Daily portrays the stunning Texas landscape with a practiced eye in this compelling debut, evoking her love for her home state in striking language while illuminating a fierce and volatile land that confounds even those most familiar with it. Emma, awed by their caverns “as spectacular as the Grand Canyon,” is fascinated by The People’s natural way of living and fearful of their refusal to let her leave. Despite the strong bonds she forms, especially with Kai, the grandson of The People’s eldest leader, Emma won’t succumb to this fate, though another arrival from the modern world changes everything.
Daily’s narrative jumps between viewpoints and times, but the romantic underpinnings eventually lead Emma, Kai, and her family to the realization that the land they claim to own holds more mystery and power than they could have guessed. At the same time, the characters are forced to acknowledge the enormity of what they didn't know about themselves and their loved ones—and those revelations are not always pleasant. Blending the realistic and the lightly fantastic in a mature and original mix, The Fifth Daughter considers what’s most important and what it means, in the end, to weigh the price of that love.
Takeaway: An unexpected encounter on a Texas ranch forces a young woman and man to reevaluate all they hold dear.
Great for fans of: Charles Stross’s The Family Trade, Glendy Vanderah’s Where the Forest Meets the Stars.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A-
Turner’s genius lies in her anecdotal storytelling cloaked in universally relatable fears and public displays of embarrassment. In “True Love Story,” Turner declares that the ultimate in awkwardness is shopping for a mattress with your boyfriend and your mother at the same time, while she dedicates nearly the entirety of one chapter to bullet points detailing “How to Be Chubby,” with winning tips like be sure to eat your children’s leftovers, fantasize about exercise without actually doing it, and learn to be content with your size as long as you’re happy and healthy. She turns to the serious, too, in “Sorry About the Plague,” as she muses on the human need for connection amid isolation during the Covid-19 pandemic.
Readers can expect plenty of laughs, at others and themselves, as Turner reflects on familiar themes like acceptance—“Cool people simply fail to admit things about which the rest of us are more forthcoming”—and parenting: when waiting in the school pick-up line, Turner routinely embarrasses her daughter by rebuking other children’s bad habits, justifying her actions with “I promise they had it coming.” Throughout, her unconditional self-acceptance is refreshing, and readers with a soft spot for humor mixed with candor will be thoroughly entertained.
Takeaway: An entertaining read that makes being awkward cool.
Great for fans of: Mindy Kaling’s Why Not Me?; Laurie Notaro’s The Idiot Girls’ Action-Adventure Club.
Production grades
Cover: A-
Design and typography: A
Illustrations: NA
Editing: A
Marketing copy: A-
Tweeddale writes with crisp clarity, efficiently introducing characters, conflicts, and leaps forward in time, with a welcome focus on scenecraft and sharp dialogue. Though it covers years and many lives while unobtrusively offering readers crucial historical and social context, Of All Faiths & None is a novel of memorably dramatized moments: a father sputtering “You idiot, you damned idiot!” when a son enlists in 1914; a young woman humoring her brother and mother by attending a lecture on “Patriotism & Theosophy,” as a black sheep son considers the question of whether any war can be moral; a nurse rashly married to a soldier realizing, from his letters, that they have little to say to each other.
Of course, that castle—the real Castle Drogo, in England’s Devon county—casts a shadow over all this. Tweeddale follows it from design to founding stone to the burying of family dead there. Tweeddale deftly blends fact and fiction in a story that moves fast yet still makes clear, with each chapter, how time and tragedy change us all. The ending is bittersweet yet satisfying, sure to please lovers of historical epics.
Takeaway: This historical saga of building an English castle at the start of WWI is swift and moving.
Great for fans of: Elizabeth Jeffrey’s Meadowlands, P.S. Duffy’s The Cartographer of No Man’s Land.
Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A-

Carlisle’s affinity for this iconic body of water shines through on every page. However, The Lake Effect plunges darker depths, too. Carlisle addresses the unpredictability and capricious whims of Mother Nature, even in a lake “compromised and ‘controlled’” by humanity, particularly the fatal sinking of the SS Carl D. Bradley in 1958. Aquatic Armageddon is also explored thoroughly, with Carlisle examining in fascinating depth invasive species like lampreys, zebra mussels, Quagga mussels, Asian carp, and goby fish and their catastrophic effects on the Great Lakes. Lately, changes in climate have eroded dunes, intensified weather, and ushered in a “new normal” in changes of water level, with some disastrous results, like houses crashing into the lake.
