Eamon rounds up a big list of people who might have been involved in Abner’s death and Eddie and Lydia’s disappearance, but most lack motive and opportunity, not to mention any contact with any of the three in at least two decades. Despite numerous dead ends, the interviews with these characters provide revelations that will keep readers turning the pages. Eamon’s dry, quick wit, evident intelligence, and ability to spin an amusing tale make him an appealing protagonist. His thinly sketched situation with his occasional lover, Heidi, gives readers a small reprieve from the tedious research, though his willingness to discuss his case with her belies his title of “private” investigator. His ambiguous morals make it hard to believe he’d turn in $20 million to get $2 million.
Helms oversimplifies the process of evidence-gathering. Eamon, recovering from a leg injury, relies heavily on searches in the online CyberShamus database to follow up on every lead. Red herrings proliferate throughout the plot. Readers who are new to the series might find it hard to connect to Eamon, who’s even more reserved than the stereotypical PI. Despite that, it’s still easy to root for him. The plot takes the scenic route to a surprising destination, and the premise is strong enough to keep readers hooked.
Takeaway: This page-turning mystery with a surprise ending provides a good starting point for fans of detective series.
Great for fans of James Ellroy, Ross Macdonald
Production grades
Cover: C
Design and typography: A
Illustrations: -
Editing: B
Marketing copy: B
Rockford’s stories, gently enhanced by Kleyn’s tidy, detailed chapter head illustrations, introduce a menagerie of vibrant one-of-a-kind characters who are perfectly suited for older children, with gentle lessons to be learned from every interaction. Some of the elements are a little clichéd: Rockford predictably falls for the first female chipmunk he meets, and the faux-Shaolin chip-monks speak in stilted English (“We know pain of loneliness”), quote haiku, and believe in a mystical prophecy. Each chapter ends with a return to the frame story at the farmer’s market, with humor that can feel a little strained. However, the book’s target readers will breeze past these flaws and find the adventure enthralling.
Parents waiting for their children to be old enough for The Hobbit or Redwall will find this the perfect stopgap, with plenty of thrills as well as moral quandaries, somber loss, and emotional growth. The ending will elicit happy sniffles from readers who have gotten caught up in Rockford’s tale. Without stinting the action, Gottsegen delivers a powerful message about the importance of being brave, honest, and true to oneself.
Takeaway: Older children will absorb important life lessons while enjoying this thrilling story of a brave chipmunk’s forest adventures.
Great for fans of Kathi Appelt’s The True Blue Scouts of Sugar Man Swamp, Barbara O’Connor’s On the Road to Mr. Mineo’s.
Production grades
Cover: B
Design and typography: A+
Illustrations: A
Editing: A+
Marketing copy: A
Kowatch’s descriptions and Shinn’s charming digital illustrations will leave readers feeling like they’ve stomped through the Everglades alongside Ocean and Ellen. The relationships are depicted with wonderful depth. Gumbo and his pals often meditate together, Ocean and Ellen talk about grief and growing up, Ocean’s parents share important lessons with him, and each character takes turns leading, encouraging, and sacrificing for the others in a way that feels sincere.
Yet all of these elements create a text that is sometimes busy and complicated. Chapters are told from various perspectives and the book blends Seminole mythology with Eastern spiritual practices, which may leave younger readers confused, uninterested, or just wanting more of the lively dialogue. However, the book’s quirkiness and cartoon-style illustrations, as well as its loose ends (perhaps left open for a sequel?), will likely keep them hooked. For kids entering adolescence in the 21st century, an adventure that includes real-life heaviness, environmental awareness and activism, meditation and affirmation, and a little bit of the absurd seems just right.
Takeaway: Tween readers (and their parents and teachers) will love the values, hardships, laughs, and learning in Kowatch’s thoughtful adventure fantasy.
Great for fans of the Magic School Bus series, the Magic Tree House series.
Production grades
Cover: A
Design and typography: A-
Illustrations: A-
Editing: B
Marketing copy: B
McFarlan capably explores the contours of his characters’ inner lives and emotions, especially Nephi’s rigidity after years of closing off his sexuality. The dialogue is sometimes stilted (“I have been reflecting on my standing in the church as a gay man and my state in eternity”), and extraneous details occasionally drag down the pace of the story, but the characters’ strong personalities provide stable footing and enough gravity to keep events from slipping into melodrama.
