
Wheeless masterfully weaves mature themes and an old-fashioned noir atmosphere into this playful premise, complete with a smooth-talking detective who has a soft spot for the damsel in distress. Nacho’s dialogue mirrors hard boiled mysteries and classic Dick Tracy comics, and the crime-solving teenager even has a signature cocktail of choice—an 1885, which is Dr. Pepper with a splash of chocolate syrup. His character shines, but Zadie also proves to be more than a blonde in need: she’s a complex character with a poignant backstory who matches Nacho’s gusto and enthusiasm for finding the truth. Along with a friend who provides him with the latest tech gadgets, a retired FBI agent, and a few of his fellow classmates, Nacho faces life-threatening obstacles and confirms that bravery is ageless.
The action, characters, and mystery quickly prove gripping and don’t let go until the harrowing conclusion. Stakes are continuously raised as Nacho dives into the disturbing underbelly of the murder victim’s personal life, and Wheeless doesn’t shy away from mature content such as self-harm and sexual assault. With a fast-moving plot and plenty of twists, Wheeless's polished story will leave readers craving more adventures with his dynamic teenage sleuth.
Takeaway: Perfect for mystery lovers craving a YA thriller with mature themes and a noir vibe.
Great for fans of: Maureen Johnson’s The Box in the Woods, Brittany Cavallaro’s A Study in Charlotte.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Readers will easily empathize with Sarah’s moral dilemma: do the right thing and testify against members of the Russian Mafia, who immediately put a million dollar bounty on her head, or let the killers (one of whom is still at large) get away with murder. As Sarah’s lawyer observes, she might be marked for death no matter which option she chooses. Harmon deftly conveys the disorientation inherent with losing one’s lifelong identity and being forced to take on a stranger’s. The title refers to an elaborate coverup scheme and new life plan Sarah negotiates with the FBI.
Sarah’s emotional angst at not being able to celebrate major milestones with her family–including a grandchild’s birth, a child’s high school graduation, and another’s engagement–comes across with clarity. Sometimes, Harmon summarizes rather than fully dramatizes key moments, and some scenes of Sarah observing her family, even in heavy disguise, without being detected strain credulity. Still, Sarah’s strong desire to be with her family at all costs rings true. Readers fond of hair-raising plots and strong heroines will find promise in Harmon’s debut.
Takeaway: An inventive plot, a conflicted heroine, and high emotional stakes stand out in this thriller debut.
Great for fans of: Kate White’s The Wrong Man; Nicci French’s The Other Side of the Door.
Production grades
Cover: B
Design and typography: B-
Illustrations: N/A
Editing: B
Marketing copy: A
Friendship, danger, deception, and the power of communing with nature power the narrative. Hall’s characters are engaging, and the story diverges from typical dystopia, imbuing several main players with supernatural skills that give them an advantage in the wasteland. Iggy, one of Alex’s fellow travelers, has magical abilities similar to her own, and he takes on the task of convincing Alex to hide her magic from people who may exploit it–notably the charismatic Jericho, founder of a utopian-like island. When Billey begins to question her identity, and experiences a brutal attack on her foster parents, she discovers her hidden life and returns home to assume responsibilities, including ensuring Alex’s survival.
Hall strikes a believable, chillingly familiar chord with the Orange event that poisons the land, kills many people, and forces those who survive to fight for dwindling resources. The plotting can get tricky, especially as Hall incorporates a variety of elements from multiple genres, and the complex, worlds-crossing mysteries of Billey’s past and Alex’s future at times diminish the narrative momentum. For those fans seeking a fresh interpretation of a dystopian future, with a touch of magic and a sense of the power of nature, this story hits the spot.
Takeaway: This kickoff to a genre-mixing post-apocalyptic saga emphasizes friendship, danger, and the power of nature.