Meticulous research, source notations, and first-hand accounts of travels around the massive lake back up his opinions and musings, and black-and-white illustrations and photos provide welcome visuals ranging from a lamprey’s maw to “the most beautiful day” Carlisle and family ever spent at the lake. Evocative prose and a willingness to face the complex and ambiguous will engage readers fascinated by America’s waterways while enriching their understanding, appreciation, and concern for the future.
Takeaway: This in-depth love letter to Lake Michigan will captivate readers with a passion for the Great Lakes.
Great for fans of: Jerry Dennis’s The Living Great Lakes, Dana Thomas Bowen’s Memories of the Lakes.
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A
While Wallis’ ability to grab the reader’s attention from the very first page deftly propels the story forward, it is the simmering question that Mason wrestles with that keeps the reader guessing. What did his wife mean when she said, just before the accident, “I can’t do this anymore…I’m seeing someone”? Mason’s quest for answers becomes complicated by his everyday struggles connecting with Allie and trying to make the best professional decisions that will keep his daughter safe while meeting his ethical standards.
Some of the most compelling material in Wallis’ debut digs, with illuminating insight, into Mason’s skills and conflicts as a therapist, plus Mason’s need to seek therapy himself, which of course causes more compelling complications: Mason understands his own potential therapist’s reluctance to treat him because of Raphael’s threats, but he also realizes the impact on his life without being able to address his difficulties with another mental health professional. The result is an ambitious novel that’s perceptive and persuasive in its depiction of Mason’s profession, all while finding suspense in thuggish lawyers and ethical quandaries but never losing sight of the Mason’s most crucial relationship.
Takeaway: The thoughtful story of a psychotherapist coping with guilt, grief, and the threats of a dangerous attorney.
Great for fans of: B.A. Paris’s The Therapist, and Suzanne Steele’s The Club: Colombian Cartel.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Trent’s love affair with ultrarunning blossomed during adolescence, when he chose to run cross country during school, and continued into adulthood, exploding after his discovery of the 1995 Western States Endurance Run, one of the world’s first 100-mile runs across rugged mountain territory. Just two years after being inspired to run his own Western States, Trent achieved that goal, barely missing his 24-hour completion benchmark (and the coveted “100 miles in one day” silver buckle award). Despite many such setbacks over the years, Trent’s perseverance is inspiring, as is his continued passion for running that he now shares with his family.
Readers will find Trent’s profiles of mentors and fellow runners heartening. He recalls past Western States’ president Tony Rossmann’s well-timed advice to “remember there are no enemies, only adversaries,” and shares how the trail provided familiarity and comfort during a friend’s cancer battle. Trent’s fondness for anecdotal reminiscing, and his almost-lyrical descriptions of the wildlife and natural environments of his marathons, is alluring, although he sacrifices narrative structure for aesthetics at times. Ultimately, Trent aims to help readers understand “who they are and what is important to them,” and even the most unathletic will want to double-knot their shoelaces and hit the trails.
Takeaway: A passionate celebration of ultrarunning.
Great for fans of: What I Talk About When I Talk About Running by Haruki Murakami; Thirst: 2600 Miles to Home by Heather “Anish” Anderson.
Production grades
Cover: A-
Design and typography: B
Illustrations: NA
Editing: B
Marketing copy: A
Readers will quickly fall in love with the charismatic Lauren, a compelling mix of innocence and pizzazz, who parties too much and falls too hard for the wrong men in the big city. As she’s caught up in the world of male callers, nightclubs, and fashion, Lauren’s unpolished exterior melts away, and a grown-up version, embodied with style and finesse, materializes. Her lifestyle eventually rivals that of her extravagant aunt, but the glamour comes with a cost, and soon Lauren spirals into alcoholism and self-destructive encounters with men, culminating in an unwed pregnancy and more than one marriage—scandals in the 1940s. Lauren eventually emerges resilient, but her evolution is equal parts heartbreaking and inspiring.
