
A couple of plot twists feel slightly contrived, and some readers might find the book’s ambiguity frustrating, especially regarding the event that led the survivors to their current situation. This mystery is as intriguing as it is challenging, however, and the book’s conclusion leaves open the possibility of a sequel that could contain more answers. Fluid, self-aware prose and sharp characterization keep the reader entranced. The Maenads can seem like caricatures, but when men are introduced, their shortcomings are depicted with equal wryness, and descriptions of their “flat bellies, and heavily muscled glutes, and thighs that led down to wiry calves” subtly parody the male gaze. Every character is both strong and deeply flawed.
Though the novel’s themes resonate with earlier works of feminist science fiction, Moore’s work is unusual in that it critiques misandry as well as misogyny and depicts a world without men as a horror, not a utopia. She deploys vivid descriptions of violence only when absolutely necessary to drive that horror home while implicitly critiquing books that relish violence against women. Dark but with a glimmer of hope, this gripping work earns its place on the shelf of any post-apocalyptic fiction fan.
Takeaway: This bloody post-apocalyptic thriller critiques gender ideology extremes and will fascinate any connoisseur of feminist science fiction.
Great for fans of Elizabeth Hand’s “The Bacchae,” Naomi Alderman, Margaret Atwood.
Production grades
Cover: B+
Design and typography: A
Illustrations: -
Editing: A
Marketing copy: A-
Finding Magdalena introduced Maggie as a teenager in a harrowing tale of love and loss. Now readers get to appreciate Maggie as an adult: agent, singer, mother, and wife. The dialogue can sometimes be stilted or trite (“I need to remember that a lot of women don’t even get one baby”), but the emotions underneath it are real. Domestic issues including fertility problems, jealousy, and mental illness intertwine and juxtapose with dangerous enemies including the mysterious group known as the Brotherhood, and loved ones become collateral damage when covert operations go terribly wrong, showing the tragic humanity in the espionage world.
Condon’s wonderful heroine is a survivor above all else. The story boasts a rare mix of daring spycraft and the domestic life of an extended family, though this sometimes leads to uneven pacing and an overextended plot. There’s much to enjoy as Maggie outwits kidnappers and Russian operatives while facing her own fears and demons. Both new and returning readers will appreciate the promise of this unique series and be eager to follow Maggie wherever her dangerous, fulfilling life takes her next.
Takeaway: A tough heroine with strong family ties brings adventures galore to thriller readers wishing their ordinary lives could be just a little more exciting.
Great for fans of David Baldacci’s King & Maxwell series, Dan Fesperman’s Safe Houses.
Production grades
Cover: A
Design and typography: A
Illustrations: -
Editing: B-
Marketing copy: B+
Dale crafts a world of ruthless characters who unfortunately lack the necessary interiority to engage the reader’s sympathies. Danny and Jocelyn’s relationship is treated somewhat as a romance, but it’s tumultuous and occasionally violent, and readers may find it hard to cheer the lovers on. Moments that provide insight into Jocelyn’s motives (such as needing money to send her younger sisters to college) are welcome but rare. Nearly every character is a murderer, a backstabber, or an abuser, and the protagonists employ disturbing racist language. However, the willingness of many characters to betray one another or change sides adds memorable twists and strengthens the plot.
Keeping track of who’s who is difficult in this sprawling story, which spans multiple generations with interrelated narratives and tangled backstories. It’s peppered with flashbacks, memories, and lengthy monologues about the past, and is most compelling when the characters’ histories tie into their present-day actions. The plot itself is frequently gripping, and fans of the mob genre will appreciate the scenes of bloody action.This thriller will hook readers looking for a twisty story full of characters they’ll love to hate.
Takeaway: Family drama, violence, and a femme fatale make this thriller appealing to fans of mafia stories.
Great for fans of Dennis Lehane’s Live by Night, James Patterson’s Don’t Blink.
Production grades
Cover: A-
Design and typography: B-
Illustrations: -
Editing: B-
Marketing copy: B+

Menuhin has a firm grasp of the English country house mystery: from page one, readers meet the idle rich, too busy tying a fishing fly to realize there’s a dead body on the doorstep. Also present are loyal, daffy servants; a lovelorn butler appears in a scene reminiscent of P.G. Wodehouse. Though Melrose Court is well-populated, the author drapes each character with enough amusing offbeat traits to make sure they stand out, as with cousin-by-marriage Gertrude, an unapologetic kleptomaniac with an alarming knowledge of explosives. There’s a slight stumble toward the end with a rushed introduction of new information, but overall the plot zips along and the cast always entertains.
