In this clever, amusing mystery, a group of residents at the Indie retirement home in Charlotte, North Carolina, must solve an 18th-century mystery in order to save the family of one of their own. When the "professor," a noted authority on the American Revolution, suddenly dies, new Indie resident Craig Travail—a forcibly retired lawyer—is dragooned into helping the man's granddaughter, Lori. Travail and friends discover Lori's problems are connected to the Mecklenburg Declaration, a legendary document that Thomas Jefferson possibly plagiarized for the Declaration of Independence. Emotions about it still run high, and the Indie team will face courtroom drama and physical danger to save Lori's dream and the professor's legacy.

Wade (The Christmas Courtroom Trilogy) does a beautiful job of weaving an actual American mystery into the story, interspersing real correspondence from the founding fathers that lend heft to the story without overwhelming the present. Indeed, it's done so neatly, it's hard to tell where history ends and fiction begins. And as a former trial lawyer, he makes the courtroom scenes as entertaining as they are convincing. Although the plot can get a little over complicated at times, the game cast of characters will keep readers riveted.

Indeed, the book's greatest joy is the team at the Indie. We see Travail mourning the loss of his wife as he struggles to find a new purpose in retirement, and how his new friends get him going again: The cheerfully loopy Yeager who goes "fishing" with a rifle, and the witty Harriet who appoints herself Travail's assistant, but don’t dare call her that. An Indie meeting about problems caused by bird feeders nicely outlines the residents to great comic effect. Even the antagonists are a pleasure. It's a joy watching the aging but still lively Indie residents plot to save the day, and readers will be left hoping to see what mischief they get into in a future story.

Takeaway: Cozy mystery fans will revel in this delightful mix of history, courtroom drama and engaging characters.

Great for fans of: Richard Osman, Roaslaind Stopps.

Production grades
Cover: B+
Design and typography: A-
Illustrations: N/A
Editing: A-
Marketing copy: A-

Click here for more about Deadly Declarations

Abdalla imagines a memorable larger-than-life adventure in his debut fantasy novel, dropping readers into the imaginative world of Avarin, where political and religious strife stirs a clash between the Domain and the clans to the south. As those in the Domain hold tight to their belief that the Seraph watches over them and will one day return to raise the preserved dead, those in the clans follow an opposing doctrine and their custom to return their dead to the Earth. But when a mysterious illness known as “the Madness” spreads through the land, transforming those in its path into wild ravenous creatures with a lust for blood, the Domain and the clans must work together and save their world before the sickness claims them all.

Three rich storylines will enrapture fans of thoughtful fantasy. Prince Adrian of Othonea takes center stage as he struggles to live up to the memory of his deceased brother. Nasha, a fierce female protagonist, believes herself to be cursed and wants nothing more than to be respected as a member of the Ronar clan. And Lynn, whom we first meet in a prison cell of her own choosing, seeks redemption and seizes the opportunity to prove her value when the Madness spreads throughout the land. These characters find themselves battling their internal conflicts while struggling to survive the chilling illness, enduring vivid battles and heartbreaking betrayals that will keep readers glued to the page.

The depth and scope of Abdalla’s fantasy handily earn the “epic” designation, which means the novel might challenge readers not fascinated by worldbuilding and sprawling casts. But the characters’ journeys will reward the patient, who will enjoy watching Adrian, Nasha, and Lynn come to the thrilling realization that they must work with their enemies to save the land from the Madness. In the end, Abdalla will leave fantasy fans thirsty for more.

Takeaway: Fantasy readers fascinated by religious and political strife and rich characterization will savor this epic.