Great for fans of: Kameron Hurley’s Worldbreaker Saga, Mike Carey’s Book of Koli.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A

From the arresting first line (“Tomorrow, I’ll be dead”), Špiljak, author of the “culinary noir” collection Add Cyanide to Taste, explores the futility of trying to escape who you are and where you come from, suggesting that the past will always come back to haunt you, making the novel’s title fittingly appropriate. Špiljak writes with persuasive power about the ins and outs of both the criminal world and those who police it, and the narrative is interspersed with piquant details of how things are done, details readers might expect only an insider could divulge, while Antonia training in disguise, tailing, and other tricks of the trade in the novel’s middle makes clear how much work it takes to develop the skills this milieu demands. As striking as the verisimilitude is Špiljak’s prose, which is as poetic as it is fast-paced; plot points are punctuated with philosophical musings that lend the narrative welcome depth and resonance.
There are times when this action-packed novel can seem too frantic, straining reader credulity about how many things can go wrong at any given time. But Špiljak exercises impressive narrative command, carrying readers along the entire way, delivering skillful setpieces of suspense and action that despite their headlong momentum never sacrifice surprise or impact. Lovers of swift-moving crime thrillers will enjoy this book, which packs a punch while delving deep into the human psyche.
Takeaway: Packed with action and thematically rich, this globe-crossing crime thriller stands out.
Great for fans of: Lisa Lutz’s The Passenger, Alex Michaelides’s The Silent Patient.
Production grades
Cover: A-
Design and typography: A-
Illustrations: N/A
Editing: A
Marketing copy: A
This novel practically buzzes with rich sci-fi elements and elaborate worldbuilding. Paric is put in suspended animation for a year to heal, and while he remains fully conscious, he deals with the curse of being a psyker–a person who can tap into the psychic powers of alien parasites living in the Warp trails of space. Trouble is, the aliens tormenting his mind are at odds with each other and with Paric. After he’s revived, Paric uses his ethereal as well as his physical form to hide from the religious leaders of the Ecclesiarchy who have outlawed psykers, and from the underhive gangs that want to recruit him to exploit his power.
Surtain has a gift for describing the dank, dark underhive world and its stratified life—the rich and powerful at the top, and the desperate and criminal living in the hundreds of layers in the depths. Paric uses these dark corners to his advantage, declaring “In my ethereal form, I could travel the usual alleys and avenues, checking the watchers, guards, and enforcers...” The nuances of this complex world would be clearer with more descriptive anchoring, and a map and glossary would help orient readers in a story that's at times a challenge to keep up with, but Surtain’s creative worldbuilding will dazzle fans of the genre.
Takeaway: An ambitious far-future adventure with elaborate worldbuilding and a labyrinthine plot.
Great for fans of: Jim Meeks-Johnson’s Enemy Immortal, Micaiah Johnson’s The Space Between Worlds.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A

McAvoy, working with Ronald L. Moore, hits the ground running in this propulsive thriller, which adeptly blends ancient mysteries and secret societies with contemporary procedural storytelling. The clues and surprises come quickly as Lancaster and her counterpart in Rome, the Carabinieri’s captain Sabrina Felici, race about in an old Ferrari that, as Felici puts it, “handles Rome’s chaotic traffic like a dominatrix.” Such character touches and a sense of playful fun keep the material from getting bleak or self-serious, even as the stakes prove biblical in scale.
Devotees of religious-secrets thrillers will find much here that’s engaging, if not exactly novel, as the heroes and their allies attempt not just to solve a murder but to learn the truth of the Third Secret—and eventually face the schemes of the Knights of the Apocalypse, a secret society of immense power who stirs a public frenzy with its revelations. The authors have revelations of their own, the welcome jolts and secrets that distinguish this series.
Takeaway: This superior Vatican conspiracy thriller puts a Chicago cop on the trail of an apocalyptic prophecy.
Great for fans of: Ray Keating, Peter Hogankamp.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Stevens credits her collaborator Jesús García with the creation of the armadillos and their feline choreographer, as well as the appealing overall design of her debut picture book. Stevens’s story quickly pulls Clive and Sydney out of their comfort zone, putting the lighthearted dancers on a journey that forces them to confront fears of inadequacy and abandonment. With more text than usual for young readers (ages 4-7), she describes their mindset in detail, as potential predators become unexpected allies. Clive and Sydney have taken much for granted, and their impetuous adventure makes them realize just how much they value Nanushka.