Early chapters are weighed down by awkward explanations of Mormon practice, but McFarlan folds in some details more naturally, as when he depicts Nephi’s encounter with church discipline. The presence of Nephi’s boss, Mark Stone, who also serves as a major church leader, highlights the messy overlap of religious and professional lives in the insular communities of small-city Utah. McFarlan effectively contrasts the more tolerant but conflicted approach of Nephi’s family with the exceptionally harsh decisions of Bradley’s family. This romantic story will ring true to Mormon readers and help others begin to understand the depth and complexity of trying to reconcile sexual desire and religious beliefs.
Takeaway: This sympathetic exploration of the clash of sexuality and Mormon faith will have broad appeal for readers of contemporary romance.
Great for fans of Keira Andrews, Laura Stone’s And It Came to Pass.
Production grades
Cover: B
Design and typography: A-
Illustrations: -
Editing: B+
Marketing copy: A
Using his extensive knowledge as a botany professor and natural history writer, Ritter crafts a riveting narrative about a relatively obscure subject, catering to young readers with an interest in the natural world. Some language may be difficult for younger audiences to understand without explanation (“The seed settled onto a branch and did what seeds do: it germinated”), but the book is ideal for reading and discussing with adults, who may also learn something new. Ritter includes fun and digestible fact sheets about the red-eyed tree frog and the chestnut-mandibled toucan that make appearances in the story.
Gonzalez’s detailed illustrations provide a perfect complement to the story, with colorful, engaging imagery that aids readers in understanding each stage of the life cycles Ritter describes. Going deep inside the fig, Gonzalez shows the female wasp laying the eggs, the eggs hatching, and the new female wasps gathering pollen while the males chew holes. Gonzalez’s clear diagram of the wasps’ life cycle is a helpful addition to Ritter’s dry fact sheet. A tree frog hidden on each page is a delightful addition, gamifying the learning experience. Parents and educators will eagerly share this vivid picture book with budding botanists.
Takeaway: Older children interested in ecosystems will enjoy this fun picture book about the interdependence of fig trees and fig wasps.
Great for fans of Rebecca Bielawski’s Bees Like Flowers.
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A

The book is thoughtfully organized, often pairing complementary images. A shot of Lake Tahoe is next to one of Lee Vining in California; the Tahoe shot has water and mountains and the Lee Vining photo is dominated by shrubbery and a forest, but both make extensive use of foreshortening. Photos of the Montreal skyline and biosphere are followed by a lone blooming shrub in Joshua tree, and then the starkness of Death Valley. There are also contrasts of color, as in a sunset overlooking a lake in Alaska accompanied by a moonrise above California’s Mono Lake. They’re composed in the same way, with the emphasis on the horizon, but the juxtaposition of the colors is striking. Levinson’s shots of the New York and Montreal skylines give a different kind of contrast as they carefully balance water and greenery against the constructed urban background.
Thematically, Levinson leans toward an even split between foreground and background images and a deliberate balance of foliage, water, and rock. That creates cohesion from image to image as well as the book as a whole. He’s able to vary this formula enough so as not to be repetitive, keeping the conceptual elements static while wildly varying the actual subjects. The fluidity of the compositions across the book makes the natural colors pop even harder. Every page of this exquisite book is a new and exciting experience for the reader.
Takeaway: Anyone who enjoys beautiful, vivid, and varied landscape photography will treasure this book.
Great for fans of Q.T. Luong’s Treasured Lands, T.H. Watkins and David Muench’s American Landscape.
Production grades
Cover: A
Design and typography: A
Illustrations: A+
Editing: A
Marketing copy: B
Through the characters’ conflicts and revelations, MacDonald makes wider points about human nature. In “Hunger,” a self-sufficient narrator compares her seatmate on a first-class flight to the bullies she remembers from high school. When there aren’t enough first-class meals to go around, the elderly woman cries in “big, gulping sobs,” like the “thin-skinned, fragile girls with no defenses [who] grew up and never learned to fend for themselves.” In “Year by Year,” as Rolf dons his CVS assistant manager badge, his mother, Klara, notes that he is “so proud of so little.” Klara’s children are a disappointment to her; even worse, they want to move her into a nursing home. MacDonald paints an understanding portrait of a prickly older parent whose fears about her friends dying are partly rooted in her inability to make new ones “at my age.” In “Mongoose,” Gwen, testy and estranged from her dying father and his fourth wife, softens as her misconceptions about her father fade away. When her stepmother remarks, “There’s a lot of him in you,” Gwen looks at a photo of herself at age six, noting they share “bristly, fearless, determined” natures.
