
The path to adulthood charted here is frank, circuitous, and touched with regret, especially in scenes of strained romance, as Crane the author sometimes laments the feelings that Crane the young man let languish unspoken. Still, Crane’s rendering of those long-gone days is often high-spirited, charged with a young person’s sense of promise when seizing a place in the world. Readers will be treated to insights about baseball, basketball, and golf (“Golf is for men whose hands don’t get dirty when they work, a game that meshes with the rest of their life, an extension of who they are”), plus memories of hitchhiking, freight hopping, and touring Europe guided by a copy of The Sun Also Rises.
The most moving passages often come in the form of letters written by Crane, his parents, and his sometime girlfriend, Ann, who in 1961 declared, “I want to just swallow up the world, take all its punches and abuse, eat up its beauty.” What this memoir might lack in a strong narrative throughline, it more than makes up for in endless delightful vignettes as Crane struggles through the hard times and finds his own joy.
Takeaway: This richly realized memoir of sports as a path to success will hit a homer with readers interested in baseball and mid-20th-century coming-of-age stories.
Great for fans of Harvey Frommer’s Growing Up Baseball: An Oral History, David Lipsky’s Absolutely American: Four Years at West Point.
Production grades
Cover: A-
Design and typography: A
Illustrations: -
Editing: A
Marketing copy: A-

Each of Harris’s characters is naturally and fully developed, making for authentic, engrossing characters that enrich the story. Young Theo is incredibly sympathetic, a sweet and innocent boy who deserves none of his trials. Equally heartrending is the powerful story that unfolds in adult Theo’s therapy sessions with a 42-year-old woman coming to terms with her own shocking childhood. Her journey seamlessly interweaves with Theo’s examination of his Southern heritage and the life-changing events of his childhood.
Harris’s descriptions, such as those of the congregations at the Calvary Baptist Church and God’s Hand Ministry, are strikingly evocative. His vivid narrative effectively captures the essence of the 1960s in a rural town, with themes of social and political prejudices and mores around race, religion, and politics that are intensely pertinent today. This heartbreaking, heartwarming story will win over any fan of the literature of the American South.
Takeaway: Poignant and devastatingly evocative, this story about faith, frauds, fear, and finding peace will especially appeal to fans of heartbreaking and heartwarming 20th-century Americana.
Great for fans of Frank McCourt’s Angela’s Ashes, Lisa Genova’s Still Alice, Mitch Albom’s Tuesdays with Morrie.
Production grades
Cover: A
Design and typography: A
Illustrations: -
Editing: A
Marketing copy: A

Morgan sprinkles in italicized French words and phrases liberally and without translation, leaving readers to comprehend them from context (“Ahead of le goûter and fin de la semaine traffic, I arrive at the notaire’s office on Rue du Louvre at exactly 3:50 p.m. Je l’ai fait!”). Her black-and-white and color photos of people, places, and delicious foods, presented in two multi-page sections, are gorgeous even on their own, but readers might wish for them to be integrated into the text. However, these are small issues in a genuinely inspirational story of hard work, redefining one’s life, and adapting to changing circumstances.
Readers will savor the descriptions of gustatory delights, often comical and frustrating cultural differences, and language barriers. Morgan writes expressively but never in a flowery way, effectively conveying her purchase, design, and rehabilitation of a Parisian apartment. The book also revolves around motherhood often done long distance, and gives insight into a chef’s creative process while developing recipes in a tiny kitchen. Intimate writing, restaurant-quality recipes, and well-composed photographs result in a delightful memoir that will appeal to a wide range of readers.
Takeaway: This memoir of becoming a chef and moving to Paris is recommended for Francophiles, foodies, and women of all ages.
Great for fans of Eloisa James’s Paris in Love, Elizabeth Bard, David Lebovitz, Frances Mayes.
Production grades
Cover: A-
Design and typography: B-
Illustrations: A
Editing: B+
Marketing copy: B
After asking readers to evaluate their own comfort and skill with investing, Pow helpfully provides a chart advising which chapters a beginner, intermediate, or expert investor should read and which they can skip. But though he makes a valiant attempt at keeping explanations simple, Pow often drifts into complicated topics and assumes the reader already has a working knowledge of them (“If it is vastly overbought (RSI(14) > 70) and the volume is low, it could mean that there are no buyers for the ETF”). The pages are confusingly peppered with random photographs as well as more useful charts.