Illustrator Tamara Campeau works digitally but expertly employs texture and fluid colors so that images of a lush forest appear to be watercolors soaked in thick, fibrous paper. Sydney is a squat Southern three-banded armadillo who can roll up into a ball, while Clive’s long snout and tail are typical nine-banded armadillo traits, and Campeau uses these characteristics to emphasize their different personalities. There’s expressive movement in their armored bodies,and their faces contain the gradations–from pathos to exhilaration–of a Laurel and Hardy comedy team. Clive and Sydney’s search for Nanushka is both a tactile adventure and an emotional journey of friendship that gives young readers a reassuring vision of mutual support.
Takeaway: On an adventure, armadillos explore their own insecurities and re-commit to longstanding friendships.
Great for fans of: Bill Martin Jr. and Michael Sampson’s Armadillo Antics, Thomas Amoriello Jr.’s A Journey to Guitarland with Maestro Armadillo, and Jan Brett’s Armadillo Rodeo.
Production grades
Cover: A-
Design and typography: A
Illustrations: A
Editing: B
Marketing copy: A-
McClure is a Jack Ryan-style superspy in that he's a guy just trying to do a job who gets pressed into more and more difficult situations. He's also not unlike an 80s action movie hero in that he's slow to anger but quick to gain revenge for violence visited on his family. The good guys in this thriller are unambiguously square-jawed heroes who shout exhortations like “Let’s be ready to kick some ass for the US of A,” while the bad guys are for the most part sneering, swearing avatars of international menace.
Ceroni does provide some nuance in the CIA chief who is more concerned with the rules than rescuing McClure's wife. There's also a Russian agent who accepts McClure's explanation as to why and how another Russian was killed, and backs off from trying to assassinate him. Settings like Colorado Springs and upstate New York were clearly well-researched, with vivid detail that enhanced the action in each scene they appeared in. This well-paced spy/action-adventure is a no-frills experience designed for fans of the genre.
Takeaway: Fans of action-driven spy thrillers with square-jawed heroes and sinister villains will enjoy this adventure.
Great for fans of: Andrew Grant, Adam Hamdy.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: B
Marketing copy: B
Leading by example, Correll links facing that past to her resolve “to rise, to become a better version of myself, and to claim my own destiny and not the destiny that seemed unavoidable.” Correll emphasizes that readers need to understand how widespread trauma is, and stop giving in to feelings of shame or unrealistic social expectations, such as rushing through painful emotions to avoid making others feel uncomfortable. Her decades of counseling experience add persuasive weight when she assures readers that facing trauma is a viable and worthwhile process despite the challenges: “But with slow and steady effort and renewed focus and learning from the journey, we can create momentum and ascend out of suffering,” she writes.
To make that ascent easier, Correll lays this all out in a concise and easy-to-digest manner, and reminds readers that there’s no one-size-fits-all solution–everyone is unique. He includes illuminating data and exercises, such as journal prompts and a “practical planning framework” to guide purposeful behavior change that readers can adopt while working through their own trauma. This sincere, clear-eyed guide offers readers hope.
Takeaway: This thoughtful guide argues that overcoming trauma is a long, continual–but achievable–process.
Great for fans of: Sarah Woodhouse's You're Not Broken: Break Free From Trauma & Reclaim Your Life, Bessel Van Der Kolk's The Body Keeps the Score.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
The results convey rich emotional turmoil while also, in their depiction of everyday living in troubled times, brimming with unspoken meaning. In “2 Miles” Brandon C. Brown pens a tense story of a middle-class Black man trying to make it home safely from his evening jog, when he makes the almost fatal mistake of crossing into an unfamiliar neighborhood, where he’s confronted by the police. Marvin Mason offers readers a glimpse into the complicated messiness of relationships in blended families in “Six Feet Away,” when a high school teacher falls for the mother of two of his students, and Mark T. Sneed compares the pandemic to a different kind of outbreak in “The Zombie Apocalypse is Nothing Like I Expected,” a story rich with metaphors and masterful wordplay.