Great for fans of: Tanith Lee, Aliette de Bodard

Production grades
Cover: A-
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A

Click here for more about A Touch of Light

Silver’s debut collection pairs incisive, searching character-driven fiction with premises that touch on science-fiction and horror, to often unsettling effect. The narrator of the lengthy title story, set in a near-future of expanded lifespans and declining birth rates, recounts rite-of-passage milestones growing up with senior citizen parents in an “Age Restricted Community”—he’s “the first and only child in a world inhabited by seniors.” As he comes of age, connecting with young people outside the ARC, Silver teases out the economic and political implications of this future, the protagonist discovering that an anti-immigrant movement called Put America First has evolved into “Put Kids First,” and that “retirement” now has a terrifying new meaning.

That grimly satiric spirit also powers the formally inventive “The Trigger,” a story that exploits the many meanings of its title. In 2040, the “industry leader” in the reformed private prison biz is experimenting with “Behavior Modification Theory” for the treatment of criminals; in this case, that involves having them face the circumstances that “triggered” their crime. Silver proves adept at the speculative elements, especially the upbeat corporate-speak of the employees of Renaissance Cross-Correction Alternatives, who discuss the behavior of the story’s rapists and abusive husbands with the detached interest of writers’ workshop participants. But his heart is in those lowdown characters, whose cruelty and suffering prove harrowing—Silver’s people struggle to retain their humanity in a society set up to stub it out.

Silver rounds out the collection with a tale of nature’s revenge, several narratives in script form—one a bleak joke; another a colloquy among dudes watching football on the possibility of science discovering a cosmic force that might be “god”—and a novella, “Leak in the Roof,” that blends fictional memoir, interviews, poetry, and an editor’s note to reveal an engaging life in the fashion industry, and also make explicit a theme tying together much of the book: the failure of truthtellers to convince humanity to turn things around before they get worse.

Takeaway: Dark, incisive fiction that emphasizes character and humanity as it edges toward the speculative.

Great for fans of: Nathan Ballingrud’s North American Lake Monsters, Lauren Beukes.

Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: B

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At the end of the school day, all the markers and pens have to find their way home to Markertown in Fox’s entertaining debut. Each marker returns to a unique home: the “classics” live at Colorful Court, the flair pens have an artsy resort, and dry-erase markers roam around Whiteboard park—a black and white carnival perfect for erasable pens. But when Glitter loses her cap on the way home, she wonders where the other capless markers go to live, and more importantly, what will happen to her now that she doesn’t belong. Accompanied by Fox’s dynamic and lively illustrations, Markertown is a heartfelt and encouraging story about embracing your inner worth and finding new ways to showcase your talents.

The kaleidoscopic pages render a beautiful and rambunctious marker world, at times at the expense of the text, which occasionally fades into the background and fights to be seen. The size and placement of Fox’s whimsical font frequently clashes with the busier scenes, causing the plot to lose momentum in places—and in some instances, such as when Pink is yelling alliterative insults at Glitter, the page becomes overcrowded and challenging to read. That being said, the collage of hues and activity will give younger readers plenty of space to exercise their imaginations.

The story more than makes up for these design issues in heart and joy. The rhyming narrative offers a fun readability, and kids will enjoy lingering over the small details bursting out of each page. Readers will be inspired to pick up their own markers, and Fox features kids’ illustrations throughout the story, including a page at the end that invites readers to draw their own flag. This cheerful and inspiring story is an ode to the joy of self-confidence and will make a creative addition to any shelf.

Takeaway: Artists and misfits alike will appreciate this story’s heartfelt message and colorful world.

Great for fans of: Drew Daywalt’s The Day the Crayons Quit, Diane Alber’s Snippets.

Production grades
Cover: A-
Design and typography: B
Illustrations: A
Editing: A
Marketing copy: A

Click here for more about Markertown

A social worker in heaven tries to save a client from getting kicked out in this entertaining outing from Copelan (The Greatest Stories Never Sold). Pixel Millet, assigned to the “Paradise City Department of Discipline, Mythological Gods Division,” receives his latest case–a “bad apple” file of client Dean Webster, a deputized assistant to Cupid who is accused of seemingly endless violations of his professional oath. Pixel sets out to give Dean a fair fight, in hopes of finally getting promoted and earning his own full set of wings, but quickly realizes there’s something not quite right about this case.