Pow’s advice is worth considering, but there are a number of distracting errors peppered throughout the book. Preempting critique, Pow notes the difficulty of writing in a second language, suggesting that anyone who has a problem with his English should try writing in Chinese. He has a point, but readers already struggling to understand these investing concepts may find the writing style presents an additional barrier to adopting Pow's techniques. This work is best suited for readers with a strong grasp of advanced investing concepts who can most thoroughly comprehend and evaluate its claims.
Takeaway: This information-packed guide to sector rotation investing will give seasoned investors some intriguing new tips.
Great for fans of Timothy J. McIntosh’s The Sector Strategist, John J. Murphy’s Trading with Intermarket Analysis.
Production grades
Cover: B
Design and typography: C
Illustrations: C
Editing: C
Marketing copy: C
Many sections of the book drag on too long, padded by witty dialogue and confounding machinations. This flaw is redeemed by Molly, a likable character who uses her background in psychology to develop rapports with some of the more powerful Mice in the group. She gets particularly close to Piper Jackson, a 17-year-old African American computer whiz who facilitates the demands of the unhinged Mice leader, Josiah, in retribution for a white business owner setting up her brother to take the fall for the company’s misdeeds. By balancing Molly’s adventures with scenes of her life as a single mother, Bond makes her strength feel realistic and practical.
The crowded but compelling tale gets better when Quaid, Durwood, and Molly discover that the Blind Mice is conspiring with Fabienne Rivard, a power-hungry French heiress and CEO. The tough trio fight an uphill battle to return the world to normalcy. Bond uses classic spy thriller elements—including disguises, high-tech gear, and an underground lake full of piranhas—to produce a satisfying if overlong climax. Readers will be eager to see what will happen with Third Chance Enterprises’ next client.
Takeaway: This adventurous spy thriller with a touch of dystopia will satisfy readers who delight in memorable characters.
Great for fans of Ian Fleming’s James Bond series, Vince Flynn.
Production grades
Cover: A-
Design and typography: A+
Illustrations: -
Editing: A-
Marketing copy: A-
Bratton capably intertwines the mirror-as-portal concept with the Bloody Mary urban legend, grounding it in Beth’s use of "Bloody Mary" to taunt Mary after she gets her first period. Jamie’s eerie family history, including connections to the time 3:33, adds suspense to the tension-filled novel. Mark and Jamie’s sleuthing efforts go improbably smoothly, from the sheriff’s ready acceptance of the supernatural to clues and specters appearing as they’re needed; older teen readers may balk at the ease with which answers turn up. However, this lack of obstacles lets the story fly by.
The conclusion of the investigation is somewhat diminished by Jamie fainting at a crucial moment and only learning afterward what transpired, but an eerie final page will leave the reader with chills. A swift pace and genuinely spooky atmosphere are the high points of this suburban ghost story.
Takeaway: This eerie novella and its smart adolescent sleuths will appeal to younger teen fans of spooky stories.
Great for fans of R.L. Stine’s The Betrayal, S.A. Hunter’s Scary Mary.
Production grades
Cover: A
Design and typography: A
Illustrations: -
Editing: A
Marketing copy: B
Elijah’s story progresses nicely through discrete action sequences. Some descriptions are wordy and stilted (“as though he had just stepped into a lush Bob Ross painting littered with impeccable detail of briars, brambles and tall shrubs flanking the trail before him”), and there’s an unfortunate tendency to make good people pretty and bad ones “thoroughly repulsive.” The exposition primarily relies on Elijah listening to lectures from other characters. The final battle between Elijah and Theodoric rushes past and strains believability: despite Elijah’s very recent discovery of any magical abilities, he casts a level ten spell, a metric of magical difficulty that is never fully explained.
Despite these blips, the novel is entertaining and endearing. The blend of references to various mythologies (sasquatch, wingless dragons, giants called Nephilims) and nods to more recent works (a flying broom, a golden compass, faux-Latin spell names) makes a complicated world with lots of possibilities that are only hinted at. Unresolved questions, incomplete reunions, and a new quest nicely set up the sequel. Teens who enjoy seeing a prophesied hero stumbling into power and wandering across a fantasy map while making friends will be pleased by Alexander’s debut.