J. Brinkley’s exploration into real-life deaths drive home the resonant parallels between art and life while crying out for justice: “This is grossly unacceptable and should never – NEVER happen again. That should be the police oath to us.” Readers looking for an inviting, thought-provoking read will find much to enjoy here; although the subject matter features heavy topics, each of the stories strikes engaging, sometimes humorous, tones as the authors skillfully contemplate and bring awareness to racial inequality, police brutality, and other urgent concerns, all while illuminating the daily struggles and lives of Black men in America.
Takeaway: A powerful anthology focusing on themes of race relations, police brutality, and love during the age of Covid.
Great for fans of: Tarana Burke and Brené Brown’s You are Your Best Thing; Margaret Busby’s New Daughters of Africa.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: B
Marketing copy: A
Full of heart and positivity, this is an uplifting and enchanting book about the power of friendship set in a dream world that’s sure to delight anyone looking to add a bit of magic to their own life– there’s plenty in the striking illustrations from Marion Strunck. Still, while the book centers on friendship, most of the bonding between Niah and Mayson happens in text descriptions on a couple pages, which diminishes the impact of Niah’s absence, since readers don’t actually see the friendship in action all that much, outside of a charming illustration of the two girls astride Niah’s unicorn, Squigs. (The marvelous Squigs exemplifies Strunck's skill at designing characters.)
Nonetheless, the combination of the vibrant colors and characters, including animals and diverse young girls, the playful font choice (though the denser passages sometimes demand some squinting), and an earnest message makes Niah’s Magic an engaging read, especially for those looking for a reminder of the simple magic all around us. Niah’s vividly rendered dream land is worth returning to over and over again for a chance to see the beaming, pink-winged Squigs and the delightful treehouse that has four entrances.
Takeaway: This colorful, whimsical adventure about the power of friendship will enchant young and old readers.
Great for fans of: Roisin Swales’s Big Hid, Samantha Berger’s What If….
Production grades
Cover: A-
Design and typography: B
Illustrations: A
Editing: A
Marketing copy: A-

Many of the selections are composed in rhyming couplets, often conversational and even playful, though Tiess does not limit himself to this simple form when aspiring for more elusive effect: “With one glove off, you trace the heavens, / fingers full of reverence,” reads a celebration of winter stargazing. Still, Tiess admires most what’s clear and what’s enduring, relishing how deer “face elements with fortitude,” or marveling at how “marble hands / ten fingers firmly interlocked” persist after centuries in a ruin. With the uncommon directness that is the hallmark of his work, he urges humanity itself to take steps to persist as well, calling for the crafting of “an ark of love to save / our good world from an open grave.”
Endmatter including essays and a glossary of poetic terms makes explicit what readers will infer throughout: The accessibility of Tiess’s poems is the result of careful craft, a zeal to express complex thoughts that sing yet also communicate. “On the yards of my poems,” he writes in one essay, “I did not want any ‘Keep Out’ or ‘No Trespassers’ signs posted.” Instead, The Humbling is an open house, one whose tributes to Whitman and Tolkien suggest the author’s un-humble intentions: approachable yet resonant literature to move, inspire, and even instruct: “Your dreams must not be mere bouquets / which prettify but whither soon.”
Takeaway: These inviting, incisive poems don’t sacrifice resonance as they strive for accessibility.
Great for fans of: Richard Wilbur, Evan Mantyk.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Layne honors the tried-and-true archetypes of the western genre while breathing fresh life into the rich conflicts that emerge when wilderness, civilization, and commerce all meet–and he doesn’t skimp on action and humor. The introduction of the Buffalo Soldiers, the all Black regiment formed as a peacekeeping regiment by Congress during the 1860s, adds welcome diversity and interest to the story, and Layne challenges expectations in other ways, as well: While Westerns have a reputation for damsels in distress, the women here are anything but helpless and in need of rescuing.
