
His real path forward is to learn to love himself despite the viciousness of society. Readers will be put through the ringer as Jamie strives to find and be himself in an era where even discussions of homosexuality were often still taboo. Jamie’s anxiety is infectious as he faces rejection of his confessions of love, plus psychology articles on “the homosexual panic,” tales of a gay cousin who embarrassed his family only to commit suicide, and vicious campus gossip regarding his sexuality. Only by recognizing and examining suppressed childhood trauma does Jamie come to understand his persistent need for acceptance … and begin to provide that same love for himself without outside support.
With rare power and disarming frankness, Taylor hones in on Jamie’s pain and struggle for acceptance, challenging readers to experience vicariously the ordeals he endures in a time not too far removed from our own. A sobering examination of recent LGBTQ history, Jamie’s wrenching trials and tribulations—and some revelations that will leave readers reeling—offer much to learn from. ’While this is the second book in the series, The Redemption of the Damned stands alone, though new readers on its wavelength will likely seek out its predecessor. Taylor has penned an unstinting portrait of doubt, fear, and self-hatred—and of finding a way out.
Takeaway: A wrenching, potent novel of coming-of-age gay in Detroit in the Reagan era, and one young man’s discovery that he’s worthy of love.
Great for fans of: Tom Spanbauer’s In the City of Shy Hunters, Edmund White’s A Boy's Own Story.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: B
Going beyond simply telling a story, St. John dives into the dangers of blind faith and how societies react when someone questions shared beliefs. Anastasia’s internal turmoil is palpable as she tries to find a balance between Yah’s love and his apparent intent that rabbits be eaten. Gathering information from the “Readers” and “Rememberers” in charge of interpreting books and history from the Dead Gods (humans), along with Yah’s writings, Anastasia makes her own interpretation, concluding that defense should be acceptable as long as none of the Blessed are killed. The other rabbits’ responses range from fear of heresy to the conviction that she’s their savior.
St. John also spotlights the treatment of those who are different. Once Anastasia is kicked out, her only goal is survival and to dig a safe burrow for herself, but when word about her actions gets out, other ostracized bunnies come searching for safety. Although building a new warren is not her intention, she never turns anyone away–including mice and squirrels– and draws out the strength in each to help defend the warren as a new family. Although readers will be left with questions at the end, the journey and lessons getting there will be worth it.
Takeaway: This post-apocalyptic rabbit tale of daring to question society is tougher and more creative than most animal fiction.
Great for fans of: Richard Adams’s Watership Down, David Petersen’s Mouse Guard.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: C

Halina’s the novel’s heart, but Records is admirably attentive to her milieu, persuasively summoning up a lost world of potato soap, healing teas, bootleg rotgut, and Old Country curses. The richly detailed narrative has been crafted to immerse readers rather than rush them through the adventures of Halina; expect to get to know Hegewisch’s grocer, barber, and newstand proprietor, as well as how its people think, talk, love, drink, pray, and fight.
“How did she get sucked into her sister’s problem?” Halina wonders, late in the book. “And Augie’s problem? And Joey’s? She didn’t even like Joey, the big, boastful blowhard.” In Tied With Twine, being from a place—of a place—brings with it responsibility. Halina yearns to escape Hegewisch, yet she treasures an amulet of Baba’s and can’t help but help everyone she cares for and even some she doesn’t. Compassion overwhelms her even when confronting a man who terrorized her as a child. This tender, sweeping novel has its share of Chicago gangsters and crime-scene brutality, but it’s no crime story—instead, it’s a moving story of protecting what matters most.
Takeaway: This riveting historical novel of Prohibition-era Chicago finds a Polish woman doing all she can for her neighborhood.
Great for fans of: Martha Hall Kelly’s Lilac Girls, Dominic A. Pacyga’s American Warsaw.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
Oshins’s experience as a singer/songwriter shines through as Beck explores the “rush of independence and teenage freedom” in garage band rock and roll. The sets of lyrics peppered throughout the narrative mature with the characters as the narrative touches on heavy, period-appropriate topics such as the Vietnam War, abortion, drugs, and mental illness, but doesn’t allow them to overtake the story. Moments of welcome levity lighten Oshins’s exploration of themes like religion as a means of redemption and the fallout of a life based in lies.
