Mele’s attempts to do the right thing, in such a complex situation with her parents at odds, make for an intriguing premise. Anderson, who lived in Hawai’i, is clearly knowledgeable about its culture and its people—there are references to real historical figures and places sprinkled throughout—and her descriptions of the physical landscape are detailed and poetic, making readers feel they’re right alongside Mele.
The many side stories (including those of Daniel Livingstone, a disrespectful boy from San Francisco; Keanu, a criminal on trial for murder; and Kalua, a young boy who keeps sneaking onto cargo ships) can lessen the impact of Mele’s journey by giving the reader a great deal of information to digest at once. The story is at its best when it focuses on Mele, her family, and her place in society. Ultimately, this is a riveting and educational coming-of-age tale, and readers will relish learning about this period in Hawa’ii through Mele’s experience.
Takeaway: This thought-provoking coming-of-age novel is perfect for history buffs.
Great for fans of: Alan Brennert’s Moloka’i, Kiana Davenport’s Shark Dialogues.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: B+
Marketing copy: B+
Explosions, car chases, and sword fights abound in this fun paranormal mystery. Inara is a classic urban fantasy badass: a disillusioned operator with serious magic chops, excellent combat skills, and a dark backstory. Other portrayals may put off some readers: one point-of-view character repeatedly uses offensive terms for Japanese people, and the characters of Asian descent are more one-note than, for example, the Irish puca, a nuanced twist on European mythology.
The magic is flashy and fun, and the book doesn't waste time on technical explanations. The story moves at a rapid clip, balancing action with humor. Between car chases in a bright orange Mini Cooper and demon battles in Fenway Park, there is never a dull moment. Readers will find it a diverting escape and a promising start to a new series.
Takeaway: The nonstop supernatural action and snarky quips make this a great autumnal version of a beach read.
Great for fans of: Patricia Briggs, Jim Butcher.
Production grades
Cover: A
Design and typography: B
Illustrations: N/A
Editing: C
Marketing copy: N/A
Alienor’s nationality leaves openings for the author to comment on sociopolitical issues, such as medical care in the U.S. and the politicization of daily life. The scenes addressing racism and violence can feel overstated and preachy, but the story’s poignant, emotional aspects shine through. Alienor is appealing and sympathetic, a devoted mother credibly trying to reconcile her confident work persona with her self-doubts about romantic partnership with a younger man who appears to have nothing in common with her. (And when readers first meet her, she’s throwing down an impromptu rap at a karaoke night out with her team.)
Alienor and Wesley’s life together is not fully developed, but rather revealed through snapshots; toward the end, these become somewhat rushed and cliché. Alienor’s hesitance and uncertainty about embarking on a relationship with confident and handsome Wesley, and his certainty about being with her, are well developed, sweet, and romantic, and their continued attraction to one another is well sustained. Flirty banter, hot sex, and sincere affection make this a book romance fans will enjoy.
Takeaway: This socially conscious romance weaves together cross-cultural relationships, race, parenthood, work, and other issues.
Great for fans of: Jasmine Guillory’s The Wedding Date, Tamara Gregory’s Passport Diaries.
Production grades
Cover: B
Design and typography: B
Illustrations: N/A
Editing: B
Marketing copy: B+

Bartlett answers these looming questions with lyrical prose and an elegiac sensibility. He treats characters’ desires and griefs with delicacy; their sometimes dark impulses animate the pages with yearning, desolation, and fleeting moments of warmth. Neil Chase is a flawed, believable protagonist with a wry sense of humor and a passion for transcendent beauty.
Bartlett’s unhurried account of an imperfect world and its complex inhabitants will grip readers. This deeply affecting and well-constructed novel, with its memorable characters and evocative brilliance, will leave readers with a lingering sense of mournful beauty after they’ve turned the last page.
Takeaway: Literary fiction lovers will be swept away by Bartlett’s brilliant, passionate odyssey.