Dean is an endearing character who only made it to heaven because he saved a kid’s life on Earth, but his performance as a Cupid assistant leaves a lot to be desired. His methods of making people on Earth fall in love are too unorthodox, leaving a trail of costly expenses and emotional distress, and the further Pixel dives into the defense, the more he starts to wonder if he’ll be able to keep Dean from “getting flushed”—heaven’s jargon for those residents who don’t work hard enough to stay. When Pixel starts to notice a trend in Dean's failings—that he projects his parenting onto his Earth assignments because he died before his own child was born—he soon discovers the whole situation is a set up by power-hungry angels.

Copelan’s tongue-in-cheek writing and relatable characters make this read a win, and he dissects the nuances of heaven versus Earth in a thought-provoking way. From the amusingly satirical interactions with humans, like the unionized genie in a bottle who keeps granting unfair wishes, to Dean’s hearing that deteriorates to the point where the “Big Guy” has to step in with a good old-fashioned rotary phone call, readers will be equal parts amused and intrigued. By turns lighthearted and reflective, this story will delight readers open to a touch of divine comedy.

Takeaway: A social worker in heaven attempts to save an assistant to Cupid from banishment in this enjoyable, irreverent read.

Great for fans of: Terry Pratchett’s Small Gods, Susanna Clarke’s Piranesi.

Production grades
Cover: C+
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A

Click here for more about The Cupid Chronicles

The first installment in this traditional fantasy series spins an emotional coming-of-age tale as young Lessia, frustrated that she hasn’t manifested magical powers, trails behind other children her age, toiling as her blacksmith father’s apprentice. When her powers at last reveal themselves, when she comes to the aid of miners trapped in a tunnel, Lessia is sent to the Academy of Magic to hone her gifts. There, as a young Luxmancer, a mage who can control light, she’ll be tested as she joins a band of mercenaries in a quest to overthrow Zavus, the dark lord bent on destroying the dragon forces that protect the land of Eluramance.

Maloney shows promise in his eye for detail and character and his investment in creating an immersive fantastical world. Despite working within the traditional confines of the fantasy quest, he has built the tale around some freshly imaginative concepts: Eluramance boasts wonders like glass trees, voidbags, and Komeyu, a shining sword crafted from a dragon’s tooth. An intricate mythology and creation story gives nuance to a tale that otherwise risks familiarity, and Lessia is a likable protagonist, whose above-average abilities are tempered by a wide-eyed eagerness.

However, Maloney plays it safe by integrating stock tropes: Eluramance is peopled with elves, dwarves, and orcs who behave as one would come to expect, and expository dialogue slows the pace at times. Future installments may benefit from an appendix to help young readers keep track of characters and magic essentials to firmly ground them in the series. Still, there is a touching emotional weight to the tale that will keep readers invested. The Eluramance Chronicles does not yet break new ground, but a spirit of enthusiasm, adventure, and conviction distinguishes this series kickoff. It will appeal to young readers new to the genre or older ones who favor tradition.

Takeaway: A young woman learns to master her own magic in this traditional but promising fantasy quest.

Great for fans of: Marie Lu’s The Young Elites series, Sue Lynn Tan’s Daughter of the Moon Goddess.

Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: B-
Marketing copy: B+

Click here for more about Eluramance Chronicles Book One LESSIA

Marion launches a striking fantasy series with her debut, introducing resourceful tweens Lucy Banks and Dee Ringrose in an adventure that offers middle grade readers rich emotional reality as the heroes enter a magical world. Lucy’s bedroom is plastered with maps and her bookshelf stocked with National Geographic magazines; Dee built a laboratory in his Aunt Delia’s house to experiment with chemical compounds, often resulting in stinky, messy catastrophes. Lucy’s desire to escape her modest, disordered family home has heretofore only involved running down the street to Delia’s mansion, as she does on a pleasant Saturday afternoon after hearing an explosion in Dee’s lab.