Though largely comic, this mystery contains some somber scenes that lend depth to the story and anchor it firmly in its time and place, as when Lennox remembers his service in the Great War. The aristocratic Russians fail to grasp that working-class English are not Russian peasants and that their grotesquely lavish world is gone forever. The vibrant characters and meticulously detailed period setting will keep readers smiling and even chuckling all the way to the surprising but wholly believable conclusion. This is a wonderful example of its genre, and readers will eagerly look forward to more from Lennox and his eccentric family.
Takeaway: Fans of English interwar mysteries will delight in this whodunit, which is replete with eccentric gentry and servants, a drafty manor house, and plenty of witty exchanges.
Great for fans of Dorothy L. Sayers’s Lord Peter Wimsey series, Carola Dunn’s Daisy Dalrymple series.
Production grades
Cover: A-
Design and typography: A-
Illustrations: -
Editing: A-
Marketing copy: B

Ton emphasizes the power of networking in chapters fully updated for the 2020 reality of virtual get-togethers. His suggestions range from the technical (digital Zoom backgrounds “will detract from your image, and if the lighting isn’t perfect, you will look like James T. Kirk transporting to the Enterprise during a power glitch”) to the interpersonal (“look at the camera... like you would look in someone’s eyes in a face-to-face meeting”). Ton proposes asking key questions at networking encounters and includes several examples of direct queries to utilize in both online and offline settings, teaching readers to take goal-oriented action.
This compact guide wastes no energy on filler and convinces readers of the urgency of more demanding self-investigation. Journaling is one of several instruments offered to help applicants obtain their dream jobs. Rather than selling readers a one-size-fits-some system, Ton’s guide stands out and accommodates individuality by instructing readers to sell themselves. Any white-collar job-seeker who’s willing to put some thought and effort into identifying their strengths, weaknesses, and ideal work situation will find this an invaluable aid.
Takeaway: This no-nonsense guide will help any white-collar job-seeker unlock their dream career through self-examination, networking, and staying focused.
Great for fans of Richard Nelson Bolles’s What Color Is Your Parachute?, Bill Burnett and Dave Evans’s Designing Your Life.
Production grades
Cover: B+
Design and typography: A
Illustrations: -
Editing: A
Marketing copy: A

This amusing and entertaining story brings endangered species to life through thrilling escapades interspersed with more serious messages on balancing independence with security. Sulima’s vibrant, nuanced artwork adds depth to the experience, inviting the reader in to bounce joyfully through brightly painted landscapes full of imaginative details. Tatchell’s focus on the characters’ vulnerability illuminates their tenacity and spirit, endearing their curious and restless natures to readers. The singsong iambic verse (“I’d LOVE to play with you outside! This day can never end!”) is easy to read aloud and will delight young ones and parents alike.
The story’s subtle critique of human trafficking of endangered species is balanced by winsome art and enjoyable text. Young fans will fall in love with the main characters’ inquisitiveness about the world surrounding them, while adults will appreciate the lessons on exploring independence safely, helping others, and always coming home. Tatchell’s charming storytelling and Sulima’s gorgeous renditions of the Kenyan landscape and its inhabitants will earn this lovely picture book a spot on any shelf.
Takeaway: Lovable characters and beautiful art will entice readers of all ages into this story about seeking independence while appreciating the refuge of home.
Great for fans of Audrey Penn’s The Kissing Hand, Bob Darroch’s Little Kiwi Is Scared of the Dark.
Production grades
Cover: A
Design and typography: A+
Illustrations: A+
Editing: A
Marketing copy: A
Curious readers will welcome the blend of recollection and travel tips, and Connor highlights the strain of the walk while emphasizing its accessibility for people of varying abilities. Her section on myths about the Camino experience (such as “a true pilgrim walks the whole way”) and her honest discussion of nondescript trail sections, near-impassable shale, and disappointingly closed churches prepare those planning this trip for a realistic, rather than idealized, journey. Connor encourages readers with her stories of personal realizations and spiritual encounters.