Takeaway: This is an enjoyable diversion for teen fans of traditional portal fantasies.
Great for fans of Rick Riordan, Suzanne Collins’s Gregor the Overlander series.
Production grades
Cover: A-
Design and typography: B+
Illustrations: -
Editing: B-
Marketing copy: A

This is the longest book of the series by far, but also as its most arresting and pleasurable. The characters seem more real now that they’re no longer schoolkids, and Hunt cuts nimbly among this epic’s many interwoven protagonists, quests, and mysteries. The climax is suitably epic, though the wrap-up afterwards ends abruptly. Hunt still relies on sound effects for excitement in his action scenes (expect a lot of “CRRRRRRAAAK”), but the conflicts here don’t need all that extra noise. They’re tense and exciting already.
The previous books plumbed complex ideas, with an emphasis on economics, agriculture, and the morality of the violence that fantasy films and games too often present as simple escapism. This volume adeptly balances Hunt’s deeper interests with the pacing of an exciting story, and disquisitions on abstruse topics no longer slow the storytelling. The passages that probe Endicott’s regrets over a fallen comrade, or that lay out the mathematical logic behind dynamicist techniques, rise compellingly from narrative and character. Rather than detract from the action, they illuminate it. This is a sterling end to a rich, concept-driven series.
Takeaway: This trilogy finale will thrill readers who want thoughtful, inventive fantasy powered by ideas.
Great for fans of Seth Dickinson, Daniel Abraham.
Production grades
Cover: B+
Design and typography: A-
Illustrations: -
Editing: A
Marketing copy: A-
Corson lays a solid foundation of scientific and philosophic principles on his way to trying to demonstrate the divine. His stirring, if decidedly offbeat, case for a higher being is underpinned with quotes and theories from a star-studded lineup of prominent scientists such as Albert Einstein and philosophers such as Plato and René Descartes. Even Nobel laureate Max Planck, the father of quantum mechanics, puts faith in the theory that science and spirit coincide, Corson argues, quoting Planck's assertion that “We must assume behind [the origination of matter] the existence of a conscious and intelligent mind.” He argues that science and religion support each other in a demonstration of how dualities pervade the universe, and says that humans ourselves embody duality, being “composed of both natural biological energy and energy of a higher realm.”
In an engaging and straightforward tone, Corson unapologetically writes with the courage of his convictions, realizing not all readers will agree with him. His strong belief that death of the body marks a point when readers will begin to experience the ecstatic “never-endingness of eternal time” will provide comfort to those brought up with fire-and-brimstone beliefs, and his logical analogies will help readers visualize complex concepts. Corson’s quiet eloquence will stick with readers and encourage them to see the harmony in different ways of trying to understand the puzzles of the universe.
Takeaway: Anyone who has wrestled with seeing religion and science in conflict will find comfort in Corson’s holistic perspective.
Great for fans of C.S. Lewis’s Mere Christianity and The Business of Heaven, Todd Burpo’s Heaven Is for Real, James Van Praagh’s Talking to Heaven.
Production grades
Cover: B
Design and typography: B+
Illustrations: -
Editing: B+
Marketing copy: B+
Writing primarily from Kris’s point of view while occasionally diverging to other characters, Reitenbach gives readers a deep understanding of the difficulties these women face in dealing with both ageism and sexism. Kris’s great ideas are ignored by Roger, whose father bought him the company, and she struggles to obtain financial backing and isn’t taken seriously when she tries to purchase the company herself, even though she has a detailed, well conceived plan. Kris’s friend and colleague Diana is regularly ridiculed for her weight by both Roger and her boyfriends, and her talents are overlooked in her receptionist job.
The sections about Kris’s friends and what they face are rich and well written but unfortunately brief, while those about Kris are light on emotion and heavy on the Klassik Eyewear day-to-day. Those interested in an in-depth look at how small production businesses are run will enjoy the details of Kris’s challenges as she rebrands the company, shifts to targeting the luxury market, and tries to undo Roger’s damage; they’ll also enjoy the many scenes where she earns lavish praise from her colleagues for her design sense, collaborative approach, and smart decisions. This low-key story is pure wish fulfillment for older women in the corporate world.