Great for fans of: John Boyne’s The Heart’s Invisible Furies, Kunzang Choden’s The Circle of Karma, Arundhati Roy’s The God of Small Things.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A

This saga spans generations, cultures, and dimensions, ultimately paying off with a tightly connected finale. Gaal successfully balances the down-to-earth and the fantastical with stunning imagery and cleverly constructed parallels—or “synchronicities,” as Noah calls them; Hadassah’s descendant, Bernard, coincidentally works for Duschene, giving the families a chance for repentance.
Skillful, memorable prose (“they shared the same blue eyes—cobalt, Co, atomic number twenty-seven—and trademark red hair—copper, Cu, twenty-nine”) assures readers they’re in good hands. And it’s heartwarming to watch Noah and Sally rectify their strained relationship by repairing their family’s past. This multigenerational epic of family strife and healing will charm readers.
Takeaway: The magical realism of this multigenerational epic will transport readers.
Great for fans of: Chloe Benjamin’s The Immortalists, Ellen Galford’s The Dyke and the Dybbuk, Mark Haddon’s The Curious Incident of the Dog in the Night-Time.
Production grades
Cover: A
Design and typography: A-
Illustrations: N/A
Editing: B
Marketing copy: B+
He also unabashedly admits there are a lot of things he doesn’t know, such as the purpose and meaning behind his specific experiences, and relays the frustrations of having too many unanswered questions and being unable to direct his interactions with the supernatural. Though some will question the validity or explain away his encounters, readers will be charmed by his freewheeling prose (“I… look up… expecting to see a whirling mass of tornadic doom—Damn it...I’m too young to die!—and instead I’m greeted by the sight of a shiny metallic looking disc…. I literally perform a cartoon-style eye rub”).
His affection for things natural and supernatural—he calls a particular branch “my old friend” and dedicates the book to “my guys on the Other Side”—and his gratitude for these experiences are infectious. Russell brings his treks to life with vibrant immediacy. His unadulterated joy and way with words yield an entertaining and meaningful account.
Takeaway: Motorcycle riding and psychic experience enthusiasts will relish in the physical and spiritual journey of this entertaining autobiography.
Great for fans of: Maureen Hancock’s The Medium Next Door, Marla Frees’s American Psychic.
Production grades
Cover: A-
Design and typography: A-
Illustrations: N/A
Editing: B
Marketing copy: A
Cakebread’s experience applies primarily to tech fields, although he offers steps that will be helpful to founders in other areas as well. He brings expertise and humor to his explanations of, for example, the various roles on an investment banking team and how to decide which investors to court and which to avoid. And he makes graceful use of subheadings and bulleted lists to make it easy for readers to follow along.
The audience for this type of guide is niche, and founders embarking on this process will ultimately need more counsel than a book can give. But this highly professional guide delivers a valuable orientation to an intimidating and mostly opaque process.
Takeaway: Company founders looking to go public will find this thorough guide both useful and encouraging.
Great for fans of: Philippe Espinasse’s IPO: A Global Guide, Steven M. Bragg’s Running a Public Company.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Some generalizations may be a bit premature (“no longer do you end up married to the person you turned to chat to at orientation” may not be true, if in-person schooling is only temporarily disrupted), but Sander arrives at some striking insights. Maybe the reason she found herself checking work email late at night was not because of her employers’ expectations but because doing so distracted her from a sense that the world had come unmoored. “Work,” she notes, “became a coping mechanism.”
Readers who are actually seeking guidance about the decisions of Covid-19 life (which furnishings to buy after a relocation, from which stores? Should you travel by car, train, or scooter?) may find themselves instead turning to news outlets and websites for ever-changing information. But readers in the future who want to know what life was like during the pandemic, and readers today seeking to see their recent experiences summed up in print, will find what they’re looking for here.
Takeaway: This study of New York life in the early days of Covid-19 sums up the dislocations and decisions many Americans faced in 2020.
Great for fans of: Choire Sicha’s Very Recent History, Sonja L. Traxler’s Office Etiquette: The Unspoken Rules in the Workplace, Daniel Defoe’s A Journal of the Plague Year.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: B
Marketing copy: B+
Pace has penned a complex, fast-paced psychological thriller with romantic tension sprinkled throughout. Mica is a fully developed protagonist and Roman an intriguing romantic interest, with just enough of a dark past and secretive nature to keep readers guessing about his true motives. Some awkward language (“shocked… his mouth puckers like it’s full of marbles”; “my body collapses into butter over Julia’s chest”) may pull readers out of the story momentarily, but they’ll soon be drawn back in by the high stakes, multiplying mysteries, and striking images.