Not all of MacDonald’s well-wrought characters inhabit stories worth telling. In “Ink” and “The Memory Palace,” characters fail to connect with one another, mixing so much like oil and water that the result is dissonance and reader frustration. Luckily, those two entries are outliers. This strong collection draws the reader in with sympathetic portrayals of aging and human connection.
Takeaway: This collection will suit fans of contemporary short fiction with a focus on human connection, aging, and mortality.
Great for fans of Alice Munro’s Too Much Happiness, Miranda July’s No One Belongs Here More Than You.
Production grades
Cover: B-
Design and typography: A
Illustrations: -
Editing: B+
Marketing copy: C+
The novel’s grand scale, straightforward prose, thorough scene-setting, and detailed worldbuilding are its strong points. However, the dialogue can feel unwieldy, particularly when used to communicate large chunks of background information about warriors, talismans, and their goals. The same information is repeated, with similar wording, throughout the book. The action scenes are brief, with most fighting happening offstage or ending quickly; the emphasis on conversation and descriptive passages slows down the pacing and renders the protagonists’ ultimate victory somewhat less thrilling.
Alyssa’s personal journey includes learning more self-confidence as she takes responsibility in battle, but her total ignorance of the world she was born into means she’s subjected to endless lecturing by Rowan and others, limiting her ability to define herself. Rowan’s dominance at the start of their relationship causes communication problems between them that aren’t addressed until the very end—and Rowan never apologizes for his errors, instead blaming Maeve for making Alyssa feel insecure and unlovable—so the romantic resolution feels rushed. Though billed as a paranormal romance, this novel is best suited to fantasy readers who will love the setting and won’t mind the romance being more of an afterthought.
Takeaway: Fantasy readers with a taste for intricate worldbuilding and centuries-old drama will enjoy this tale of curses and fated love.
Great for fans of Leigh Ann Edwards, Kathy Morgan.
Production grades
Cover: B
Design and typography: B
Illustrations: -
Editing: B
Marketing copy: C
The budding friendship between Sabine and Juliet is where Kale’s writing really shines; Juliet’s worldliness and effortlessly cool demeanor are the perfect antidote to Sabine’s anxiety-fueled stream-of-consciousness narration. The novel is underpinned by a much deeper exploration of Sabine’s personal existential crisis, which includes such philosophical problems as the fluidity of existence and the nature of death. The narrative never gets too heavy; Kale balances out the morbidity with a wry sense of humor. Scenes at the hospital, where Sabine interacts with her workmates Glo and Aja, are especially amusing, playing out like a classic comedy of errors.
Some heavy-handed pop culture references and literary allusions can be a whimsical reminder of time and place, but often they drag or stall an otherwise enriching narrative. For instance, the description of a character’s voice as a “soft Uma Thurman Henry and June art film voice” feels uninspired. This stylistic choice distracts from Kale’s impressive ability to create likable, three-dimensional characters. This inquisitive look at personal connection in a disorienting setting perfectly captures the weirdness of hospitals and the importance of human vulnerability and authenticity.
Takeaway: Readers with a taste for philosophy and absurdity will enjoy this darkly comic tale of mishaps and friendship in a small-town hospital.
Great for fans of Richard Hooker’s MASH: A Novel About Three Army Doctors, Joseph Heller’s Catch-22.
Production grades
Cover: A
Design and typography: A
Illustrations: -
Editing: A
Marketing copy: C
McGuinness makes some attempt to invoke neuropsychological and sociological underpinnings for low confidence and self-esteem in women, but readers are unlikely to be persuaded by unscientific-sounding statements such as the assertion that women have more neurons “in the region [of the brain] known as the worrywart center.” (The book’s endnotes give sources, but magazine articles and self-help books outnumber peer-reviewed scientific studies.) However, McGuinness’s exercises are sound. She recommends deliberately taking note of moments of personal success, such as using an achievement as small as fixing a printer’s paper jam to fight back against a critical inner voice that says “I’m bad at mechanical stuff,” and developing confident body language. She skillfully gives depth to commonplace tips on dealing with situations such as interviewing for jobs and speaking in public.