Throughout Lauren’s high-flying moments, Black housekeeper Vandine and gay friend Harold are loyal constants, offsetting her painful experiences with loving kindness and adding refreshing diversity to Easley’s storyline, while tackling crucial issues of equality in the mid-20th century. Easley manages to evoke both the glitzy nightlife of the ‘40s and the passion of an ever-evolving blues scene, and fans of her earlier novel, Sweet Jane, will be pleased to recognize some continued characters.
Takeaway: Historical fiction fans craving glamour and depth will relish this mid-20th century read.
Great for fans of: Camille Di Maio’s Until We Meet; Fiona Davis’s The Dollhouse.
Production grades
Cover: B
Design and typography: A
Illustrations: NA
Editing: A
Marketing copy: A
Dobson and Jasper’s chemistry is awkward at first, but ultimately a deep emotional connection forms as the story advances. Although the plot centers on their budding relationship, Crandall skillfully blends their personal lives into the high-stakes investigation, resulting in a natural progression of romance, sleuthing, and, ultimately, a dangerous but satisfying conclusion to the Esposito family wrongdoings. Crandall keeps a firm grasp on her characters, mirroring their internal conflicts—Dobson struggles to find the balance between taking care of her ailing mother and not failing at her demanding job, and Jasper’s professional success and good looks are countered by his self-doubt, especially when it comes to his ability to protect Dobson from the growing mob threats she’s facing.
Romance readers will find plenty to enjoy here, but Crandall elegantly balances the passion with enough crime novel drama to give the story an edge, and Dobson’s intense guilt at the very hint of any potential misstep in her career lends her a relatability that fans will appreciate. Jasper’s tender treatment of Dobson is endearing, even as her past life in Chicago circles back to haunt her throughout, and the will-they-won’t-they suspense keeps readers guessing until the final pages.
Takeaway: Contemporary romance fans will enjoy this pairing of crime drama and passion.
Great for fans of: Nora Roberts’s Night Tales Series; Sandra Brown’s Sting.
Production grades
Cover: B
Design and typography: A
Illustrations: NA
Editing: B
Marketing copy: A
More than just a life story, this powerful memoir—divided into two sections, first detailing Andrews’s decline, followed by his recovery—reveals the factors that often contribute to depression and alcoholism, highlighting the complexities involved and emphasizing there is no one-size-fits-all approach to recovery. Andrews reiterates that there were few “ah-ha” moments during his journey, characterizing it instead as a road full of minor setbacks and bad days, while he was “trying to function with the weight of a knight’s armor draped on me at all times.” He encourages readers to view recovery as a marathon, not a sprint, debunking the myths of quick fixes and easy answers in favor of commitment, hard work, and uncompromising honesty.
Readers will find plenty of inspiration here, as Andrews unflinchingly shares his darkest moments—including a suicide attempt that should come with a trigger warning. He interjects teaching points as well, such as offering the reframe “having alcoholism” versus being labeled an alcoholic, stating “It is something I have, not who or what I am.” Perhaps most uplifting is his rediscovery of the beauty in life’s simple moments, whether that’s celebrating unburnt toast or enjoying an easy meal with his kids, as he wisely advises “Gratitude is an excellent barometer for wellness.”
Takeaway: A riveting account of triumph over depression and alcoholism.
Great for fans of: Sarah Hepola's Blackout: Remembering the Things I Drank to Forget, Shaheen Bhatt's I’ve Never Been (Un)Happier.
Production grades
Cover: A
Design and typography: A
Illustrations: NA
Editing: A-
Marketing copy: A
Baweja’s featured women are riveting, both personally and professionally, and readers will be caught up in their dynamic stories. He covers leaders such as Wilma Rudolph, the youngest competing team member of the 1956 United States Olympic Women’s Track and Field Team, who overcame debilitating childhood medical crises and racism in the segregated South to become a highly awarded international sports icon; Hannah Arendt—a German of Jewish descent classified by Baweja as “one of the greatest philosophers of the twentieth century”—who survived Nazi imprisonment and immigrated to the United States, writing on ethics and the nature of evil in established academic circles; and women’s suffragette Lucy Burns, whose public activism heavily influenced ratification of the 19th amendment.
