconnection between the story’s events. A high point in the novel is L'Enfant’s skewering of academics and their pursuits, creating laugh-out-loud moments amid this otherwise scholarly read.

Takeaway: An amusing story centered on a young professor’s hunt for an obscure novelist.

Great for fans of: David Lodge and Jessica Francis Kane

Production grades
Cover: C
Design and typography: B+
Illustrations: NA
Editing: B
Marketing copy: B+

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