McGuinness’s advice and drills are practical, and she’s always mindful of the issues many women face in their efforts to overcome their own inner doubts. As useful as all the material is, readers might wish for less densely packed pages, as each one sometimes feels full to overflowing with information and suggestions. Readers who recognize their own struggles in these pages will find that many of McGuinness’s methods make upcoming challenges easier to face.
Takeaway: Women who struggle to believe in themselves will discover many useful tips in this practical guide to building and sustaining self-esteem.
Great for fans of Nathaniel Branden’s Six Pillars of Self-Esteem, Jen Sincero’s You Are a Badass.
Production grades
Cover: A
Design and typography: C
Illustrations: -
Editing: B-
Marketing copy: A
Economic anxiety drives the story. Catt is traumatized by life as a starving alley cat, impoverished city mouse Ricky despises and envies the “soft” country mice of Mouseville, and meerkat butler Nigel longs to be his own boss. It’s not clear why this anthropomorphic paradise is so riddled with inequality and privation. No one questions the school’s peculiar policy barring orphans from attending, even when it puts Catt—who “refused to be property again”—in an impossible quandary: allow a cat she doesn't know to become her adoptive parent, or give up on school and live on the street. Homelessness is treated as a plot point, not a societal ill. Given the constant mentions of wealth and poverty, the lack of analysis beyond compassion being good and greed being bad feels like an oversight.
Sager Cowan makes the many characters distinct, aided by Reid’s sometimes clumsy but colorful illustrations. Superhero School classmates Patty Porter, a tech-savvy pig, and Freddy Flickerson, an agile frog, help Simon crack the case. Without pontificating, Sager Cowan clearly teaches readers about accepting and trusting others who come from different backgrounds. This series starter is filled with mystery and a lot of heart.
Takeaway: Tween readers will enjoy this warm-hearted mystery’s memorable animal characters and imaginative setting.
Great for fans of Gigi Priebe and Daniel Duncan’s Adventures of Henry Whiskers series.
Production grades
Cover: B
Design and typography: A-
Illustrations: B
Editing: A-
Marketing copy: B+
The cast is strong and diverse, and the white protagonists have an almost modern acceptance of and respect for the nonwhite characters. Unfortunately, that depiction is undermined by some questionable narrative choices, including eye dialect, period-accurate racist language, and characterization derived from caricature. People of color are used as props for white people’s characterization—a Chinese-American surprising a white man by speaking fluent English, an enslaved teen girl being sexually exploited by Erasmus—and vanish from the story as soon as the point is made.
The tale is ripe with drama and daring feats, but the telling is dry and matter-of-fact (“She brought the lever forward as smoothly as possible to abruptly halt the craft from diving into the landscape below”), reducing the tension in otherwise exciting events and making it hard to emotionally invest in the wellbeing of the characters or the relationships they form with one another. Nonetheless, the well-constructed plot creates a real sense of adventure. Evaline is an inspiring heroine for anyone who longs to see a bold and self-reliant woman stare down danger and do what’s right.
Takeaway: Steampunk fans will admire the bold and self-reliant heroine of this airship adventure.
Great for fans of Cherie Priest’s Clockwork Century series, Gail Carriger.
Production grades
Cover: C+
Design and typography: A
Illustrations: -
Editing: B-
Marketing copy: -
After an introduction that feels more like a scientific paper, complete with nine footnotes, Arnau-Dewar shifts smoothly into memoir mode and expertly toggles back and forth between the 1950s and the 2010s, unflinchingly examining her nomadic childhood as the only child of a single mother. She also lays bare her family’s other mental health issues, including the suicides of both her parents. She pulls no punches about the difficulties of raising children with ADHD—her marriage was among the casualties—but painstakingly details the joys of “restless energy and exuberant curiosity,” “passion and optimism,” alongside the challenges of dealing with teachers, doctors, and sometimes self-destructive kids.
Woven into the recollections are a variety of references to scientific studies on ADHD. “Remember that natural selection occurs when a change (mutation) in the genetic code favors survival,” Arnau-Dewar writes, theorizing that hyperactivity, impulsivity, and aggression allowed humans to avoid predators. She does a masterful job of compiling studies to back up this hypothesis and suggests that the condition be called “executive function adaptation” to reduce stigma and recognize the positive aspects of ADHD mental wiring. Meticulously researched and skillfully written, Arnau-Dewar’s memoir does double duty as a brutally frank instructional guide for parents of children with ADHD.