While true mystery aficionados may see the ending coming, there is still enough suspense and worldbuilding to hold their attention before all is revealed in the climatic ending. This intricate, action-packed story—which adroitly spans multiple genres, including YA, thriller, and romance—will keep readers turning the pages.
Takeaway: Fans of psychological and YA thrillers will enjoy the fast-paced action and suspense Pace serves up.
Great for fans of: Veronica Roth, Dean Koontz, Karen M. McManus.
Production grades
Cover: B
Design and typography: B
Illustrations: N/A
Editing: B
Marketing copy: A
Santos portrays men as vigilantes and women as unchaste and often untrustworthy. Time-jumping chapters alternate between past and present, providing exhilarating background information; however, the lack of explanatory labels in some chapters leaves the reader working overtime to discern the timeline. But these stumbling blocks are quickly overcome as the story pushes forward.
Violent plot twists and explicit sex and rape scenes earn this book the “mature audience only” label. Meanwhile, devout Christians may be disturbed by Frank’s heretical beliefs and violent actions, and non-Christian readers may be put off by the book’s premise. But Santos’s story is an exciting one. Readers seeking thrillers that mix politics and religion with a dark worldview will appreciate this one.
Takeaway: This political thriller with its unconventional religious hero will win over readers looking for a gritty adventure.
Great for fans of: Dan Brown, Sam Christer.
Production grades
Cover: A
Design and typography: A-
Illustrations: N/A
Editing: B-
Marketing copy: A-
Kent-Hughes organizes his book in an easy-to-understand format, assisting readers looking for a specific topic (such as emergency and crisis planning, interviews, creating resumes, and developing new career paths) to immediately find it. He also includes eminently practical tools, such as budgeting and application tracking templates, and lists career-minded websites (including Indeed and LinkedIn) designed to propel job leads.
Kent-Hughes’s empathetic tone will go a long way toward calming spooked readers who are worried about both their paychecks and the virus. Any reader trying to muscle through pandemic-related unemployment will find practical, plainspoken, and logical advice in Kent-Hughes’s well-written guide.
Takeaway: Kent-Hughes’s empowering counsel will give readers the confidence and the tools needed to seek new jobs and to overcome the anxiety of sudden unemployment.
Great for fans of: Richard Nelson Bolles’s What Color is Your Parachute?, Steve Dalton’s The Two-Hour Job Search, Jon Acuff’s Do Over.
Production grades
Cover: A
Design and typography: A-
Illustrations: B
Editing: A
Marketing copy: A
Komal’s commitment to healing, recuperation, and defiance in the face of illness comes from personal experience with surgery and sick relatives in her care. She infuses her collection of prayers and mantras with sincere intentions for wholeness, including a prayer that asks for safety when going to the doctor during coronavirus and another that requests strength to avoid addictive and destructive behaviors, such as drinking and overeating.
There is some repetition—themes like hopelessness, feeling safe, and being supported recur—but the inclusive, nondenominational approach will make it easy for readers to connect with Komal’s book. Readers dealing with coronavirus themselves or in a loved one, or feeling apprehensive around others, will feel empowered by this spiritual resource.
Takeaway: This uplifting collection of prayers and mantras encourages readers with reassuring messages of protection, safety, change, and hope.
Great for fans of: Abraham J. Twerski’s The Spiritual Self, Barbara Lee’s God Isn’t Finished with Me Yet.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
The novel is fast-paced and often funny, although Valenti is not afraid to cover heavy subject matter (PTSD, blackouts, recovery). Jane is fully fleshed out as a sympathetic, imperfect, and realistic protagonist with a grim sense of humor. Her friendship with college friend Carmen, now a lawyer, is a bright spot, a supportive relationship between two women who are each going through hard times. Jane’s concerns—about how to tell her friends, whether to tell her father, and what will become of Imaigene’s scientific breakthroughs—are well thought out and suspenseful.