In the journal section, line-drawn maps do not contain a scale or distance and are more evocative than practical, but crisp, well-reproduced black-and-white photographs evoke a sense of place for key moments of the journey. Would-be pilgrims will need other resources to fully plan their trips, but this is a good entry point to understand how the route feels and what it requires. This taste of the Camino will spark interest in completing the long trek while highlighting its challenges.
Takeaway: Fans of armchair travel or those exploring their own interest in walking the Camino de Santiago will get a lot from this down-to-earth guide and memoir.
Great for fans of Rolf Potts’s Vagabonding, Rosemary Mahoney’s The Singular Pilgrim.
Production grades
Cover: A
Design and typography: A
Illustrations: B
Editing: B
Marketing copy: A-
Hal, Johnny, and Gracie are the most developed characters; the others can feel slightly flat. As Johnny and other players threaten violence, readers will admire how Hal maintains integrity by rarely picking a fight and always thinking of his wife’s safety first. Though this distinct moral compass can seem slightly exaggerated, it leaves readers reassured that Hal would never intentionally harm Rube. Hal is an honorable man whose chivalry is emphasized through his respectful treatment of Gracie and Hannah McGuire, a Boston nurse he befriends. His bashful awe of the two women’s beauty is a little reductive but sweetly innocent, and gives readers another reason to root for him.
Hutchinson echoes film noir and hard-boiled crime novels through ominous foreshadowing and chapter-ending cliff-hangers. Readers observe Johnny’s moves where Hal doesn’t, creating a larger sense of danger for the protagonist. It’s exhilarating to follow Hal and Gracie through the historic streets of Boston, New York, and St. Louis as they try to deduce who is truly after them and sort the good guys from the bad guys in the intense world of pre-regulation baseball. Crime fans and baseball fanatics alike will be enthralled by this retro tale of love and revenge.
Takeaway: Historically accurate details of pre-regulation baseball and nail-biting suspense will captivate crime and sports fans.
Great for fans of Eliot Asinof’s Eight Men Out, Darryl Brock’s If I Never Get Back, David Halberstam’s Summer of ’49, W.P. Kinsella.
Production grades
Cover: A-
Design and typography: A
Illustrations: -
Editing: A-
Marketing copy: B+

Hutchinson strives for historical accuracy in his setting and language but modernizes his characters’ politics. Though the narrative focuses on a damsel in distress, Cora is a fully fleshed-out and profound character. The chapters switch perspectives, so Cora never feels like an afterthought in her own story; she and Quint have fully separate reactions to (and feelings about) specific situations. Hutchinson hits on the important hallmarks of a traditional western, setting Quint and Cora firmly in a world of clear rights and wrongs, but he still manages to imbue the narrative with appealing sensitivity.
There are a few extraneous characters and side plots. One, involving Cora’s father and Julius abusing railroad workers, feels particularly sadistic and out of place, especially since it never factors into the end of the story. However, for the most part the narrative is lean, fast-moving, and well-structured. Though the bulk of the action takes place in a courthouse, the dialogue and setting feel distinctly western and the tension is as high as in a shootout. Hutchinson brings the western up to date without losing any of the genre’s historical charm in a gripping story with broad appeal.
Takeaway: This historical western with a thoughtful modern sensibility will enthrall both longtime genre fans and new readers.
Great for fans of Zane Grey’s The Lone Star Ranger, Larry McMurtry’s Lonesome Dove Series.
Production grades
Cover: B+
Design and typography: A
Illustrations: -
Editing: A-
Marketing copy: A-

The positive and encouraging text is warm and sincere without being overly sentimental. Wong doesn't shy away from abstract concepts such as resilience, faith, and prosperity, but the rich colors and picturesque details of the images help to make their meaning clear, though young children may press for further explanations. The final page of facts about the historical characters and trivia about the different breeds of dog (and one cat) depicted throughout the book will encourage rereading and help the work hold children’s interest as they grow.
Gently encouraging readers to cherish their luck, seek tranquility, and hope for the best, Wong elevates kindness and quiet joy over material success, a valuable message for many parents as well as for children. Baratashvili takes care to include a variety of ethnicities and a girl in a wheelchair, helping children to see themselves in the book and believe that these wishes really are meant for them. The wide-ranging affirmations and lovely artwork make this an excellent baby shower gift or a whimsical graduation present. Both adults and children will find this bedtime read worth returning to again and again.