Beck’s journey is compelling, but rather than show readers its natural development her relationship with Randall is presented as something of a settled given: “‘Then we’ll get married.’ He said it so assuredly, it sounded like the most natural thing in the world as if they’d both always known.” Oshins devotes welcome time to exploring Beck’s surrounding friends and family, a richly characterized group that includes her charming but reckless step-sister, Sonia-Barton, desperate to grow up too soon, and the villain-esque Miss Kitty, abrasive, outspoken, and trying to rebuild her life by going into the music business. Readers will enjoy spending time with characters that are flawed, real, and struggling with inner demons.
Takeaway: An emotional tale of a 1960s teen struggling to balance a traditional view of family values with the world of rock and roll.
Great for fans of: Iain Banks’s Espedair Street, Martin Millar’s Suzy, Led Zeppelin, and Me.
Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A-
Burby writes with clear passion for her subject, generously allowing herself to be vulnerable and honest in the hope that sharing her story will help others. That generosity of spirit surely nudged her toward her choice to become a healer dedicated to helping people remove energy and emotional burdens and blocks. Burby argues that as their awareness and consciousness start to expand, the world and universe that readers are able to see and comprehend will expand too—and that both are much grander than what we see and experience with our five senses.
Not everyone will have an identical spiritual awakening, of course, or handle it with Burby’s blend of grace, verve, and earnestness, but readers curious about spirituality in the age of Covid can learn from her selflessness and quest for truth and authenticity. This short but wise tome will appeal to those who intend to live their own truths, and to those open to a spiritual journey but looking for a nudge or a guide.
Takeaway: Burby’s powerful and earnest spiritual journey will lend inspiration to others on the road to enlightenment.
Great for fans of: Louise Hay, James Van Praagh, Gabby Bernstein
Production grades
Cover: B
Design and typography: B
Illustrations: N/A
Editing: B
Marketing copy: B
Those who grew up enjoying The Wizard of Oz or the Harry Potter books will likely find a pleasurable familiarity in de Planque’s elaborate world building. Both young readers and adults will recognize such fairy tale places and characters as Grimm, the Charming family, and Cinderella. Lilla is a playful protagonist who starts the book leaping into Ikea wardrobes in hopes of discovering Narnia and develops into a young woman of courage. There’s amusing banter, an adorable and hungry teacup-sized dragon, and an enthusiastic narrator given to wordplay and allegory—and willing to crash cymbals together to re-capture reader attention. While some might find that this lengthy story undertakes one too many adventures, there’s still much delight in the whirlwind perils.
The fun packs the pages, right down to engaging footnotes, and de Planque expands it to real life with recipes of the character’s favorite treats (cake toast and chip-butty) and a bibliography offering fantasy and fairy tale recommendations. Readers looking to get swept up in an adventure will delight in this fairy tale.
Takeaway: Lovers of fairy tales and epic adventures will enjoy this dangerous quest filled with lovable heroes and magical creatures.
Great for fans of: Melissa Albert’s The Hazel Wood, Hafsah Faizal’s We Hunt the Flame.
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A-
Marketing copy: A

The scourge of opioid addiction is pulled straight from the headlines, and procedural readers will be drawn to Rohlfing’s pitch-perfect characters, especially the driven veteran Sasha and younger detective Darcie, who questions everyone and everything. Among the supporting cast, Ashley’s grieving father will draw massive sympathy, and Rohlfing manages to make at least one drug dealer—Danny, who has a young daughter—sympathetic enough that his murder will resonate. Another related death will prove that what seems to be straightforward often isn’t, as eagle-eyed readers will discover via a few tiny clues.