Valenti, herself a sexual assault survivor with a background in tech, handles the darker elements of the story deftly. Sometimes the plot can feel more convenient than realistic, but the settings and relationships come off as authentic, with a recognizable, well-defined office culture and realistic interplay among characters. Although it deals with trauma and violence, Jane’s journey is ultimately one of resilience and triumph, and Valenti’s telling is a well-paced, enjoyable read.
Takeaway: This humane, honest, and timely workplace novel balances lightness and darkness in its narrative of resilience after sexual assault.
Great for fans of: Lauren Weisberger’s The Devil Wears Prada, Idra Novey’s Those Who Knew.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: B+
Marketing copy: A
The worldbuilding in this introductory adventure is light, hinting at much more to come later, and assumes that readers come in with a passing knowledge of the supernatural and legal domains. This extends to the private lives and backgrounds of Vick’s protagonists, including a ghostly lieutenant from the storied Van Helsing lineage and the spirit of Aleister Crowley as a judge. Leery’s werewolf manifestation keeps the Orthodox Jewish faith his human self has left behind, which prompts many questions with few answers.
But this is part and parcel of a series pilot: introducing characters and premise with a promise to go deeper in subsequent installments (of which, in this series, there are nine and counting). This entertaining story’s inherent charm, fast pace, and willingness to embrace mild absurdity are a winning combination.
Takeaway: This supernatural police procedural will appeal to readers looking for werewolf cops, succubae on the streets, and ghosts in the courtroom.
Great for fans of: Ben Aaronovitch’s Rivers of London series; Keith R.A. DeCandido’s Dragon Precinct; Justin Gustainis’s Occult Crimes Unit series.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
This novel is an autumnal treasure. Peter spends most of the story in the world of the woods, where his motley crew eats vegetable stew, carves giant jack-o’-lanterns, and waits for the day when they’ll travel to Amberville to sell the woodcarver’s wares. There’s a Wonderland feel to it all, enhanced by the woodcarver’s three-foot-tall assistant Master Keys and a chatty squirrel. A horror component heightens tension as well: oily, rancid, child-eating witches threaten Peter and his friends, leading one to a bloody end at Peter’s hand.
Scenes of mild violence are interspersed with tender moments of friendship and hope, leading readers to cheer for Peter. Peter doesn’t come to understand the world he’s in or why he’s there until almost the end of the story; although this will keep readers guessing, they may also wonder why characters introduced earlier are important or what’s actually real. But that element of suspense adds flavor to Peter’s spooky trek. LaSalle has written a dreamy harvest story that will haunt and delight.
Takeaway: Imaginative middle grade readers and fall fanatics will be charmed and spooked by LaSalle’s modern fairy-tale adventure.
Great for fans of: Madeleine L’Engle’s A Wrinkle in Time, Roald Dahl’s The Witches.
Production grades
Cover: C+
Design and typography: A-
Illustrations: N/A
Editing: B+
Marketing copy: B-

Melody’s ensuing adventure, while seemingly simple, is delightfully whimsical, yet still provides space for surprisingly accurate, age-appropriate scientific explanations of both Down syndrome and 3-D printers. Also included are frank depictions of Melody’s health and early challenges, including being born with a bad heart. Despite this, or perhaps because of it, Melody displays an abundance of self-confidence and character. Not only is she sure of her abilities, she’s popular, has an exhaustive list of talents such as hugging and humming, and has a wide range of interests including swordplay and cute clothes. (She takes pride in demonstrating that fun and adventure have no gender.)
The illustrations, although expressive, competently composed, and detailed, are missing some of the color bursting from the vivid prose. There’s not much explanation for the bully’s actions or his change of heart and apology, and the lack of faculty intervention or supervision might leave adults a little puzzled. However, these are minor loose threads in the imaginative tapestry that is Melody’s magical adventure.
Takeaway: This charming flight of fancy with an equally charming protagonist will delight readers who want to be both educated and entertained.
Great for fans of Liam O’Donnell’s West Meadows Detectives series, Ellen Potter’s Piper Green and the Fairy Tree series.
Production grades
Cover: B
Design and typography: B+
Illustrations: A-
Editing: A
Marketing copy: A