But it’s the summer solstice, and Delia’s assertion that “the veil between the worlds appears exceptionally thin” appeals to Lucy, whose imagination roves to distant lands. When they encounter a mystical bird encircled by fire, the impetuous Lucy leads her skeptical best friend into a hidden world with a dismissive, “Come on, what could go wrong?” Plenty, Marion correctly notes, and soon this engaging, imperfect duo are tasked with protecting Yidi, the arrogant, ineffectual young emperor of Sericea. This pre-industrial realm is ruled by a medieval political structure and powerful magical forces, especially those wielded by Yidi’s evil stepmother, Queen Xixi.

Utilizing familiar elements of fairy tales and fantasy, The Silk Road features a brave girl, brainy boy, and heartened prince who follow the colorful road and long for the safety of home. But Marion doesn’t make the “chosen” Lucy and Dee into saviors, only role models of loyalty, kindness and resilience for the sheltered Yidi. Their rewards are hard lessons: Lucy realizes that her rash decisions have consequences, and the analytical Dee comes to accept that exploration sometimes involves getting lost. The Silk Road will engage young readers eager for an exciting quest on the uncertain path to maturity, where hard-won knowledge is a given, and a happily-ever-after is not.

Takeaway: Likably fallible tweens embark on a fantasy adventure that offers young readers both thrilling escapism and insightful self-reflection.

Great for fans of: Ted Sanders’s The Keepers, Lloyd Alexander’s The Chronicles of Prydain, and Colin Melody’s Wildwood Chronicles.

Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: B+

Click here for more about The Silk Road

Nannini, author of Left for Dead at Nijmegen, takes flight in this gripping account of courage in the air, the story of pilot Harry E. Watson, who flew 27 combat missions in World War II and was the recipient of seven Battle Stars and three Air Medals. Nannini, who interviewed First Lieutenant Watson extensively, opens this vivid account in the thick of the war, with the tense tale of Watson, already celebrated for his skill at bad-weather piloting, being tasked to fly “a plane-load of Jerry cans”—that’s fuel— to General Patton’s troops near the French city of Reims, on the front lines, “so they don’t get themselves massacred” by the Germans. The fog’s a beast, and there might be wounded to ferry back, and the adventure that follows will involve Mark IV tanks, 800 German troops, and French champagne in a foxhole.

Nannini proves adept at war-time storytelling, with an emphasis on bravery and camaraderie; his accounts of Watson’s missions take an engaging novelistic approach, with memorable detail—the C-47s Watson flies, the “hot chow” the crews scarf, the rituals a superstitious pilot works into his routine—and a feeling for suspense. On a mission to evacuate a field hospital in danger of being overrun by the SS (from the mission briefing: “get ’em all the hell out of there”), the sight of a German Messerschmitt 262 jet fighter stirs in Watson and readers both a mesmerized awe and then deep alarm.

This inviting volume reads quickly, building to the top-secret, behind-enemy-lines mission of the title—"You’re picking up some top Nazis, and they won’t be happy about it, understand?”—rendered with clarity and power. Nannini excels at establishing the stakes, explaining crucial context like flight conditions, and putting readers alongside Watson in the cockpit. The reconstructed dialogue tends to be upbeat, sounding, perhaps, like Watson’s own voice, sharing these stories. It’s a pleasure to have them set down. The striking photographs offer welcome context.

Takeaway: The high-flying accounts of an American pilot’s daring World War II missions.

Great for fans of: Adam Makos’s A Higher Call: An Incredible True Story of Combat and Chivalry in the War-Torn Skies of World War II, Guy Gibson’s Enemy Coast Ahead.