Takeaway: Fans of older women fighting to have their talents recognized will cheer for this novel’s charming heroine as she reinvents the company she loves and her own future in the business world.
Great for fans of Anne Tyler's Clock Dance, Elizabeth Berg's Night of Miracles.
Production grades
Cover: B-
Design and typography: A
Illustrations: -
Editing: A
Marketing copy: A
Lipkin taps into a plausible future where gossip columns push the buzz around wholly artificial celebrities and the rich pay for exclusive virtual experiences. Unfortunately, her human protagonists run toward stereotype: Claude responds to Ash’s growing desire for independence with abusive behavior to maintain control, while human influencer Quinn falls in love with Ash’s image despite knowing nothing about her real self. The “Before” section of the novel, in which Claude’s time at an exclusive academy yields close friends who become his investors, feels like a distraction from the main story arc of Ash’s self-actualization.
Far more delightful is the wondrous tale of Ash’s liberation. Claude’s cat, Devil, and his mouse friend, Bobby, guide Ash to freedom, escaping through a window that Claude never intended to exist and navigating mystical labyrinths. As Ash creates a life for herself in the real world, she struggles to move from her self-diagnosis of amnesia into a real understanding of what it means to be a sentient but constructed person. Ash’s eventual decision to settle down with Claude, who has been presented as her parent, her abuser, and her jailer, is a disempowering if technically happy ending. Readers interested in exploring the construction of the self and reading soft, dreamy prose will find Lipkin’s story enchanting.
Takeaway: This dreamy tale of a constructed woman escaping the bonds of her code will appeal to readers at the intersection of romance and magical realism.
Great for fans of M.T. Anderson’s Feed, Greg Dragon’s Re-Wired.
Production grades
Cover: B
Design and typography: A
Illustrations: -
Editing: A
Marketing copy: A-
The premise of a preteen protagonist being thrust into a magical world will be familiar to seasoned fantasy readers, but Matthews puts his own stamp on it, focusing on the inner conflict of Bradley’s yearning to be respected and take action even as he feels terrified and weak. Unfortunately, the confusing power abilities and restrictions of different dragons and fae complicate an otherwise intriguing premise, and the dynamics of various alliances are briefly sketched or left for readers to puzzle over.
Teen readers will connect easily with Bradley’s quests to graduate from his safe but stifling childhood into a brave and active adulthood, master his panic attacks, and discover his passion. Those readers’ parents will appreciate the minimal violence, few and bloodless deaths (defeated fae vanish in a pop of light), and warmly present family. Bradley’s watchful mother, gruff father, clever aunt, and adorable younger sister are a pleasure to spend time with. A compelling cast of characters with rich backstories round out this fantastical story of a scared kid learning to stand up to bullies and be true to himself.
Takeaway: This good-hearted transformation fantasy about finding the strength to overcome fear will appeal to readers on the cusp of adolescence.
Great for fans of Sarah Nicolas's Dragons Are People, Too, Marc Secchia.
Production grades
Cover: A
Design and typography: A
Illustrations: -
Editing: B+
Marketing copy: A

Kindberg portrays the transition to American life in luminous detail, using each scene to explore another facet of the unfamiliar norms, sensations, and experiences of the Hendersons’ new home: soft beds, single braids instead of cornrows, attending school, seeing Shakespeare plays, driving, movies, the ocean. Adelaide is shocked by the racist way her friends are treated. Frederica tells her about the Klansmen who routinely sow terror in her neighborhood, and Nathan’s speech about Black rights is unfairly cut short by a teacher. After Lion is unfairly fired, Adelaide quits her job in solidarity. All the while, she saves up money for her return trip to Ethiopia, even as she becomes more attached to her American friends and the prospect of college.
Cleverly drawing readers into Adelaide’s life, Kindberg illuminates the injustice of segregation and racism without being preachy or didactic, portrays characters of various ages and backgrounds with dignity and tenderness, and expertly structures the plot. She draws this principled, independent, loyal girl so realistically that readers will feel they’re talking to an old friend. This beautiful novel will move readers as it immerses them in Adelaide’s coming of age and gently teaches ways to stand up for what’s right.
Takeaway: Teen readers interested in the civil rights era will be enthralled by this nuanced story of race relations in the 1960s American South, seen through the eyes of a white girl raised in Ethiopia.