Still, Return to Canyon Creek’s scenes of gunslingers and confrontations–like the confrontation with a horse thief that re-introduces Danner–play out like favorite movie moments, with the dustups and showdowns crisply described, right down to sound effects and dialogue: “‘I told you I wasn’t done with you yet!’ he snarled before a lightning bolt of pain shot through his skull.” In fact, the dust has little time to settle between the big moments, though Layne layers in welcome mystery, subterfuge, and romance. Layne has penned a polished tale that celebrates the legacy of the western, checking all the boxes but adding some special touches.
Takeaway: This rousing western offers spirited shootouts, dustups, and storytelling.
Great for fans of: Cameron Judd, A.W. Hart.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
Narrated in straightforward, matter-of-fact language, Sofayov skillfully intersperses Maggie’s fight with her own brain with memories from the past which reveal a family history of mental illness complete with a hidden, institutionalized great aunt, Ella, now dead. Maggie’s decision to buy a tombstone for Ella’s unmarked grave touchingly symbolizes her struggle not just to forestall her own “episodes” but also with the belief that a normal life is impossible for people with mental illness. When the family gathers at the graveyard for her little ceremony, Maggie has traversed the arc, accepted her brain as it is, and arrived at some hard-won hope.
Sofayov succeeds in sketching the complex emotions that course through Maggie’s brain, her visceral need for love, her doubts whether a normal life is possible for "defective" people like her, and her determination to succeed at law school. The characters are all believable and relatable except for smoky hot, green eyed Nick DeCarlo, who is unbearably perfect. The novel also effectively portrays the spectrum of reactions to mental illness ranging from total support to outright rejection.
Takeaway: This smart novel about mental illness and finding love is warm and life-affirming.
Great for fans of: Marya Hornbacher’s Madness: A Bipolar Life, John Neufeld’s Lisa, Bright and Dark.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: B
Marketing copy: A

As a character, Sam is well rounded and complex, often consumed with grief over the loss of his parents and his sister, Jenny, who died of kidney disease as a teenager. Jenny’s tragic story adds even more weight to Sam’s past–he initially joined Diamond Bar after Dixon falsely promised he would secure her a kidney transplant. Also strongly developed is Sam’s relationship with Sydney, who is struggling with infertility and stuck in an abusive marriage. Physioc deftly acknowledges each character’s trauma and the role it plays in their budding connection.
A longtime play-by-play announcer for the Kansas City Royals, Physioc is intimately familiar with the quirks and mythology of baseball, which gives this book welcome depth. Everything from Sam’s first professional loss to his time in South America is depicted with the insight and clarity of an insider, which baseball fans will appreciate; he’s adept at explaining the tactics of pitch selection or the effect of afternoon shadows on a ballgame. But even readers who simply enjoy smooth, descriptive prose and a good character-driven story will find something to like here, as Physioc’s tale offers a riveting look at one man’s journey to reclaim his life and discover his destiny.
Takeaway: Physioc’s gripping, touching baseball novel continues the story of a burgeoning pitcher struggling to achieve stardom.
Great for fans of: Eliot Asinof’s Man on Spikes, Paul Hemphill’s Long Gone.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Conner’s unusual plotline will resonate with readers fascinated by genealogy research, especially as Phoebe and Elliott uncover more information, and their friendship blossoms. Elliott’s somewhat myopic view of William’s life, with a focus on heroic endeavors like a ship journey around Cape Horn, makes Elliott believable and relatable. But Conner hints at Elliott’s greater depth and his capacity to be open to new ideas. Elliott gradually seems willing to embrace her positive, inquisitive nature, enabling him to explore the greater truths of his family’s heritage and write about their remarkable lives along with their human frailties.
Conner’s novel is a moving consideration of how art imitates life, as artist/author Elliott expands his world to include Phoebe and all she’s discovered about how her own ancestor’s impact on his great-grandmother’s life. With his engagingly detailed depictions of Amelia’s harrowing trip west on a wagon train as well as Benjamin’s traumatic days as a Union soldier, Conner offers both a riveting glimpse of the past and what it takes to face it honestly today.
Takeaway: A compelling novel centered on a retiree facing the surprising truth of his California ancestors’ lives.
Great for fans of: Kristin Hannah’s The Four Winds, William Martin’s Bound for Gold.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A