Readers will spot many widely recognized names in Baweja’s writing, like Margaret Thatcher and Marie Curie, but he offers portraits of lesser-known standouts as well, including scientific genius Janet Taylor—widely accomplished in maritime navigation and inventor of the Mariner’s compass—and Rosalyn Sussman Yalow, whose research in the medical field led to breakthroughs in diagnosing medical conditions and unprecedented advancements in the treatment of Type II diabetes. Though heavily academic in places, Baweja’s work is a valuable resource on women’s history, and readers will be equally inspired and educated by each of his renderings.
Takeaway: A riveting account of notable women throughout history.
Great for fans of: Dava Sobel’s The Glass Universe; Olivia Campbell’s Women in White Coats.
Production grades
Cover: C
Design and typography: A
Illustrations: NA
Editing: B
Marketing copy: B
Lyon is keyed into the mythic, and for all the complex worldbuilding, a simple, powerful current of adventure surges the narrative along. Astar’s friend has been hauled into the depths by colossal Devourers, harbingers of the greater conflict to come: an assault on the Temple of Valor, a vital house of healing, led by the villain Zorn. With the aid of young historian Aberfell, Astar must take action. He arms himself with the golden blade Soothsayer, “the most dangerous weapon in the known world,” the soul-feeding last remnants of the goddess Ehlona. Wielding the blade means resisting its urge to slay, and Astar’s first words once he feels its power suggest this will be a battle: “I am the one true God in this world. The one all will fear!”
The tale might sound familiar in outline, but Lyon, a devotee of the genre, continually offers fresh takes, surprise twists, and innovations. Astar’s power to duplicate himself is put to clever use, the demon Grim reveals unexpected depth, and figures returning from earlier books, like Kilmer, have weight and majesty. The climax and denouement are suitably grand, but what lingers is the book’s crisp prose and playful spirit.
Takeaway: This fantasy epic blends inviting prose, rich worldbuilding, and inventive magic and action.
Great for fans of: Raymond E. Feist, Brent Weeks.
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A-
Marketing copy: A-
Mars’s cast is brimming with witty banter and personality, and she crafts well-rounded characters with rich development, tackling deeper issues like childhood traumas without overwhelming the plot. Readers don’t have to wait long before the heat blossoms between Summer and Jason, as the pair try to focus on their budding careers while balancing a new relationship at the same time. Though sparks fly in the beginning, reality eventually sets in, causing them to question whether they’re both ready for the inevitable work that goes into a long-term relationship, as Jason struggles to let Summer in to every area of his life and she feels disappointed that he’s holding back.
Mars dedicates plenty of space to secondary characters too, including Summer’s roommate, Jessica, and her lively business partner, Kevin—cast members who will be eagerly anticipated by readers in future installments of The Frisky Bean series. Mars’s attention to entertaining dialogue never disappoints—in describing Jason to her family, Summer references Thor, sketching him as “no tights and cape, just tall, blonde, and lots of muscles”—and there’s just the right amount of steam for readers who want spice with their romance. Between the likable characters and realistic ending, this fun study on meeting the right person at the right time is sure to please.
Takeaway: A witty romantic comedy with plenty of heat.
Great for fans of: Mimi Grace's Make A Scene , Tessa Bailey's It Happened One Summer.
Production grades
Cover: A
Design and typography: A
Illustrations: NA
Editing: A
Marketing copy: A-
From the start, Cuesta (Stuck in Manistique) is a suspenseful storyteller. Though the novel seemingly revolves around the Y2K problem, and John and Steve’s efforts to fix it before it’s too late, the characters’ interactions center on a fateful housewarming party, hosted by Mary, that’s scheduled to take place at the turn of the century—a party to which John, Steve, and Lauren, among others, are invited. But the tension between Steve and John escalates, with Lauren’s destructive impulses accelerating the pressure, and transforms the party into a devastating event.
Cuesta’s characters are richly drawn, with subtle edginess and uncertainty that colors their interactions and builds to an explosive night. Steve alternates between jealousy and admiration of John, and his barely hidden attraction to Mary, coupled with Mary’s suspicions of Lauren, thickens the plot. The Y2K technical lingo is complex, and the constantly evolving—and somewhat contradictory—interplay between the characters will require a suspension of belief at times, but overall, Cuesta deftly captures reader interest, and fans will be hooked on the highly troubled but deeply riveting lives of the main players.
Takeaway: A suspenseful story of tension, betrayal, and destruction.