Rohlfing easily draws readers into his small-town Midwestern world of bars, opioids, small-time gangs, and well-observed class divisions, and he has clearly done his research on the intricacies of law enforcement (although descriptions of various victim autopsies aren’t for the faint of heart.) In addition, his able plotting ratchets up the tension chapter by chapter, especially when two innocents are killed, and will keep readers questioning until the clever end of the story, when they learn what—and who—all the murders have in common. Any armchair detective will enjoy solving these tantalizing mysteries alongside Rohlfing’s dogged detectives and look forward to the next book in the series
Takeaway: An enthralling, heart-pounding police procedural that will keep readers guessing from start to finish.
Great for fans of: Michael Connelly’s The Law of Innocence, Jeff Carson’s Alive and Killing, Josh Griffith’s This Lonely Town.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A

Siddoway writes that “many silent tears were shared” during the years covered by this heartbreaking chronicle, and her eloquent account bears witness to their excruciating pain endured by this family. Readers will be riveted by Sonja’s gradual descent to rock bottom–a vivacious young mother who transforms into a virtual stranger–and memories of nights passed sobbing on the kitchen floor and her hosing down the inside of a car at a car wash while en route to church. Mitch’s fight to keep her safe is equally moving, from tending to her basic needs during bouts of depression to treating wounds from her self-harming. The turning point comes when Sonja’s argument with 16-year-old Lincoln devolves into an active suicide attempt and forced hospitalization.
Despite such a painful topic, Siddoway effectively draws readers in with rare fluency and power, highlighting both the unequivocal love between her parents and their exhaustive crusade to take back their lives. Sonja’s momentous discovery of Dialectical Behavioral Therapy alters their course, delivering a happy ending to an otherwise painfully melancholic tale, and Siddoway skillfully weaves in mental health advocacy without resorting to clinical overwhelm. This gut-wrenching examination of one family’s tenacity in the face of debilitating mental illness is a lighthouse of hope.
Takeaway: A heartrending chronicle of unswerving love, family, and victory over incapacitating mental illness.
Great for fans of: Paolina Milana’s Committed, David Crow’s The Pale-Faced Lie, Stephen Hinshaw’s Another Kind of Madness.
Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A+

A practical handbook, Grow sets itself apart with its thorough, clear exercises and meditations. Extensive quotes and personal examples from practitioners describing their experiences of mindfulness provide some deeper context but can distract from the flow of the argument; line drawings help readers picture more complex examples, and the glossary of sketched yoga poses at the end will definitely prove helpful for those who need a brush up. A little over a third of the book focuses on the exercises, focused on movement, breath practices, sensory experiences, and more.
Elsewhere, Strittmatter, Hyde, and Schreiber dig deeply into the benefits of mindfulness on an emotional, physical, intellectual, and social level, especially for young people. They argue that, as children’s brains are still developing, it’s urgent to learn emotional regulation and how to center yourself from people they can trust, and that the first step in teaching must be personal practice–children can detect insincerity and whether a teacher believes what they are teaching. Teachers and parents will find this a helpful guide to how to introduce mindfulness practices to their children –and why doing so is vital to emotional and social growth.
Takeaway: Parents and teachers will find this guide to mindful practice helpful in teaching children and developing themselves.
Great for fans of: Christopher Willard and Amy Saltzman’s Teaching Mindfulness to Skills to Kids and Teens, Wynne Kinder’s Mindfulness for Kids
Production grades
Cover: A
Design and typography: A
Illustrations: B+
Editing: A
Marketing copy: A-
Though aimed at middle grade readers, Orpheus Rising at times feels like a mature philosophical contemplation of death, steeped in magical realism. There are also moments of true terror, and some of the imagery— coupled with the book’s fantastical yet ominous illustrations—might be unsuitable for readers who scare easily. At the same time, the stakes can be almost comically low, as when an enchanted object renders any conflict avoidable. Elements of the plot require a thorough understanding of the rules of poker and the intricacies of sailing.
Real emotion powers Sam and John’s adventure, their journey as much about the relationship between father and son as it is finding Sam’s mother. Sam and John begin the novel torn apart by her absence, which John spent his entire childhood refusing to explain. Their quest to save her teaches each about the power of honesty, trust, and love. Lee’s vivid imagination shines through each chapter of their quest, and his quirky characters will keep readers who appreciate fabulist adventure hooked throughout.