Great for fans of Susan Follett’s The Fog Machine, Kristin Levine’s The Lions of Little Rock.
Production grades
Cover: B+
Design and typography: A
Illustrations: -
Editing: A+
Marketing copy: A
Futuristic exoskeletons and artificial intelligence bring a speculative edge to the story, which is grounded by international political maneuvering and old-fashioned espionage. Holden populates this political blockbuster of a novel with a cast of sympathetic and intriguing characters. Col. Alicia Rodriguez of the U.S. Space Force joins forces with Scotland-based Lt. Meany Papastopoulos, who leads the R.A.F.’s suborbital missile launch system. Cpl. Maqsud Khan, charged with deploying Groza, must balance Grahkovsky’s orders against his pacifist beliefs, humanizing the antagonistic side. Holden only stumbles with the characterization of Grahkovsky, which unfortunately falls into stereotypes of a disfigured and disabled sociopath.
Though the nonstop action is sometimes tiring, readers will be captivated by Holden’s deft battle sequences and his characters’ constantly shifting strategy. Holden expertly pulls from recent military history, technology, and international relations to fuel his prescient epic about the militarization of space. While keeping an eye on the big picture, he also delves into technologically driven warfare’s devastating effects on individual lives. Thriller readers with an interest in the future of politics and warfare will find a lot to chew on in this exciting and thoughtful novel.
Takeaway: Military enthusiasts and science fiction fans will delight in this action-packed political thrill ride set 900 miles up.
Great for fans of James Rosone’s Into the Stars, Matthew Mather’s CyberSpace.
Production grades
Cover: A-
Design and typography: B+
Illustrations: -
Editing: A
Marketing copy: A-
This well-written, provocative melding of Peter Pan with folklore provides appropriate origins for classic elements such as Tinker-Bell and the pirates. However, this story is slow-paced, and telling it primarily from Mab’s removed perspective leads to a darker, more grown-up narrative about survival, leadership, and taking care of others. Peter is rarely present and the events with which readers are most familiar are almost entirely skipped. With this focus on Mab’s experiences and increasing social instability in Neverland, the story feels less whimsical and fun than fans of Peter Pan (particularly its Disney and Broadway incarnations) might expect.
There’s an almost seamless interweaving of elements from English folklore, children’s literature, and history. Jones’s ideas about the power of creativity and the relationship between the Fae and inspiration work well; the horrendously stereotypical Indians, for example, are explained as Fae manifestations of childish interpretations of faraway stories. Readers looking for spirited children’s stories of adventure should look elsewhere, but readers interested in mythology will find much to enjoy in this elegiac tale about attempting to protect one’s way of life amid change and destruction.
Takeaway: This thoughtful reinterpretation of Peter Pan through myth and folklore will appeal to fans of darker adult takes on children’s literature.
Great for fans of Brianna R. Shrum’s Never Never, Christina Henry’s Lost Boy, Gregory Maguire.
Production grades
Cover: C+
Design and typography: B
Illustrations: -
Editing: B
Marketing copy: B-

Gable does a great job of presenting the information about Nana’s memory loss in a subtle, age-appropriate way through Mom’s answers to Kara and Emma’s questions. (“That’s how her illness works. She can remember things from a long, long time ago. She just can’t remember things now.”) Readers will be heartened to learn that even the smallest thing can ignite a cherished memory from long ago, and that great ideas can come from unexpected places.
Stephenson’s watercolor illustrations are soft and gentle, with whimsical elements such as imaginary birds appearing when Emma's flute music mimics birdsong, and Kara's gymnastics display is as dynamic as Begonia's “wild romping.” The art perfectly compliments Begonia’s personality and the ethos of this sweet book. When Nana hugs Emma and Kara while calling them by her daughters’ names, Begonia reassures them (and the reader) that “Whoever Nana sees, she still loves ALL of us!” This story of a family finding caring ways through a difficult situation is well suited to young dog lovers and those whose loved ones have memory loss.
Takeaway: Parents will find this kind and gentle picture book a perfect way to open a conversation with young children about a grandparent's memory loss.
Great for fans of Veronique van de Abeele’s Still My Grandma, Kelly Starling Lyons’s Tea Cakes for Tosh.
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: B