Takeaway: This enchanting and encouraging picture book will capture the imagination of developing readers and the adults who want only the best for them.
Great for fans of Amy Krouse Rosenthal and Tom Litchenheld’s I Wish You More, Marianne Richmond’s Be Brave Little One, Lisa Mantchev and Jessica Courtney-Tickle’s The Perfectly Perfect Wish.
Production grades
Cover: A-
Design and typography: A
Illustrations: A
Editing: B
Marketing copy: C
The large cast of characters is headlined by these four ladies, whose stories are drastically different but all center on love and romantic relationships. This installment resumes where the action stopped in the first book’s cliff-hanger ending, immediately thrusting readers into the fast-paced plot. New readers may initially struggle to understand the overlapping, complex plotlines and keep track of the numerous characters and their various motivations. The powerful bond among the friends, and their resilience, surpasses the cluttered plot to create a romantic drama that underscores the importance of maintaining supportive friendships and the healing power of love.
Saleh writes passionately about Dom and Tad’s difficulties, poignantly depicting the impact of terminal illnesses on relationships. Although the book includes murder, sexual assault, bullying, and elements of mystery, at its heart it’s a love story. Elegantly written sex scenes provide breaks in the story’s rapid pace while highlighting the romantic bonds between partners. This emotionally affecting page-turner is a must for any hopeless romantic who prefers a touch of angst with their happily ever after.
Takeaway: Fans of romance and women’s fiction will enjoy this dramatic, passionate story of love and redemption.
Great for fans of Robyn Carr, A.C. Arthur, Terry McMillan.
Production grades
Cover: B
Design and typography: B-
Illustrations: -
Editing: B
Marketing copy: A
McDougall entices readers into a world where magical beings hide in the shadows, fearing persecution and exploitation by humans. Hallows is a complex society with political structures, social hierarchies, and a rich but bitter history. As Sasha settles in, vivid descriptions paint both the town and its inhabitants clearly in the imagination. A violent murder just outside city limits introduces an element of intrigue and keeps readers guessing as to the true nature of the threats to Hallows and Sasha.
Jake and Sasha share an intense physical attraction, but the reader’s impression of their compatibility suffers from a lack of depth in their personal interactions. In the context of Sasha’s traumatic previous relationships, the absence of a developed trust base sets off warning bells in the mild power play flavoring the sex scenes. However, there is a satisfying sense of growth in the bonds Sasha forms with her newfound friends and the way the magic of Hallows awakens secrets from her childhood. McDougall’s well-formed magical world will hold the reader’s interest as the mystery and romance unfold.
Takeaway: Paranormal romance readers who relish suspenseful plotting and alpha male heroes will enjoy this tale of self-discovery.
Great for fans of Carol Van Natta’s Shifter Mate Magic, Sedona Venez’s Taming the Beast.
Production grades
Cover: B
Design and typography: B
Illustrations: -
Editing: A-
Marketing copy: A
Blackstone weaves the characters’ complex journeys into a broad view of the hunt for soulblades and the consequences that arise when they are found. The novel is ostensibly titled after Tyr, who opens the story with his quest to find a soulblade and be knighted, but all the central characters wind up as bladeseekers in a way, and the interlocking effects of their actions strengthen the overall narrative. Most compelling is the unnamed character whose backstory and character development unfold slowly, and the many unanswered questions about her will leave readers craving the next installment.
The story is dark at times, especially with some of the battle deaths. The setting is vividly rendered with crisp depictions of bold landscapes and dangerous weather. Readers will glimpse each character’s motivation and loyalties through the articulation of their internal thoughts and conflicts, with unexpected players generating the biggest impact in the end. Blackstone succeeds in fully fleshing out characters and building a sinister world of magic with dire consequences. Full of combat, quests, and soul-searching, this thoughtful fantasy asks readers to question both history and destiny.
Takeaway: This action-packed and thoughtful fantasy quest story will enchant readers with its charming characters and surprising revelations.
Great for fans of Leigh Bardugo’s Six of Crows, Rick Riordan.