Takeaway:Imaginative and emotional, this underworld adventure offers thrills, chills, and insightful lessons.
Great for fans of: Neil Gaiman’s Coraline, Roald Dahl.
Production grades
Cover: B+
Design and typography: B+
Illustrations: B+
Editing: B+
Marketing copy: B-
O’Keefe is himself a retired NYPD detective, and he imbues the thriller’s investigations with a persuasive sense of authenticity, peppering each account of a crime scene with fascinating technical details. Best of all is how O'Keefe brings to life the law enforcement milieu, with enough banter, friendships, and feuds to keep procedural fans happy, though the glimpses into the backstories of the characters sometimes go on so long that they drain the tension from the main plot. Readers should be aware that the realistic scenes of sex and violence edge toward the graphic. Still, the key investigations are strong enough to keep the narrative flowing.
The strongest element is the characterization of Durr himself. In addition to his tough-guy cop persona, we see his passionate tenderness with his ailing wife. O’Keefe paints their discussions about what they believe are her last days with a pained fierceness. He also elevates Durr above the usual "tough Irish cop" stereotype in a warm and amusing subplot focusing on Durr's close friendship with a lesbian couple and their wish to have Paddy serve as their sperm donor. Durr's growth as a family man and his exploits as a shrewd detective will keep readers invested until the last page.
Takeaway: Police procedural fans will revel in the exploits of Durr and the other tough but all-too-human Brooklyn detectives.
Great for fans of: Joseph Wambaugh, Ed McBain
Production grades
Cover: B+
Design and typography: B+
Illustrations: N/A
Editing: B+
Marketing copy: A-
Livos adds extensive historical detail to the narrative, highlighting the different governmental factions at play before and during the second World War, when Greece was occupied by Italian and German forces. While that detail provides helpful and informative, adding context, at times its extensiveness slows down the storytelling. A family tree tracing the characters’ lineage provides a helpful reference, though readers may still face some confusion, as a number of characters share identical or quite similar names. The frequent use of pronouns without clear antecedents reduces clarity, forcing readers to rely on context to determine the identity of the person referenced.
That occasional challenge, however, does not greatly detract from the impact of a novel that is enhanced by well-developed, realistic characters and an engaging, intense depiction of life in an occupied country. Readers with an interest in Greece and its history will appreciate the convincing milieu and the magnetic story of Violetta and Pantelis.
Takeaway: A grandfather’s hidden treasure reveals gripping secrets about his family history in occupied Greece.
Great for fans of: Glenway Wescott’s Apartment in Athens, Stratis Haviaras’s When the Tree Sings.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: B
Marketing copy: A
Stathoplos’s brash style brims with all-caps phrases and exclamation points. Her sarcastic sense of humor is a constant in a book that shifts rapidly from topic to topic and experience to experience. She marshals her considerable life experience into a confetti of short, readable vignettes, each preceded by a number of related photographs. These vignettes offer flashes of insight into both single moments and extended eras of Stathoplos’s life, blending her exuberant commentary with finely etched detail. Though fragmented, the casual, rollicking cascade of stories has the feel of a chatty friend telling stories over drinks.
Stathoplos’s memoir doubles as a love letter to theater. True to her contrarian nature, she challenges the assumption that an artist must leave home to seek fame and fortune in the big city. Instead, she forges her own path, without apology. While her performances and colleagues in Maine’s regional theater scene aren't household names, her sharply told accounts and anecdotes resonate, and her passionate support for local theater is invigorating. Similarly inspiring is Stathoplos’s dogged journey towards self-acceptance, both physical and mental, the book’s true heart. Readers will find the perspective Stathoplos offers on her life both on and off the stage honest, refreshing and often endearing.
Takeaway: This frank and spirited reflection on self-love and self-determination will especially appeal to lovers of the arts
Great for fans of: Jenny Slate’s Little Weirds, Chelsea Handler’s Life Will Be the Death of Me.