Production grades
Cover: A-
Design and typography: A
Illustrations: A
Editing: B
Marketing copy: A-

Click here for more about MIDNIGHT FLIGHT TO NUREMBERG

Grinnell’s (Without Limits) thought-provoking thriller balances action and contemplation. High school senior Monty Hughes is concerned he may one day be like his father, who fraudulently promoted a miracle cancer drug based on bogus data. As a preventative measure, Monty sneaks into Woodward Academy, an experimental summer school for students who have a genetic predisposition for unethical behavior. As he struggles to come to terms with his father’s actions, Monty begins to realize that Woodward Academy may not be what it seems. Faced with challenges both inside and out, Monty must discover who he is and who he will become.

The book’s Nantucket setting offers an atmospheric oceanside backdrop to Woodward Academy, and Grinnell skilly weaves it into the story with exciting scenes on the water and subtle, but meaningful, nautical references that symbolize Monty’s growth. Monty’s deep desire to be an ethical person often makes his actions somewhat predictable, but nevertheless, Grinnell tests his character in surprising ways. Similarly, some secondary characters are simple archetypes–most of Monty’s classmates are defined only by their vices, and the story’s antagonist has the feel of a supervillain– but others, like his teacher Dr. Reid, face tough choices and learn from their mistakes.

Monty’s father is also a complex and evolving creation, and his relationship with Monty reflects both characters’ difficult personal journeys. It also prompts readers to ponder larger questions even beyond nature versus nurture: What does it mean to be a good person? How should we deal with the faults in ourselves and others? Should we stop loving people if they do bad things? Grinnell widens the lens on these topics by including references to related books and psychological experiments. This story’s action-packed plot will keep readers guessing, and the energy it infuses into the deep questions at its core will keep them thinking.

Takeaway: Students of psychology, philosophy and ethics will appreciate the depth of this exciting thriller

Great for fans of: A.G. Riddle’s The Atlantis Gene, Allison Larkin’s The People We Keep, Mary E. Pearson’s The Adoration of Jenna Fox.

Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A

Click here for more about The Empathy Academy

Stagnant relationships, betrayal, and the pain of self-doubt distinguish this collection of short stories from Aly (Change Happens). In “Young Love,” hired house hand Isabella falls prey to the seduction of Shepard, a fellow worker with a plan to unseat the property’s owner by way of murder. When Isabella steals money from their employer at the behest of her lover, she is quickly and unwittingly swept into his plans to use arsenic as a means to his own end. “Be Careful What You Pray For” follows a widower caught up in the illegal business affairs of his best friend as he turns to witness protection in exchange for valuable information, only to discover he can’t outrun his past.

Aly’s often dark, aching tales ooze humanity and will leave readers unsettled and contemplative. In “The Mentor,” retired professor Rodman leaves cryptic clues for his godson, Sabastian, to uncover his network of activists and locate the funds he has embezzled from his work with unnamed racketeers. Unfortunately for Sabastian, his impatience and short-sightedness leave him high and dry, putting himself, and his family, at risk. Aly’s prose is direct and economical, and he leaves welcome space for readers to connect the dots and mull over connections, outcomes, and ironies.

The title story takes a sharp turn, with a heartening narrative centered on Ralph Bixner, a suicidal man who encounters troubled student Stephen Elwood and shares his wisdom with the boy, in the process experiencing an epiphany about his own woes: “Whatever my problems are, other people are carrying just as heavy a burden as I am.” Readers will catch the thread of angst that weaves through each story, none more so than Anita in “Beach Walk,” who ruefully wonders if her flagging marriage will be revitalized by a couples vacation–“Can two miles of beach change the course of life?” The result is a moving revelation of the ties that bind us all.

Takeaway: An accomplished story collection that finds human feeling in desperate scenarios.

Great for fans of: Claire Vaye Watkins’s Battleborn, Laura Lippman’s Seasonal Work.

