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Finding Plymm
Theo Vos comes to Mott County from Ohio in search of answers about an ancestor whose casket was shipped home during the Civil War but when it arrived, the body inside wasn't his. While there, Theo is hired to tutor an agoraphobic teenager, the daughter of Milo and Calla Drew. Milo, a once renowned author, has holed himself up in the family castle too, working on a book based on an old journal of the county's sheriff during the War Between the States. Finding Plymm weaves back and forth between Theo's growing presence in Mott County and Milo's typewritten imagination. Only the reader knows for sure, but the answer to Theo's mystery may just be under his nose.
Reviews
When Theo Vos arrives in the Drew family castle in Mott County, North Carolina on the recommendation of a colleague, he receives a decidedly curious job offer: to serve as the tutor for Calla and Milo Drew’s agoraphobic teenage daughter, Martha, an almost-17-year-old girl whose previous tutor left under suspicion of becoming too familiar with his student. But Theo has more planned behind the scenes: he’s been working with Milo’s eccentric half-brother, Jefferson, to research what happened to his own ancestor, Plymouth Stroud—whose supposed casket, shipped home from Mott County during the Civil War, was rumored to contain some else’s remains.

Brookhouse (author of How It Was) infuses this novel with creative richness as the enigmatic characters exude an air of loneliness, all while housed in a picture-perfect castle. Theo encounters the promiscuous Martha, who still has imaginary friends well into her teenage years, and whose sexual overtures often challenge him; Milo’s unhappy wife Calla, who yearns for the long-lost intimacy of her marriage—and hopes to find it in Theo; and the reclusive writer Milo, who, at the fall of his literary fame, lives more in his typewritten fantasies than in reality. Theo’s search for truth coincides with the plot of Milo’s current work in progress, as Brookhouse succinctly introduces a story within a story—one that draws parallels to the family’s disarray and casual infidelities.

While the goal of coaxing Martha to be baptized by the outside world takes center stage, much of the novel’s strength lies in something deeper implied to have been lost—perhaps happiness, love, or the permanence of both. As Martha reflects that people outside her castle walls “loved one story, then cast it aside and loved another. They loved a person, then cast the person aside and loved another,” readers will catch the glimmer here of something as equally meaningful and tragic as Theo’s central mystery.

Takeaway: A quest for substance in a dysfunctional family, with a sensual twist.

Comparable Titles: A.S. Byatt’s Possession, Kate Morton’s The Forgotten Garden.

Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A

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