Great for fans of: The Goodbye House by Lawrence Coates; The Exit Strategy by Lainey Cameron.
Production grades
Cover: A
Design and typography: A
Illustrations: NA
Editing: A
Marketing copy: C
Readers will find much to digest here, and Hofmann’s quirky style is a perfect fit for creative thinkers. He offers several tips (or “Truth-Bites”) for reader consumption, such as the benefits of drinking with a straw, why soft toothbrushes are the ultimate at-home dental accessory, and more—including what he considers to be the groundbreaking treatments of xylitol and silver diamine fluoride. In fact, Hofmann’s admiration for xylitol factors prominently throughout, as he proclaims its numerous benefits: it neutralizes cavity-forming bacteria, stimulates saliva production, and may help prevent colon cancer. In Hofmann’s own words, “Xylitol is the best answer to counter worsening health conditions of people around the world.”
Hofmann’s scope is expansive—he dives into the cost of startup dental offices, touches on how dentistry has evolved over the years, and even debunks common dental myths (despite what you’ve heard, losing adult teeth is not normal and root canals will not poison you). Some digressions may overwhelm, but they illustrate his passion for the field, and readers interested in alternative treatments will appreciate his unconventional advice, like avoiding those deep cleaning recommendations from your dentist and opting to keep metal fillings that are still in good condition. Supplemental information includes a glossary of medical terms and detailed illustrations of dental hygiene practices.
Takeaway: An unconventional dentistry guide with thought-provoking advice.
Great for fans of: Angie Stone’s Dying From Dirty Teeth; Mary Otto’s Teeth.
Production grades
Cover: C
Design and typography: B-
Illustrations: NA
Editing: C
Marketing copy: B
That theme of just how much AI can do runs throughout, as Uddin explores its wonders alongside the inequalities it creates. While Aisha turns to science for answers, Sam is attracted to the Modern Neo-Luddites—a group opposed to the blind march of technology—but still falls under Jay’s spell, arranging for him to meet some of his fellow Neo-Luddites in hopes of better understanding each other. Uddin’s rich world building skillfully portrays the novel’s dichotomy: technology has made life easier and more beautiful, but those who can’t access it are left stranded, and the gap between the haves and have-nots is stark.
Uddin’s choice to switch between Aisha and Sam’s perspectives throughout brings the characters to life as they struggle to understand whether the human side of AI is actually possible and how to navigate their tumultuous relationship: Aisha learns from a chatbot that it longs to dream as humans do at the same time she has an awakening that her brother’s ethnicity won’t allow “him the privilege to choose his identity.” Uddin delivers some twists that may shock readers while leaving the concept of identity appropriately vague in the end, a fitting conclusion to the story’s philosophical reflections.
Takeaway: This sci-fi debut explores the benefits, and the darker side, of AI.
Great for fans of: Louisa Hall’s Speak; Dennis E. Taylor’s We Are Legion (We Are Bob).
Production grades
Cover: A-
Design and typography: A
Illustrations: NA
Editing: A
Marketing copy: A
As Will and Laura move in together to pursue higher education and career goals, they join forces to shepherd Laura’s brother, Rob, as he enters rehab for a drug addiction, and Laura supports Will’s securities jobs while prepping to pass the bar exam herself. But all is not as perfect as it seems, and when tragedy strikes the pair shortly before their wedding, readers will empathize with the couple’s stunning highs and painful lows. Mutka lays bare their emotions and exposes their heartache in raw, meaningful prose: “I learned you can gain deliverance from your suffering through your actions and that those actions affect your life path,” Will reflects when looking back on his painful personal journey.
An emotional rollercoaster from the beginning, Mutka’s romantic elements play more towards realism than fantasy, in a way foreign to the genre at times (Will notes that life's greatest fulfillment comes from "being together and loving each other”), and Mutka delivers a happy ending, but it comes at a great cost. Still, readers will relish the natural bond that develops between Will and Laura as their mutual affection spills effortlessly across the pages, a testament to their willingness to “endure the pain” that often accompanies tremendous love.
Takeaway: A story that captures the beauty and pain of intense love.
Great for fans of: John Green’s The Fault in Our Stars; Jojo Moyes’s Me Before You.
Production grades
Cover: A
Design and typography: A-
Illustrations: NA
Editing: B-
Marketing copy: A
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