Production grades
Cover: A
Design and typography: A
Illustrations: -
Editing: A
Marketing copy: A
It’s unfortunate that the female and non-white characters, particularly Aylen, a Native American sex worker, are often treated like objects by the white male protagonists or by the narrative. For example, Wyatt’s obsession with Callie hinges only upon her resemblance to his dead wife, and has nothing to do with her personally. Many of Travis’s 21st-century problems are reflected in Wyatt’s past, which is laid out in unevenly distributed, exposition-heavy flashbacks, stuttering the plot’s pace. Otherwise, Goldberg (The Desire Card) is an efficient writer, drawing complex, sympathetic portraits of Callie, Wyatt, and Travis, all of whom are flawed and compelling in their own ways.
Small-town Alaska is brought to vivid life with tight prose and clear descriptions (“Morning brings out the fishermen along the docks. Pungent smells lining the air. Bristly beards and heavy gear to stave off the sleet”), creating a perfect quotidien backdrop to Wyatt and Travis’s eerie rivalry. The bloody opening scene, in which a newly revived Wyatt strangles and eats a wolf, is an outlier; the bulk of the novel is light on physical violence and will please fans of more psychological suspense. This richly imagined story of ancestors and descendants is written in a confident voice and well suited to anyone interested in the complexities of identity and legacy.
Takeaway: This compulsively readable thriller will disturb and delight anyone who has ever contemplated what it means to be an ancestor or a descendant.
Great for fans of Kristin Hannah’s The Great Alone, Laura Sims’s Looker.
Production grades
Cover: B-
Design and typography: A
Illustrations: -
Editing: B
Marketing copy: B+
Reynolds, who describes himself as an explorer and adventurer, has an assured hand as he portrays the fascinating details of myths and rituals from a wide range of cultures. Especially effective are the forays into the paranormal and spiritual. For example, Maya’s trip with a psychoactive brew under the guidance of a Navajo elder is suffused with striking imagery and language, "her consciousness freed from the shackles of her mind and the human prison of matter." Occasionally, the plot strains credulity, as when it gives supernatural explanations for historical events. However, the ancient settings and the book’s mythos never fail to engage.
As grand themes abound, Maya’s relations with her stalwart friends lend a welcome lightening touch. JW accompanies Maya on most of her odyssey and is protective and helpful. The more flamboyant Layla provides an effective contrast. A searing event from Maya’s childhood fleshes out her character and nicely sets the stage for Maya’s further interactions with her mysterious employer. The appealing new adult protagonists and the colorful locales will keep readers invested in the richly detailed myth-laden plot of this vibrant voyage into the unknown.
Takeaway: Fans of global adventure mysteries will be entranced by this thriller’s nonstop supernatural action and winning characters.
Great for fans of Dan Brown’s The Lost Symbol, Michael Crichton’s Congo.
Production grades
Cover: A-
Design and typography: A-
Illustrations: A
Editing: A-
Marketing copy: A
With its ragtag crew of unlikely allies poised to double-cross each other, this space opera wastes no time in leaping right into the action, pitting its prince-in-hiding against a galaxy of potential enemies. Corley (Ghost Bully) brilliantly constructs a universe populated by rogues, miscreants, and plausibly weird aliens. However, the constant barrage of unfamiliar names, terms, and slang may overwhelm a reader expected to decipher them through context. More familiar are the thrill-seeking Parr’s fondness for his ship, Aurora, and his contentious relationship with Manc, which may remind readers of a certain scruffy nerf-herder.
Corley’s protagonists rarely have time to catch their breath, plunging from one mess to the next, yet they still manage to grow as individuals, although Parr’s continuing obliviousness concerning his sister’s potentially sinister plans is a little hard to swallow. A trace of humor runs through the story, edged with self-awareness. As Parr and his allies fight for their lives, he’s forced to consider the privileges of his upbringing, though this theme doesn’t get as much examination as it deserves. This character-driven starfaring adventure hits the spot, while leaving a few loose threads for future installments.
Takeaway: This fast-paced interstellar romp will satisfy readers looking for action, double-crosses, and a touch of wacky hijinks.
Great for fans of Becky Chambers’s The Long Way to a Small, Angry Planet, Mike Brooks’s Dark Run, R.E. Stearns’s Barbary Station, James Lovegrove’s Firefly series.
Production grades
Cover: B+
Design and typography: A
Illustrations: -
Editing: A
Marketing copy: A-