Production grades
Cover: A
Design and typography: B
Illustrations: A
Editing: B
Marketing copy: A-
The first 100 pages find the two POV characters wandering around Boston and Franklin, Massachusetts, independent of each other, woozy with drugs but also books and epiphanies. They write poems, muse on sundry topics (what it means to make eye contact; why the late Beastie Boy MCA didn’t contribute a blurb to a reprint), and hunger for something more, until they meet at a Cambridge poetry workshop. A plot eventually kicks in, involving a plan to attempt to inspire laughter and a focus on happiness around the world, but the key is the characters’ negotiation of every moment. Antonopoulos renders the consciousness of Leo (“a bored, anxious, twenty-three year old with no direction and a total lack of motivation to find one”) as a buzz bin of nerves, his overthinking only soothed by a fix, the voice of Soundgarden’s Chris Cornell, or, eventually, public approbation.
Raw and frank, the novel finds ugly beauty (Leo watches “the blood dance into the syringe like an animated matador’s cloth”) in its depiction of addiction but also ugly ugliness. As the characters’ campaign to spread happiness takes off, Antonopoulos proves both skeptical and hopeful, laying bare the contradictions and these men’s worst aspects while finding meaning in the mission. The novel’s onslaught—of language, games, authorial intrusions, intense disclosure—will by design prove off-putting to some readers, but enthusiasts of searching, daring literary fiction will find power here.
Takeaway: A sprawling lulu of a novel, centered on addiction and the liberating power of happiness.
Great for fans of: Sergio de la Pava, Garth Risk Hallberg.
Production grades
Cover: B
Design and typography: B
Illustrations: N/A
Editing: B
Marketing copy: A-

As in the first two books, Kelly again immerses readers into a shrewdly balanced paranormal setting, filled with the darkness of devastation but lightened by the humor and joy of complex, and sometimes twisted, relationships–particularly when Furies, demons and gorgons are involved. Sam’s burgeoning strength and confidence may come across to some readers as the familiar standard for an urban fantasy series, especially as she discovers a new connection to the fae, nearly completing her paranormal pantheon. However, Sam’s journey of discovery–everything involving powers, her family, and the friendships that have bloomed around her, even among the vampires–feels fresh and poignant, especially as it focuses on both self-reliance and the necessity of leaning on others.
Kelly builds the story–both in this installment and across the series–on engaging, believable interpersonal relationships, with each new book carefully expanding on the established mythos. Fans of the genre will be charmed by the novel’s deceptive simplicity–it has hidden layers and nuance, allowing readers to choose for themselves whether to enjoy it as something light and fluffy or to tease out the welcome depths of this new take on the hero’s journey.
Takeaway: Kelly’s latest rich, nuanced, and fun addition to the urban fantasy genre.
Great for fans of: Ilona Andrews, Katie MacAlister, Kim Harrison.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A-

In depicting Kay's developing awareness, Bradbury draws on her love for road trips and her twenty-year experience in special education. She affords Kay both hope and individualism, giving her room to resolve some complex feelings. Sotelo's sketches are consistent in character portrayals and scene continuities—they're pleasing and build the atmospheric energy necessary to keep readers invested. (It’s raining, for example, when Kay tears up on her trip back home). Readers will particularly enjoy the vivid and rich countryside details, the intriguing specifics of grandmother’s attic, the incidental glimpses at family dynamics (“Sue always gets to sit up front because she is the biggest”), and the clever touch of the cricket, too, visiting with its Iowa brethren, singing away with local crickets while the family eats.
Bradbury pulls at the heartstrings with an emphasis on domestic routines and the cherished bond between a youngster and a grandparent, maintaining a deft emotional momentum. Some sentences are flat or a touch wordy, but this wholesome picture book's accessible vocabulary, geographical elements, and big heart will surely engage young readers.
Takeaway: A charming bedtime read about a family's road trip across the country.
Great for fans of: Roger Eschbacher’s Road Trip, Cynthia Rylant and Stephen Gammell’s The Relatives Came, Natasha Wing and Julie Durrell’s The Night Before Summer Vacation.
Production grades
Cover: A
Design and typography: B+
Illustrations: A
Editing: A-
Marketing copy: A-