Takeaway: Readers raising children with ADHD will greatly benefit from Arnau-Dewar’s blend of memoir and science.
Great for fans of Thom Hartmann’s Attention Deficit Disorder: A Different Perception, Blake E.S. Taylor’s ADHD and Me.
Production grades
Cover: B+
Design and typography: A
Illustrations: -
Editing: A-
Marketing copy: A
Fayman quickly draws the reader in with the boat crash scene, which couples dry humor with fiery drama. The story is fast-paced and intensified by the myriad of twists and turns, each establishing another character who had a reason to want Butch dead. Fayman craftily ties together the mystery behind Butch’s disappearance and the present-day deaths. Though Fayman clearly outlines the characters’ motives and how they connect to one another, readers must pay close attention to the details to have a thorough understanding of the intricately woven web.
Fayman expertly underscores the ups and downs of a musical career, and his use of the San Diego area and the influence of the naval base there adds elements of realism and authenticity. Mystery fans will quickly warm to the affable Rolly, a genuine man who, though scarred by events of his past, has embraced the present to live one day at a time. This standalone installment will satisfy both newcomers and series fans with a fascinating mystery and colorful cast.
Takeaway: This music-themed murder mystery will draw fans of old-fashioned gumshoes, vivid characters, and twisty, layered stories.
Great for fans of Robert B. Parker’s Crimson Joy, James Patterson and James O. Born’s The River Murders.
Production grades
Cover: B
Design and typography: A
Illustrations: -
Editing: A
Marketing copy: A-
The descriptive and flowing narrative style conveys a deep understanding of all things Russian, including glimpses of life from before the fall of the Soviet Union through the rise of the Russian Federation. The characters are vibrant, though inconsistencies in dialogue and scene transitions occasionally muffle their voices, as does a heavy reliance on narrative exposition throughout the first several chapters. Esoteric word choices and the many forms of address for one person may be jarring for those unfamiliar with Russian culture. At several points, the plot seems like little more than a very loosely connected series of vignettes (some of which tend to meander), though the purpose of each one is eventually revealed.
The subject matter, particularly human trafficking, is handled with sensitivity and respect and never feels exploitative. The way Nikolai’s various identities intersect, even as he tries to keep them compartmentalized, will strike a chord with readers. This richly developed story, in which one man’s inner journey is mirrored in the sociopolitical changes surrounding him, thoughtfully entertains.
Takeaway: This richly developed story of a man’s quest for identity in post-Soviet Russia will entertain and enthrall readers of slice-of-life literary fiction.
Great for fans of Arthur Miller, Anton Chekhov.
Production grades
Cover: A
Design and typography: A
Illustrations: -
Editing: A-
Marketing copy: B-
A brief introductory quiz asks readers to rate statements such as “I appreciate what I have in life” and “I live my life with a sense of purpose.” After each chapter’s introduction, there is a lengthy explanation of each core concept. These sections can read like scholarly articles (“With more time, effort, and attention, humans maximize their abilities”), but they’ll appeal to readers who are moved by scientific analysis. Pragmatic tools at the end of each chapter help the reader make more personal connections to each of the eight concepts. At the end of the book, the reader returns to the initial questions to see how their understanding of the meaning of life has changed.
Thoroughly and consistently covering every aspect of the quest for the meaning of life, Novosel helps readers to walk away with a concrete sense of personal discovery. He neither leans on nor tries to refute religion, making the work accessible to readers from the staunchly atheist to the deeply devout. Whether readers are struggling in difficult times, experiencing uncertainty, or living their best lives, this book will help them find their footing and develop unique individual concepts of direction, purpose, and meaning.
Takeaway: Anyone curious about the history of the quest for meaning or in need of a personal sense of purpose will benefit from this thorough guide.
Great for fans of Maxie McCoy’s You’re Not Lost, Misty Edwards’s What Is the Point?, Bill Burnett and Dave Evans’s Designing Your Life.
Production grades
Cover: B
Design and typography: B
Illustrations: -
Editing: B
Marketing copy: B
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