Production grades
Cover: B-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: B

Click here for more about Three Questions Stories

In this assured and compelling novel, Thorndike (The Last of His Mind) gives voice to a passionate woman who stubbornly follows her heart. After twenty-two years of marriage, anesthesiologist Ginny Thorndike leaves her husband for a much younger man, only to be abandoned. Her devotion to her sons, Rob and Jamie, quells thoughts of suicide, and Jamie’s mysterious disappearance draws out her fierce determination: she will find him. Despite debilitating alcoholism and addictions, Ginny pursues adventure: Peace Corps work in Chile, visits to Jamie amid Key West’s gay culture, assisting a birth in Rob’s hippy commune, and more. Memories of family, lovers, and possible sexual abuse intertwine with her everyday life, providing a rousing portrait of a brave, imperfect woman.

Although the novel spans the 1960s with flashbacks to previous decades, Thorndike’s present-tense storytelling imbues the material with immediacy, while its sense of history, such as Ginny’s brief affair with legendary sculptor Isamu Noguchi, entices readers to see the world freshly. Thorndike alternates between the perspectives of Ginny and Rob, revealing the love Ginny yearns to show her children and the loyalty they give in return. Rob’s unusual life path immerses readers in a full range of emotions, from sensual thrill to abject loneliness. Striking language and poetic and historical detail bring vivid life to the emotional journey.

Given the convincing plot and fully fleshed out protagonist, it is no surprise that a real woman inspired the novel: Thorndike’s own mother, which accounts for the shared last name. But this is no memoir—Ginny’s free-spirited choices and dark struggles measure up to fiction’s great protagonists. Her self-awareness and wit garner affection and sympathy as readers hope she finds relief from the memories that haunt her. Fans of women’s fiction and family drama will savor Ginny’s search for happiness, and readers will miss Ginny and her children long after finishing this moving stunner.

Takeaway: A stunning drama that delves into one woman’s bid for romantic satisfaction, even at the price of desolation.

Great for fans of: Elizabeth Strout’s Olive Kitteridge, Ann Patchett’s State of Wonder.

Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: B+
Marketing copy: A-

Click here for more about The World Against Her Skin

Wry, self-deprecating humor is the highlight of this delightful collection of drawn-from-life short fictions, the third from Canadian Zevy (The Bubbe Meise and Other Stories). With prose and a warm, incisive comic spirit reminiscent of the likes of Arthur Bradford or Ruskin Bond, Zevy’s vivid vignettes find inspiration in people the author meets during the course of his days, everyday activities like going for a walk or meeting friends for a meal, or discussing rejection slips at Starbucks. But behind these quotidian happenings and their hilarious descriptions, these stories also gently illuminate human foibles and follies.

“The Pitch” is not just about a day in the life of a marketing and PR person, but also a satire that inks organized religion to brilliantly thought out marketing campaigns. “Silver Tweezers” and “Jaffa Oranges” offer beautiful depictions of the father-son bond through shared activity, while “Ten Houses” and “My Imaginary Girlfriend” adeptly paint loss and loneliness. Among the several stories about friendship, especially male friendships, “Shwartzman’s” and “The Reminder” stand out for sheer hilarity and ‘Stocking the Pond’ for never once slipping into mawkishness. “The Rumor” and “Shprintza” effectively bring out horrors of the early twentieth century–life in a dictatorship and the Holocaust–by just alluding to them. “Theory of Relativity” and “Theo and Me” sketch the ups and downs of being a writer, the struggle to get traditionally published, and the joy and exhilaration of being accepted and appreciated, all in a lighter vein.

The language is casual and engaging, with the inviting feeling of being in the company of close friends, after a good meal, relishing a well-told anecdote. This highly enjoyable collection will not only capture readers’ hearts with its humor, it will also leave them feeling more charitable and magnanimous towards this world, which Zevy makes seem a touch brighter.

Takeaway: These comic vignettes, drawn from life, create the feeling of being regaled with a friend’s best anecdotes.

Great for fans of: P. G. Wodehouse, David Sedaris.

Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A

Click here for more about Not Book Club Material

Inspired by his paternal grandfather's story of migration to the United States, Michalik's debut novel follows the not-so-smooth journey of a hopeful and determined young Slovak peasant, starting in 1910. Like countless others before and after, Jan Brozek dreams of securing a better life for himself, his fiancé Maria, and their future family. With hopes of emigrating to America, Jan carefully prepares for his daunting endeavor, which is complicated by the Habsburg empire’s refusal to let go of men who are fit for military service. But an eye inflammation and a chance encounter with the lovely daughter of a baron disrupt the pair's meticulous plans. Those unpredictable twists of fate force Jan to find a new path to the United States and question what his heart truly desires.

Readers fascinated by the day-to-day life of the past will be drawn in by the thoroughly detailed depiction of travel from Europe to the Americas–Michalik’s research reveals the logistics and practical considerations of every leg of the journey–as well as the larger historical aspects that Michalik includes, particularly the political and social aspects of daily life for rural Slovak villagers. The choice to emphasize historical detail, such as the lecture a character delivers about the holds and refrigeration of a cargo vessel, comes at the expense of narrative momentum, with Michalik’s love story lacking some intensity, and several promising plotlines fading into the background without making a larger impact.

Jan's travel, which is not instigated by tragic circumstances, naturally stirs a sense of adventure and optimism. But Michalik doesn't neglect to highlight the uncertainties and difficulties facing immigrants in that time period—including the hardship of leaving loved ones behind, knowing you may never meet again, with only slow and unreliable mail as a form of communication. This heartfelt story showcases the perseverance and steadfastness required when taking a leap of faith to start a new life.

Takeaway: This inspiring, detail-rich immigration story will speak to history lovers fascinated by the early 20th century American experience.

Great for fans of: Mary Antin's The Promised Land, Adriana Trigiani's The Shoemaker's Wife.

Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: B
Marketing copy: A

Click here for more about Another Way Over

Walking her dog while reeling from the death of her adult son, Bob, Kelleher stumbled upon a wetland preserve. There, among the grasses, flowers, and solitude of what she would come to call her “healing place,” Kelleher felt her way toward processing her losses—of her son, her beloved terrier, her friend, and even a marriage. Kelleher opens up about her raw emotions and the experiences that led her to these contemplative walks on the wetland path, as well as the solace, healing, and renewed perspective she found there. She treats the prairie and her canine companion as gifts from God, seeing her journey as something of a pilgrimage in which she found the strength and peace to face traumatic loss.

Kelleher’s story is told with disarming frankness, aimed at Christian readers for whom the sentiments about seeking peace over grief in prayer and scripture, or in the conviction that God has a greater plan, will resonate. Kelleher describes herself throughout as a steadfast believer who dedicated herself to the Bible and prayer in order to maintain a relationship with–and to understand–God. The Arlington Wetlands of Illinois, which she calls a “‘Holy Land’ of weeds,” offered opportunity to deepen that connection, and she describes it with passion. Readers looking for answers from outside the faith, however, should seek elsewhere.

Kelleher’s genuine character and questions of faith will connect with believers. Her tone is earnest, thoughtful, and appreciative, and she writes with slow candor, suggesting the drift of mind of her walk, often meandering into deeper thought and capturing memories of a life well-lived. While grieving loss, she is simultaneously facing the reality of her own mortality, considering her fears and feeling gratitude surrounding her age. Beyond the Visible Edge makes clear on each page that she loves God, nature, family, dogs, and the life she has devoted to being a Christian.

Takeaway: On a wetland walking path, a grieving mother feels her way toward healing in this Christian memoir.

Great for fans of: Steve & Sharol Hayner’s Joy in the Journey, Gary Roe’s Shattered.

Production grades
Cover: B
Design and typography: B+
Illustrations: A-
Editing: B
Marketing copy: A

Click here for more about Beyond the Visible Edge

Haunted by the question of “why would parents kill their own children,” Evans reports on years of study of what he calls “Romeo and Juliet-style” romantic tragedy–and the human tendency to kill one’s own in the name of honor. Drawing on myth, literature, and all too tragic real life incidents, Love and Honour? focuses on the areas of Northern India and Nepal in recent decades, especially cases between Hindu and Muslim lovers and their families, recounting shocking instances of romantic relationships and their attendant violence that have only increased since the ratification of India’s democratic constitution in 1950. This brief but wide-ranging book introduces and defines the romance tragedy phenomenon and, through pained presentation of specific cases, endeavors to illuminate a path toward progress–and to aid in the reconciliation process for Hindus and Muslims.

Evans’s terms “love” and “honor” stem from the romantic relationships between caste or religious sects, where the term “honor” (or questioning one's honor) comes from societal and traditional expectations surrounding marriage and family. Evans questions what it means to honor, and what can be changed when relationships inspire violence and “[echo] themes found in legendary stories.” He sees telling these stories–and spreading the word that nonviolence is an acceptable alternative–as a step toward ending the phenomenon.

Stemming from his research that led to a PhD, this compact, approachable volume reads a bit like a thesis, though Evans, who is not a resident of the region, rather than just document a phenomenon, urges action, arguing what needs to be done to stem honor killings and suggesting that there’s a clear path of “stepping stones” leading to “progress.” (His research is qualitative rather than quantitative.) Those interested in peace, justice, and reconciliation issues will find this book of interest, and those with a particular interest in religious studies, myth and world literature, and law will also find much of Evans’ research compelling.

Takeaway: A compact, approachable treatise on the phenomenon of honor killings and forbidden love in Northern India and Nepal.

Great for fans of: Minoo Alinia’s Honor and Violence against Women in Iraqi Kurdistan, Ayşe Önal’s Honor Killing.

Production grades
Cover: B-
Design and typography: A
Illustrations: C
Editing: A-
Marketing copy: B

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An intricate psychological thriller, this debut and series kickoff introduces Oscar de la Nuit, forensic psychiatrist and the director of Whitner Psychiatric Hospital, as he treats–and gently questions– journalist Jessica Green, a woman suspected of kidnapping a four-year-old girl who went missing while playing hide-and-seek with her daughter. Jessica, already labeled a “baby killer” and found guilty by the court of public opinion, has been placed in preventive detention at Whitner Hospital until investigators can conclusively link her to Mia’s disappearance. Still reeling from his divorce and the death of his son Riley, Oscar sets off to discover the truth about Jessica’s involvement in the disappearance of Mia Edwards.

From the opening pages, Webb’s story teems with intrigue, mystery, and enticing uncertainty. Readers are thrust into Oscar’s anxiety-stricken world as he awaits Jessica’s arrival. Time-alternating chapters between Jessica’s then and Oscar’s build suspense and provide critical background information, while revealing character and teasing out the pleasingly layered and perplexing truth, especially once Oscar gains a bit of her trust and realizes that Jessica’s silence and unwillingness to cooperate in the investigation might not be a sign of guilt, but her way of protecting someone close to her.

A reluctance to reveal their true selves thematically connects the two characters, and Webb’s short, crisply written chapters, most building to moments of decision or excitement as past catches up to present, reveal their experience in counterpoint while inviting readers to unravel their secrets. “We’re all a little afraid of what we are,” someone tells Jessica. Webb also takes full advantage of the opportunities for engaging subplots offered by the world of Whitner Hospital and its environs, such as Oscar’s budding relationship with colleague Hale, while trouble with the backstabbing, envious Charles Aston increases the stakes with workplace drama that is sure to keep readers engrossed in the story.

Takeaway: Fans of mind-bending psychological thrillers will appreciate this tangled tale.

Great for fans of: Alex Michaelides’s The Silent Patient, Lisa Socttoline’s Every Fifteen Minutes.

Production grades
Cover: B
Design and typography: B
Illustrations: N/A
Editing: A-
Marketing copy: A

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